Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - Digital Download SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 27 pages. Thomas Oboe Lee #37741. Published by Thomas Oboe Lee (A0.869371). Program note: I met Brian Calhoon when he performed at a Boston Conservatory of Music recital featuring students of marimba godhead, Nancy Zeltsman. This was a few years ago … A year ago, I noticed that Brian had started a percussion ensemble with some friends called the Boston Percussion Group. I have always been fascinated with John Cage’s early explorations with percussion instruments: First, Second and Third Constructions; Imaginary Landscape Nos 1, 2 & 3; etc. These percussion pieces eventually led to his invention of the prepared piano. Brian and I got together one day for lunch last fall, and I asked him if he would be interested if I wrote a piece for his group. He said, Yes!!! Percussion Quartet is in six movements. 1 Back beat … Moderato. 2 Arioso … Moderato. 3 Funk march … Moderato. 4 Nachtmusik I … Adagio. 5 Fast and furious … Presto. 6 Nachtmusik II … Moderato Enjoy!!! Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/percussion-quartet-2015

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596550 Composed by Juan María Solare. 20th Century,Blues,Instructional,Latin,Sacred. Score and parts. 12 pages. Juan Maria Solare #4408887. Published by Juan Maria Solare (A0.596550). Blues en mí [Blues in E / Blues in me] for piano. Composed in Worpswede (Germany) from 9th to18th October 2001. Dedicated to Hans-Dieter Ludwig (H.D.). Duration: 3'20. First performance by the composer at the Music Hall in Worpswede on 3rd May 2002. This concert was filmed by Reinhard Hölker, who also held a scholarship at the Künstlerhäuser Worpswede.   The Argentine first performance was given by Cecilia Strack on 17th December 2003 at the Conservatorio de la Ciudad de Buenos Aires, during a monographic concert (Compositions for Piano by Juan María Solare) organised by the Professors Silvia Dabul and Manuel Massone.   The title is a pan in Spanish: Blues in E minor / Blues in me.   At some moment I had a dream related with this piece. I cannot recall exactly when or where, but it must have been during 2003; any case not later. Possibly I've written it down somewhere, I will find it. Reconstructed by memory: It was an open-air concert, maybe in Worpswede. The audience sits down in banks around tables, eating; it is a kind of party. A music sounds that comes familiar to me. I recognized the Blues en mí. A young lady is performing it, whom I don't absolutely know. I ask myself: How could this lady get the score? She have possibly found it on the internet. And actually it was this dream that ended up convincing me to put some of my scores in Internet, beginning with the Blues en mí. According to my registers, I sent the sheet music to Mariano Rocca (webmaster of compositores e intérpretes, www.ciweb.com.ar) on 2nd November 2003 (ergo, this dream must have occurred before).   Juan María Solare Worpswede, 15th February 2007 (four days after the dedicatee's death)

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions

Concert Band - Level 3 - Digital Download SKU: A0.1272809 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 65 pages. Yellow Envelope Publications #865007. Published by Yellow Envelope Publications (A0.1272809). Though “The Veil Between� starts slow and ominous, it quickly picks up the tempo with a driving bass line and melody that pushes throughout the piece. The middle section is filled with creepy percussion instruments, including bowed cymbals and super ball mallets on gongs and timpani. Your percussionists are sure to enjoy trying out these cool sounds.Every person on a melodic instrument gets the melody at some point in the piece. I just liked the idea of someone starting to play the melody as people were getting ready for rehearsal and anyone else being able to join in! Plus, I thought it might make it easier to teach the style of the melody if you could do it as a full group.This piece was originally written for 5 percussionists. After finishing the piece I was asked to add in more percussion, a task which I was very excited to do! The benefit of this is that this piece can be played by as few as 5 percussionists, or as many as 10 (or more)! InstrumentationFlute, Oboe, Bassoon, 2 Clarinet, Bass Clarinet,Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpet, French Horn, Trombone, Euphonium, Treble Clef Euphonium, Tuba5-10 Percussionists - Timpani, Snare Drum, Bass Drum, Concert Toms (2), Opt. Floor Tom,Maracas, Gong, Suspended Cymbal, Vibraslap, Glockenspiel, Vibraphone, Marimba