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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014). The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or BHarmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.If feeling super inspired sing the low register chromatically into the flute whilst fingering it.Do a lot of legato slurred work to warm up before commencing articulation.Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.
Rain After That
Flûte traversière et Piano
Joe Hisaishi
$6.95 6.02 € Flûte traversière et Piano PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1270685 By Etta James. By Irving Kahal and Sammy Fain. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #863059. Published by Timothy Stapay (A0.1270685). This arrangement of I'll Be Seeing You is written as performed by legendary piano artist, Liberace.  It's based on a rare piano solo version rather than thevocal version, that Liberace would often sing on his shows. I'll Be Seeing You is a popular song about missing a loved one, with music by Sammy Fain and lyrics by Irving Kahal.   Published in 1938, it was inserted into the Broadway musical Right This Way, which closed after fifteen performances. The title of the 1944 film I'll Be Seeing You was taken from this song at the suggestion of the film's producer, Dore Schary. The song is included in the film's soundtrack. Lyrics:I'll be seeing you in all the old familiar placesThat this heart of mine embraces all day throughIn that small cafe, the park across the wayThe children's carousel, The chestnut trees, the wishing wellI'll be seeing you in every lovely summer's dayIn everything that's light and gayI'll always think of you that wayI'll find you in the morning' sunAnd when the night is newI'll be looking at the moonBut I'll be seeing youI'll find you in the morning sunAnd when the night is newI'll be looking at the moonBut I'll be seeing you.
I'll Be Seeing You
Piano seul
Etta James
$8.99 7.79 € Piano seul PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522344 Composed by Traditional Spiritual - circa 1840. Arranged by Paul A. Jorg. A Cappella,Spiritual,Traditional. Octavo. 5 pages. Paul A. Jorg #5971195. Published by Paul A. Jorg (A0.522344). This arrangement is for 4-part male voices (TTBB) a cappella.  The melody is passed around to each part during the presentation, which makes it interesting to sing or to hear it sung.This Spiritual was created before the Civil War, circa 1840. Mary Don't You Weep (alternately titled O Mary Don't You Weep, Oh Mary, Don't You Weep, Don't You Mourn, or variations thereof) is a Spiritual that originates from before the American Civil War – thusit describes their origins among the enslaved, and it contains coded messages of hope and resistance.  The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead.  Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh's army got drown-ded, and to God's rainbow covenant to Noah after the Great Flood.  There are many verses that developed over the years,  here are just a few.
MARY, DON'T YOU WEEP (O, Mary, Don't You Weep)
Chorale TTBB

$4.59 3.98 € Chorale TTBB PDF SheetMusicPlus

Vocal Solo,Voice - Digital Download SKU: A0.1005544 Composed by Jill Hudson. Sacred. 7 pages. Jill Hudson #6408639. Published by Jill Hudson (A0.1005544). Written for the women of Saint Luke's Presbyterian Church and their Spring service, to go along with the bible study for 2021. Into the light - finding hope through prayers of lament by P. Lynn Miller, explores the relationship of lament to scripture. One of the foundational points of the study is that, in scripture, lament usually leads to hope. After crying out to God, the one who laments remembers God. And while that doesn’t fix things in the moment-the injustice, the loss still exists-the lamenter is strengthened to face the world and to hope..
I Can Hope (Because Your Faithfulness is Great)
Piano, Voix

$2.99 2.59 € Piano, Voix PDF SheetMusicPlus






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