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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1060220 By The Beatles. By John Lennon and Paul McCartney. Arranged by Kayleigh Huelin. Pop. 10 pages. Kayleigh Huelin #664545. Published by Kayleigh Huelin (A0.1060220). Showcasing the Beatles' versatility as composers, 'Lady Madonna' is a boogie-woogie piano-based track which prominently features saxophones - so it's a great choice for any saxophone group! Guaranteed to please an audience, this is a great track for formal and informal performances. Arranged for SAATTB saxophone sextet. Like this? Why not check out my website for more saxophone arrangements: www.khuelinmusic.co.uk.
Lady Madonna
Ensemble de saxophones
The Beatles
$29.99 25.88 € Ensemble de saxophones PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.916828 By Tom Vitti. By George Harrison, John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Helen Russell. A Cappella,Pop. Octavo. 6 pages. Helen Russell #4777599. Published by Helen Russell (A0.916828). SSA a capella choir (SSA) - Digital DownloadBy The Beatles Words and Music by Paul James McCartney, George Harrison, John Winston Lennon. Arranged by Helen Russell Choral, a capella, choir, solfege, solfa. 6 pages. Duration 1m44.This is an acapella arrangement of The Beatles' Lady Madonna suitable for community or school choirs. Scored in traditional notation with solfége syllables included making it ideal for choirs with a solfége or Kodály background.Regular key changes reflected in the changed solfa from A-do to A-laRanges:Soprano 1: E4- C#5Soprano 2: F#3 - A4Alto: G3 - A4 doremipiano.co.uk.
Lady Madonna
Chorale 3 parties
Tom Vitti
$2.25 1.94 € Chorale 3 parties PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.958781 Composed by Domingo Enrique Cadícamo y Juan Carlos Howard. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6872597. Published by Juan Carlos Cortés Aguirre (A0.958781). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión grabada por la orquesta de Héctor Varela con las voces de Argentino Ledesma y Rodolfo Lesica. (sello Columbia, 29-03-1955)TROVADOR MAZORQUERO (Vals)Letra : Enrique Cadícamo (Domingo Enrique Cadícamo)Música : Juan Carlos HowardIntroducción:Ya se pierde el pregón del sereno en el barrio del Restaurador,Y en la noche tan tibia de enero, esparce el lucero su limpio fulgor.La magnolia foscata perfuma la casona de aljibe y jardín,Y con voz varonil se desata una serenata que comienza así:Soy tu fiel trovador mazorquero y esta noche he venido a cantar,Repitiéndote que siempre: ¡Te quiero!, Te quiero alma mía, no me hagas penar.Soy tu fiel trovador mazorquero poncho rojo, vihuela y facón,De San Telmo eres toda la gala Federala de mi corazón.La canción queda trunca, de pronto cae herido el soldado cantor,Un puñal unitario le apaga su dulce guitarra, su canto de amor.En la alcoba la amada sonríe Sin pensar que en la calle está él,¡Ay! Malherido, con voz moribunda Cantándole a ella, repite otra vez:Soy tu fiel trovador mazorquero y esta noche he venido a cantar,Repitiéndote que siempre: ¡Te quiero!, Te quiero alma mía, no me hagas penar.Soy tu fiel trovador mazorquero poncho rojo, vihuela y facón,De San Telmo eres toda la gala Federala de mi corazón.Federala de mi corazón. Federala de mi corazón.
Trovador mazorquero. Vals por: Domingo Enrique Cadícamo y Juan Carlos Howard.
Piano seul

$7.99 6.9 € Piano seul PDF SheetMusicPlus

Cello,Piano - Level 5 - Digital Download SKU: A0.533690 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #3038631. Published by Musik Fabrik Music Publishing (A0.533690). Paradoxes: Sonata for Cello and Piano (1998) was written as a commission frommusicologist and cellist Larry KludgeThe conception and inspiration of this sonata had the idea of paradoxes behind it. Ouruniverse is certainly full of these paradoxes, and they range from the most practical in natureto the most highly philosophical in nature. Each of the movements in this work isparadoxical in a variety of musical ways. The movement titles present the foundation ideasfor each movement, stillness, brevity, and movement; however, those serve as only thebeginning for the paradoxes in the work. The first movement, Paradox of Stillness, openswith a statement of the main melodic theme for the work. The melody and pitches of thattheme are used in a variety of ways throughout. The second section serves as a contrast to theopening after which the opening section is recalled again for the close. The brief secondmovement, Paradox of Brevity, is a very fast moving movement for the cello and the piano.Driving rhythms and odd harmonic twists pervade the movement. The final movement,Paradox of Movement, opens with and sustains a moto perpetuo dance for almost the entiremovement with a break in the middle for a brief cadenza for the solo cello. A brief codabrings the movement to a close
Carson Cooman: Paradoxes: Sonata for Cello and Piano (1998)
Violoncelle, Piano

$19.95 17.22 € Violoncelle, Piano PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film/TV,Multicultural,Musical/Show,World. Score and parts. 71 pages. Brian Strohmetz #633740. Published by Brian Strohmetz (A0.1030571). For Orchestra, Solo Vocalist and Choir Shadowland is a song written by Lebo M., Hans Zimmer and Mark Mancina for the musical The Lion King (1997), a stage adaptation of Disney's 1994 animated film of the same name. Based on the song Lea Halalela (Holy Land), a track featured on Lebo's Lion King-inspired concept album Rhythm of the Pride Lands (1995), Lebo composed the track with Zimmer, while both Lebo and Mancina contributed new lyrics to its melody. Lebo based the song's lyrics on his own experiences having been exiled from South Africa during apartheid, therefore imbuing Shadowland with themes about refugeeism and survival. Originally performed by Trinidadian-American singer and actress Heather Headley as Nala, and South African actress Tsidii Le Loka as Rafiki, roles both performers originated on stage, Shadowland narrates Nala's decision to leave the Pride Lands in search of a more habitable environment upon realizing that her homeland has grown dry and barren in the midst of Scar's reign. Taking place shortly after Nala rejects Scar's romantic advances, director Julie Taymor used the song to develop Nala into a stronger character for the stage adaptation, and identified Shadowland as her favorite among the production's original songs, believing its message and themes to be universal. Musically, Shadowland is a soul power ballad. Sung in both English and African languages, its instrumentation combines African percussion with European orchestration to create a more exotic sound while accompanying pop vocals and African chants; some critics have observed political themes such as feminism, injustice and the ecosystem throughout the song's lyrics. Shadowland has been mostly positively received by music and theatre critics; both Headley and actresses who replaced her in subsequent productions of the musical have been praised for their vocals and performances.
Shadowland
Orchestre

$74.99 64.72 € Orchestre PDF SheetMusicPlus






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