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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1147198 Composed by Luis Enrique Bacalov. Arranged by Unimusic Academy (Academia Unimusica). Latin,Pop,Singer/Songwriter. Score. 3 pages. Unimusic Academy (Academia Unimusica) #747388. Published by Unimusic Academy (Academia Unimusica) (A0.1147198). El día que me quieras (English: The day that you love me) is an Argentine tango with music by Carlos Gardel and lyrics by Alfredo Le Pera. It is considered one of the most popular songs of the 20th century and one of the best Latin songs of all time.[1] Originally featured in the 1935 film of the same name, sung by Gardel himself, it became a heavily recorded tango standard, even by artists outside of the realm of tango. It has subsequently been covered by various artists such as Luis Miguel, Julio Iglesias,[2] Michael Bolton[3] Roberto Carlos, Raphael de España and Shlomo Idov who translated the song to Hebrew. The song was inducted into the Latin Grammy Hall of Fame in 2001.[4] El día que me quieras was honored at the 2014 La Musa Awards as La Canción de Todos los Tiempos (The Song of All Times).[5] It was among the tango standards selected by Plácido Domingo for his 1981 album Plácido Domingo Sings Tangos. In addition to Domingo, the song has been covered by operatic tenors including José Carreras,[6] Juan Diego Florez,[7] Christian Ketter,[8] and Alfredo Kraus.[9].
El Dia Que Me Quieras
Piano seul

$8.00 7.64 € Piano seul PDF SheetMusicPlus

Lever Harp - Level 4 - Digital Download SKU: A0.1405402 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 29 pages. A work by Alessandro Palazzani #988458. Published by A work by Alessandro Palazzani (A0.1405402). Four Pieces fromGiuseppe Verdi’s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniCONTENTS:Addio del passato        aria from act 3 (Violetta)Un dì, felice, eterea        duetto from act 1 (Violetta & Alfredo)Di Provenza il mar, il suol    aria from act 2 (Germont)Prelude and Finale        prelude from act 1 and last measures of act 3Discover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. In this captivating collection, Palazzani brings to life four exquisite pieces from the opera, allowing the delicate yet powerful melodies to soar through the strings of the harp with grace and emotion. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
Four pieces from LA TRAVIATA - Solo Lever Harp
Harpe

$25.00 23.87 € Harpe PDF SheetMusicPlus

Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
A Night’s Tale
contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument
A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments

$5.95 5.68 € PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.958718 Composed by Felix Gregory. Arranged by Juan Carlos Cortés A. Concert,Jazz,Latin,Standards,Traditional. Score. 3 pages. Juan Carlos Cortés Aguirre #6115789. Published by Juan Carlos Cortés Aguirre (A0.958718). Transcripción par Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión original grabada por la Orquesta Krazy Kats (Más conocida como Felix y sus Gatitos) dirigida por el clarinetista norteamericano Felix Gregory, el 29 de Marzo de 1935, en el estudio 1 de la RCA Víctor en la ciudad de New York.Video You Tube Felix y sus Gatitos:  https://www.youtube.com/watch?v=_okiN5fumMYDicho conjunto estaba coformado por cinco instrumentos musicales como Contrabajo, Clarinete, Trompeta, Ukelele y Piano. La grabación estuvo dirigida por el maestro italiano Alfredo Cibelli, muy célebre por haber considerado por muchos años al compositor argentino Terig Tucci, como colombiano (Por sus inolvidables arreglos y composiciones de música colombiana), hasta que Carlos Gardel le aclaró la confusión, y colocó a su compatriota Tucci al frente de sus históricas grabaciones de tango. Este Beguine catalogado para el marketing como antillano, traduce su título en inglés: Chili al español: Chile (Variedad de pimiento pequeño y muy picante que se usa como condimento) Felix Gregory hizo parte de la Royal Flush Orchestra de Fess Williams como Clarinetista, Saxofonista Alto y Saxofonista Tenor.Otra grabación antológica de este tema, fue grabada por el Combo de Duque Palomino con el saxofonista Nelson Díaz y el violín del maestro antioqueño Luis Hernando Posada, en los estudios de Discos Tropical en la ciudad de Barranquila, en febrero de 1968, (antes de los carnavales de Barranquilla). En este LP estaba incluído el éxito de dicha grabación: Que me coma el tigre: Chili. Nelson Díaz con Duque Palomino y su Combo Video You Tube:https://www.youtube.com/watch?v=SEgp6FmjRE4
Chili. Beguine por Felix Gregory
Piano seul

$7.99 7.63 € Piano seul PDF SheetMusicPlus






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