String Quartet String Quartet - Level 2 - Digital Download SKU: A0.798121 By Ariana Grande. By Angelina Barrett, Ariana Grande, Brian Bates, London Holmes, Nija Charles, Phil Scully, Steven Franks, Tommy Brown, and Victoria Monet McCants. Arranged by Inacio Saldanha. Pop. Score and parts. 17 pages. Inacio Saldanha #6318885. Published by Inacio Saldanha (A0.798121). Positions is a song recorded by American singer Ariana Grande. The song was released by Republic Records on October 23, 2020, as the lead single from Grande's sixth studio album of the same name. The song was written by Grande, Angelina Barrett, Brian Vincent Bates, Nija Charles, James Jarvis, Tommy Brown, London on da Track, and Mr. Franks, and produced by the latter three.Positions is a pop and R&B song built around trap beats, plucked guitar, and viola, seeing Grande extend romantic overtures to her love interest. The song was met with generally positive reviews from music critics, who complimented its breezy and mellow sound. The song's music video, directed by Dave Meyers, accompanied the song's release, and depicts Grande as the President of the United States.The song debuted atop the US Billboard Hot 100, becoming Grande's fifth US number-one single and extending her record of being the first artist to have five number-one debut singles on the chart and for being the only artist to have the lead singles of each of her albums debut within the top-10 of the chart. It also debuted at number one on the Billboard Global 200 and Billboard Global Excl. U.S., making Positions the first song to simultaneously debut atop both charts and the Hot 100. Additionally, Positions topped the charts in Australia, Canada, Greece, Hungary, Ireland, Israel, Lithuania, Malaysia, New Zealand, Singapore and the United Kingdom, giving Grande her seventh number-one in the UK. It also peaked in the top-10 of the charts in 30 other countries. (Wikipedia).Arranged for String Quartet. Key of D minor. Early Intermediate.

Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1349597 By Diana Ross. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Kevin P Holdgate. 20th Century,Disco,Pop,Standards,Wedding. 17 pages. Kevin P Holdgate #934360. Published by Kevin P Holdgate (A0.1349597). This arrangement is for brass sextet with additional parts provicded as an alternative for Horn in Eb Trombone (Treble Clef) Euphonium Treble Clef) & Eb BassChain Reaction is a song by American singer Diana Ross, released on November 12, 1985, as the second single from her sixteenth studio album, Eaten Alive (1985). The song was written by the Bee Gees and contains additional vocals from Barry Gibb. Sonically, Chain Reaction is an R&B and dance-pop song. According to the Gibbs' biography, the brothers had initial reservations about offering the song to Ross in case it was too Motown-like for her.The single became Ross's second No. 1 hit in the UK Singles Chart. It also hit No. 1 in Australia—where it became the best selling single of 1986—Ireland, and Zimbabwe. In New Zealand, it peaked at No. 3 and it made the top 5 in South Africa. In 1993, the song entered the UK top 20 again, when it was re-released to commemorate Ross's 30th anniversary in show business. 

Cello and piano - easy to intermediate - Digital Download SKU: S9.Q48910 6 Easy Concert Pieces. Composed by Arnold Trowell. This edition: Sheet music. Schott Student Edition - Repertoire. 6 leichte Stücke für Violoncello und Klavier. Downloadable. Op. 4/7-12. Schott Music - Digital #Q48910. Published by Schott Music - Digital (S9.Q48910). German • English • French.Born in New Zealand Arnold Trowell (1887-1966) came to Europe for his education, where he worked until his death as a composer, musician and educator. His pedagogically motivated compositions, such as 6 Morceaux op. 20, as well as the 12 morceaux faciles pour violoncelle op. 4, are still popular today. The editor Beverley Ellis has selected movements 7-12 from opus 4 for this edition, which are graded as medium difficulty. Technical tips and suggestions for the development and interpretation of the pieces are included with this edition. The first 6 movements from op. 4, which are much easier and can be played in the first years of cello lessons, are also available in the Schott Student Edition (SE 1024). About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1019707 Composed by Hope Mendelssohn. A Cappella,Christian,Christmas,Sacred. Octavo. 3 pages. Hope Mendelssohn #3602289. Published by Hope Mendelssohn (A0.1019707). This is a new setting of Away in a Manger for S.A.T.B. acapella choir.  It is suitable for all levels and voice types.  The performing rights are held with A.P.R.A. A.M.C.O.S. New Zealand.  Composed this year, be the first to premiere it.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1019709 Composed by Hope Mendelssohn. Instructional,Standards,World. Octavo. 7 pages. Hope Mendelssohn #3618635. Published by Hope Mendelssohn (A0.1019709). A work for S.A.T.B. choir, depicting a historic set of volcanic eruptions and the spectators' interpretation.  This work has been studied and performed for external High School examinations.  The performing rights are held by A.P.R.A. A.M.C.O.S. New Zealand.  Suitable also for amateur,semi-professional adult choirs and Youth Choirs. Approximately 2mins. 30secs. in duration.  .

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1019708 Composed by Hope Mendelssohn. 20th Century,World. Octavo. 4 pages. Hope Mendelssohn #3603907. Published by Hope Mendelssohn (A0.1019708). May the Calm be Widespread is a Maori and English blessing for S.A.T.B. choir; suitable for any occasion, this is an historic text-see note in score details.  The performing rights are held by A.P.R.A. A.M.C.O.S. New Zealand.  The duration is 1 minute and 30 seconds.  Can be performed in recital, school graduations etc.  Has been performed at International Education Conferences as part of the Powhiri.  A thoughtful and sensitive setting of the text.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1019706 Composed by Hope Mendelssohn. Arranged by Hope Mendelssohn. A Cappella. Octavo. 11 pages. Hope Mendelssohn #3602379. Published by Hope Mendelssohn (A0.1019706). This is an arrangement of the original Pot Pourri score for S.A.T.B. acapella choir.  It is fun and a challenge for younger voices.  It involves a percussive section-body percussion if you wish.  Creative input is welcome.  The performing rights are held by A.P.R.A. A.M.C.O.S. New Zealand.  It is approximately 3mins and 38seconds in duration.  Original text.  A choral jazz piece suitable for competitions and education.

Choral SATB choir - Digital Download SKU: H1.AG7295DP Composed by Carlton Young. Arranged by Carlton Young. Piano Accompaniment with Optional Instrumental Parts. Christmas, Sacred. Octavo. 8 pages. Hope Publishing - Digital #AG7295DP. Published by Hope Publishing - Digital (H1.AG7295DP). Shirley Erena Murray. 2 Peter 1:19 - 2 Timothy 2:5 - Luke 2:14 - Matthew 2:2 - Numbers:24:17 - Revelation 22:16.Original Christmas anthem Shirley Erena Murray, New Zealand's premier hymnwriter, first introduced the words to Star-Child on her Christmas card in 1994. Within 24 hours, Carlton R. Young responded and composed a simple lilting tune to the socially conscious text. Ms. Murray explained the genesis of her poem like this: The carol grew out of increasing concern at the market values dictating our welfare system, now creating more and more 'social reject. ' This relevant Christmas anthem can be embellished with various optional instruments or simply sung with piano accompaniment. Either way, the result is glorious.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1019725 Composed by Hope Mendelssohn. Concert,Contemporary,Instructional,Standards. Octavo. 4 pages. Hope Mendelssohn #4276353. Published by Hope Mendelssohn (A0.1019725). An easy piece for S.A.T.B. choir.  Text predominantly in English although some easy French toward the end.  A joyful piece, the performing rights are held by A.P.R.A. A.M.C.O.S. New Zealand.   Text original.  .

French Horn Solo - Level 5 - Digital Download SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.

French Horn Solo - Level 5 - Digital Download SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.

Level 3 - Digital Download SKU: A0.840506 Composed by Jerome Kern. Arranged by Ted R. Marcus. 20th Century,Broadway,Chamber,Musical/Show. 26 pages. Ted R. Marcus #6826435. Published by Ted R. Marcus (A0.840506). An old-fashioned vaudeville specialty number from 1919, reimagined for brass quintet. It's a moderate tempo ragtime-flavored march in the patrol form that depicts a band approaching, passing by, and receding into the distance. Fun for players and audiences alike, it makes a great encore or provides lighthearted balance to more serious works. This is an intermediate level piece suitable for high school, college, or adult players.

Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877235. Published by Thomas R. Schadl (A0.912495). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.

Concert Band - Level 2 - Digital Download SKU: A0.496549 Composed by John R. Daniels. Folk,Traditional. Score and parts. 43 pages. John R. Daniels #110708. Published by John R. Daniels (A0.496549). A delightful little waltz that sounds a bit off kilter because it has seven-measure phrases. To balance that, there are also two countermelodies presented, with the final A section featuring the main melody and both countermelodies in a grand calliope sound. The Cantummit Waltz is called that because I found it hard to hum a few bars when asked to do so by some people who were helping me name it. So they suggested that I call it the I Can't Hum It Waltz. Can't Hum It became Cantummit. IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.

Concert Band - Level 1 - Digital Download SKU: A0.1210073 Composed by Jordan R. Sawyer. Classical. Score and Parts. 26 pages. J.R. Sawyer #807950. Published by J.R. Sawyer (A0.1210073). Congratulations on completing the first few pages of your Method Book! I wrote this fanfare using only the typical concepts covered within these pages. The idea was that the music would be passed out after mastery of these concepts as a reward - we would end class with a little work each day on the “concert music� even if we weren’t preparing a concert. I have always found that it’s never too early to start working on the ensemble skills of balance, blend, intonation, and understanding one’s role within the ensemble. Plus, the act of making music together is why our kids joined band: playing pieces of music is fun!This fanfare should be played at Quarter Note = 116. It should be strong and notes should be played for their full value. There are only ever three lines (plus percussion) at any given time to help start the process of teaching Melody, Harmony, and Accompaniment.