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Brass Ensemble - Level 4 - Digital Download SKU: A0.767723 Composed by Traditional. Arranged by Jerry Lanning. Folk. Score and parts. 28 pages. Jerry Lanning #3047875. Published by Jerry Lanning (A0.767723). The first trumpet in my brass quintet asked for a short feature, and this is it. It’s one of the most difficult tunes to arrange because it’s traditionally harmonised by only two chords (the tonic and the major triad on the flattened leading note). Somehow if you start to reharmonise it, it loses its essential character. So I’ve constructed a largely unrelated intro and coda and an episode in the middle to give variety. The first trumpet part is showy but not too difficult for a competent player, although a big breath is needed at the end. Horn in Eb, Trombone in Bb, Bass in Eb and Bass in Bb parts are provided as alternatives for brass band players.
What Shall We Do With The Drunken Sailor? arr. for brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$9.95 8.57 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
Voix Soprano, Piano

$4.99 4.3 € Voix Soprano, Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1278014 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. 21st Century,A Cappella,Chamber,Classical,Sacred. Octavo. 3 pages. Daniel Carter #869715. Published by Daniel Carter (A0.1278014). In a world of confusion, chaos, and turmoil we often ask ourselves where are safety and peace found. This hymn-like anthem for a cappella choir offers a spiritual affirmation that helps connect us with the Divine allowing us to create safety and peace within ourselves and for others. For advanced choir with soaring lines and moving parts for all voices, especially for sopranos and tenors. (Top note for sopranos is G5. The top note for tenors is A3.) Suitable for worship and concert settings, filling both sacred and secular programming needs.
I Am the Stillness in a Troubled World—SATB A Cappella Choir
Chorale SATB
Daniel Carter
$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.11848 Composed by Jules Benedict. Waterfronts, Mothers & children, Sailboats, Ships, Dwellings, Baskets, Cliffs, Farewells, Absences, Death. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11848). By the Sad Sea Waves. Ballad. From the Opera of the Bride of Venice. Compose by Jules Benedict. Published [n.d.] by Firth & Hall, 1 Franklin Sq. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Waterfronts, Mothers & children, Sailboats, Ships, Dwellings, Baskets, Cliffs, Farewells, Absences, Death. First line reads By the sad sea waves I listen while they moan.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
By the Sad Sea Waves. Ballad
Piano, Voix
the Sad Sea Waves Ballad
$5.99 5.16 € Piano, Voix PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going ? (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet.  Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this.  Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. ?  Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. ? As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
And I Love Her
Ensemble Jazz
The Beatles
$70.00 60.32 € Ensemble Jazz PDF SheetMusicPlus






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