Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1286345 Composed by David Lantz and Words by Thomas Henry Roehrich. Lent,Sacred. 8 pages. Lantz Choral Publications #877418. Published by Lantz Choral Publications (A0.1286345). Intended use: Good Friday, Holy Week, Post EasterThemes: Crucifixion, SalvationNo clearer example exists of the astonishing grace of a suffering savior in the life of a repentant sinner than that of the thief on the cross. That this same grace is available to us all compels us to proclaim The Beauty of Your Name. This powerful anthem for SAB voices and piano is suitable for Holy Week and Good Friday, and is appropriate after Easter, as well.Also available for SATB (LCP0063).NOTE: The audio recording is that of the SATB version.

Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1318498 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,Christmas,Holiday. 10 pages. Connie Boss #907165. Published by Connie Boss (A0.1318498). This version has an optional beginning. I have choir humming for the first three measure. There is a soloist that starts singing after that. The optional part is to not play the piano until half way through the verse. There is accompaniment if you prefer. You can hear on the mp3 how it sounds being a cappella until then. It is for SATB voices. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earth Shepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord Emmanuel In a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peace O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.

French Horn,Piano - Level 3 - Digital Download SKU: A0.726080 Composed by Robert Lowry (1826-1899). Arranged by Todd Marchand. Christian,Gospel,Sacred. Score and part. 6 pages. Con Spirito Music #3546595. Published by Con Spirito Music (A0.726080). How Can I Keep From Singing? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) - the first being Shall We Gather at the River?Born in Philadelphia and later a Baptist minister who served in churches in Pennsylvania, New York, and New Jersey, Lowry is best remembered as a writer of more than 500 gospel songs and hymns, and as editor of numerous gospel song books and hymn books.How Can I Keep From Singing? (also known as Endless Song) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim:My life flows on in endless song above earth’s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I’m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?©2018 Todd Marchand / ConSpiritoMusic.com

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.999154 By Twila Paris. By Twila Paris. Arranged by Cory Brown, Damien Kaplan. Christian,Gospel. 13 pages. Brown/Kaplan #6046659. Published by Brown/Kaplan (A0.999154). We have taken this beautiful classic by Twila Paris back to basics and have arranged a male/female vocal duet, including wedding verse and dramatic key change. The wedding verse is included in the original publication and the unique harmonies and fresh-supportive piano accompaniment brings a new approach in which two voices can proclaim this piece while maintaining its original beauty.

Preview Pack (PDF Score & MP3) - Digital Download SKU: H1.8367DP Arranged by Lloyd Larson. Hymntune, Lent, Easter Sunday. Preview Pack - Score & Listening CD. 62 pages. Hope Publishing - Digital #8367DP. Published by Hope Publishing - Digital (H1.8367DP). Lloyd Larson has crafted this versatile cantata to be sung during the Lenten Season, highlighting Palm Sunday through the Easter resurrection, in this 30-35 minute musical journey. Options to omit either the Palm Sunday selection or the Easter anthem are provided. This journey to the cross is filled with passionate and intimate worship moments using texts by contemporary hymn and song writers. It conveys a powerful message filled with eternal hope and the challenge to Lift high the cross, the love of Christ proclaim! The accompaniment may be provided by piano alone, chamber orchestra or an accompaniment CD. The instrumentation, arranged by Mark Kellner, contains a Conductor's Score and parts for: Flute, Oboe, Horn in F, Trumpet in B-flat, Percussion, Violin, Cello, Bass Guitar, and Synthesizer String Reduction.

Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261).      The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo.      In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.”      This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat.      Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box.   (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Piano Trio Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.1363664 By Sharon Wilson. By Fanny J. Crosby and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. 20 pages. Sharon Wilson #948058. Published by Sharon Wilson (A0.1363664). Here is an inspiring instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the joyful hymn Redeemed! How I Love to Proclaim It! by William J. Kirkpatrick. The VIOLIN and CELLO alternate leading with the melody throughout both verses making this a fun and equally challenging piece for both instruments while adding variety for the listeners.  The first verse is in the key of C major. During the piano interlude between verses, the arrangement transitions to the key of G major for the second verse and final chorus. This upbeat and cheerful instrumental arrangement is an ideal selection for a church setting and a valuable addition to the sacred repertoire of string players. Duration 2:20.The range for each part is as follows: VIOLIN ~ G4 to B5; CELLO ~ C3 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.The purchase price includes these printing options: 1. a grand staff (8 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (3 pages)3. a combined CELLO and VIOLIN score (3 pages)This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 4 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1351442 By Mary S. Walsh and Beth S. Simmons. By Mary S. Walsh. Christian,Christmas,Classical,Contemporary,Praise & Worship. 15 pages. Mary Walsh #935693. Published by Mary Walsh (A0.1351442). Waiting Music by Mary S. Walsh Text by Beth S. SimmonsWaiting, the second piece within the cantata, Prophecy: A Musical and Dramatic Telling of The Birth of Christ, is a biblical representation of the fears and worries of the ancient world, mirroring many of the frustrations and grievances people experience today with the rise of tyrannical leaders and political turmoil. This anthem for SATB choirs begins with a layering of ostinatos by the treble voices while the bass voices proclaim, Those who wait on the Lord shall renew their strength! The anthem ends in a dramatic canon of not by might, not by pow'r, but by my spirit saith the lord. This anthem can be performed alone as it is suitable for advent services and concert use.

Orchestra - Digital Download SKU: H1.C6331ODP Piano with optional Orchestra. Choral Parts. 97 pages. Hope Publishing - Digital #C6331ODP. Published by Hope Publishing - Digital (H1.C6331ODP). Music Arr. Joel Raney. Timothy Dudley-Smith.From the musical, 'Sing Christmas!' This popular hymn text is a paraphrase of The Song of Mary, recorded in Luke 1. The message calls for Christians to proclaim the greatness of the Lord, the greatness of his name, the greatness of his might, and the greatness of his word, in each of the four stanzas. Equally effective with piano accompaniment or full orchestra, this setting originally appeared in Mary McDonald and Joel Raney's best-selling Christmas musical, Sing Christmas! code number 8901.

Unison chorus - Digital Download SKU: C7.CGA1174 Composed by David Schwoebel. General. Hymns of Faith. With Flute. Sacred Anthem. Octavo. 16 pages. Chorister's Guild - Digital #CGA1174. Published by Chorister's Guild - Digital (C7.CGA1174). UPC: 749193014585.This glorious arrangement of a beloved hymn is an ideal anthem for any choir of unison voices and congregation. Trilled notes--played by the flute or organ--open the piece and symbolize a bird's morning song of praise before the unison choir introduces Joseph Barnby's graceful hymn tune. During the anthem's final stanza, the congregation joins the choir to enthusiastically proclaim, Be this the eternal song through all the ages long, May Jesus Christ be praised!.

SATB choir, Piano (With Optional Flute) - Digital Download SKU: LX.10-4401L Composed by Pepper Choplin. Sacred Anthem. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/4401L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-4401L). ISBN 9781429132138.Pepper Choplin's creativity shines in this anthem of joy rejoicing in God's presence in our lives. It invites all of us to carry His love to others and to human need as we proclaim: Your love is my song..

Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published by Chris Cooke (A0.1071369). This is a recording of the printed piano accompaniment book. (Other Books also available are for flute, clarinet/trumpet, alto sax, French horn, and trombone.) These recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version contains only one verse with no introduction. Many hymns are in their original hymnal keys, but if not, they have been adjusted slightly for a better playing range.This is one large file, containing all 50 accompaniments, plus one bonus recording-a harpsichord version of the first piece. For this reason, the cue point is given which is the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 59-minute MP3. For instance, And Can It Be would be found at the 6-minute and 12-second time point. The full list of hymns, with their concert keys, cue points, and length of introduction, is below:All Things Bright and Beautiful (alternate tune, Monk), C,harpsichord; 4-measure introAll Things Bright and Beautiful, piano, cue point: 0:3:06; 4-measure introAnd Can It Be, F; cue point: 0:06:12; 4-measure introAre You Washed in the Blood, G; cue point: 0:09:33; 4-measure introAt Calvary, C; cue point: 0:11:25; 4-measure introBe Thou My Vision, E-flat; cue point: 0:13:44; 4-measure introBlessed Be the Name, A-flat; cue point: 0:15:29; 4-measure introBreathe on Me, Breath of God, F; cue point: 0:17:47; 4-measure introCome, Christians Join to Sing, E-flat; cue point: 0:19:16; 4-measure introFaith is the Victory, E-flat; cue point: 0:21:02; 4-measure introGlory to His Name, G; cue point: 0:23:21; 4-measure introHe Keeps Me Singing, A-flat; cue point: 0:25:40; 4-measure introHeavenly Sunlight, F; cue point: 0:27:58; 4-measure introI Know Whom I Have Believed, A-flat; cue point: 0:29:39; 4-measure introI Love to Tell The Story, A-flat; cue point: 0:32:06; 4-measure introImortal, Invisible, God Only Wise, A-flat; cue point: 0:34:52; 4-measure introIt Is Mine, B-flat; cue point: 0:36:27; 4-measure introJesus Saves, G; cue point: 0:38:22; 4-measure introJoy Unspeakable and Full of Glory, A-flat; cue point: 0:40:22; 4-measure introJust as I am , E-flat; cue point: 0:42:41; 6-measure introLeaning on the Everlasting Arms, A-flat; cue point: 0:46:36; 4-measure introLike a River Glorious F; cue point: 0:48:23; 4-measure introLove Lifted Me, B-flat; cue point: 0:50:32; 4-measure introMy Faith Looks Up to Thee, D; cue point: 0:53:19; 4-measure introNothing But the Blood, A-flat; cue point: 0:55:32; 4-measure introOh How I Love Jesus, A-flat; cue point: 0:57:51; 4-measure introOn Jordan’s Stormy Banks, E-flat; cue point: 0:59:37; 4-measure introPraise Him! Praise Him! F; cue point: 1:01:56; 4-measure introRedeemed, How I Love to Proclaim It, A-flat; cue point: 1:04:14; 4-measure introRejoice, The Lord Is King! C; cue point: 1:05:49; 4-measure introRevive Us Again, F; cue point: 1:07:52; 4-measure introRock of Ages, B-flat; cue point: 1:09:36; 4-measure introSend the Light, F; cue point: 1:10:54; 4-measure introSince I Have Been Redeemed, F; cue point: 1:13:34; 4-measure introSince Jesus Came Into My Heart, G; cue point: 1:16:02; 4-measure introSoftly and Tenderly, F; cue point: 1:18:30; 4-measure introStand Up, Stand Up for Jesus, G; cue point: 1:22:29; 4-measure introStanding on the Promises, B-flat; cue point: 1:24:48; 4-measure introSunshine in My Soul, F; cue point: 1:27:06; 2-measure introThe Old Rugged Cross, B-flat; cue point: 1:29:21; 4-measure in.

Choral Choir,Choral (SAT) - Level 3 - Digital Download SKU: A0.887363 Composed by Bo Kim. Advent,Christian,Lent,Religious,Sacred. 9 pages. Bo Kim #4608213. Published by Bo Kim (A0.887363). A choral offertory that dedicates the freshest hour of a day to proclaim the promise of God's grace. Mesmerizing harmony in three parts and simple piano accompaniment. https://youtu.be/hEAFLhutWP0.