Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download

SKU: A0.1266048

Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048).

Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:

It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.

Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.

The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.

Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.

Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.

Lyrics:

All those he sees he kills suddenly,
For his venom is deadly.
He is a basilisk by his own nature,
And he has no other way of being. He is a monster of great power,

And he is feared by all who know him.
He is a creature of the earth,
And he is a master of death. He is a basilisk by his own nature,
And he has no other way of being.

All those he sees he kills suddenly,
For his venom is deadly. He is a creature of the night,
And he is a master of the dark.
He is a monster of great might,

And he is feared by all who hear his name. He is a basilisk by his own nature,
And he has no other way of being.
All those he sees he kills suddenly,
For his venom is deadly.

Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. 

 The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download

SKU: A0.1266468

Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468).

Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:

1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.

2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.

3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.

4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.

Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.

Lyrics:

All those he sees he kills suddenly,
For his venom is deadly.
He is a basilisk by his own nature,
And he has no other way of being. He is a monster of great power,

And he is feared by all who know him.
He is a creature of the earth,
And he is a master of death. He is a basilisk by his own nature,
And he has no other way of being.

All those he sees he kills suddenly,
For his venom is deadly. He is a creature of the night,
And he is a master of the dark.
He is a monster of great might,

And he is feared by all who hear his name. He is a basilisk by his own nature,
And he has no other way of being.
All those he sees he kills suddenly,
For his venom is deadly.

Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. 

 The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 

Trombone Quartet Trombone - Level 2 - Digital Download

SKU: A0.1266548

Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548).

Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:

1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.

2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.

3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.

4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.

Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.

Lyrics:

All those he sees he kills suddenly,
For his venom is deadly.
He is a basilisk by his own nature,
And he has no other way of being. He is a monster of great power,

And he is feared by all who know him.
He is a creature of the earth,
And he is a master of death. He is a basilisk by his own nature,
And he has no other way of being.

All those he sees he kills suddenly,
For his venom is deadly. He is a creature of the night,
And he is a master of the dark.
He is a monster of great might,

And he is feared by all who hear his name. He is a basilisk by his own nature,
And he has no other way of being.
All those he sees he kills suddenly,
For his venom is deadly.

Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. 

The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download

SKU: A0.1267846

Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846).

Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:

1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.

2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.

3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.

4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.

Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.

Lyrics:

All those he sees he kills suddenly,
For his venom is deadly.
He is a basilisk by his own nature,
And he has no other way of being. He is a monster of great power,

And he is feared by all who know him.
He is a creature of the earth,
And he is a master of death. He is a basilisk by his own nature,
And he has no other way of being.

All those he sees he kills suddenly,
For his venom is deadly. He is a creature of the night,
And he is a master of the dark.
He is a monster of great might,

And he is feared by all who hear his name. He is a basilisk by his own nature,
And he has no other way of being.
All those he sees he kills suddenly,
For his venom is deadly.

Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. 

The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 

Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download

SKU: A0.1266448

Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448).

Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:

1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.

2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.

3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.

4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.

Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.

Lyrics:

All those he sees he kills suddenly,
For his venom is deadly.
He is a basilisk by his own nature,
And he has no other way of being. He is a monster of great power,

And he is feared by all who know him.
He is a creature of the earth,
And he is a master of death. He is a basilisk by his own nature,
And he has no other way of being.

All those he sees he kills suddenly,
For his venom is deadly. He is a creature of the night,
And he is a master of the dark.
He is a monster of great might,

And he is feared by all who hear his name. He is a basilisk by his own nature,
And he has no other way of being.
All those he sees he kills suddenly,
For his venom is deadly.

Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. 

 The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 

Speakers, singers and orchestra - difficult - Digital Download

SKU: S9.Q46168

A Study in Loving. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q46168. Published by Schott Music - Digital (S9.Q46168).

The last major project of his life, The Dreamer That Remains, was composed while Harry Partch was being filmed from the beginning of his work until the world premiere in 1972. The resulting documentary offers a unique insight into the technical requirements of the musicians as well as the handling of the instruments designed by Partch himself, such as the Adapted Viola, New Harmonic Canon I, New Kithara I, Boo II and Mbira Bass Dyad.

Adapted Viola · Adapted Guitar II · Harmonic Canon I (clear bass) · Harmonic Canon I (blue tined bass) · Harmonic Canon III (Blue Rainbow) · Kitahra I (new, 1972) · Chromelodeon II · Cloud-Chamber Bowls · Gourd Tree · Diamond Marimba · Quadrangularis Reversum · Boo II · Eucal Blossom · Mbira Bass Dyad · Small (1-string) Ektara · Large (2-string) Ektara.

C Instrument - Level 4 - Digital Download

SKU: A0.1248751

Composed by Andrew John Watkins, Paul Wilson, and Shenette May. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #843246. Published by John Fries (A0.1248751).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  All the Man That I Need is a song written by Dean Pitchford and Michael Gore.  The song was first recorded as All the Man I Need by Linda Clifford for her album I'll Keep on Loving You (1982).  In 1990, American singer Whitney Houston had a number-one multiple chart hit with this song, recorded as All the Man That I Need, from her third album, I'm Your Baby Tonight (1990).  The single became a major worldwide hit, received mainly positive reviews from music critics, and reached number one on the US Billboard Hot 100; it remains her fourth biggest-hit in that chart.

Flute,Piano - Level 3 - Digital Download

SKU: A0.563092

By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 9 pages. Austin Ralphson #1909209. Published by Austin Ralphson (A0.563092).

This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement for flute and piano.

Piano,Viola - Level 3 - Digital Download

SKU: A0.563785

By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 10 pages. Austin Ralphson #5001403. Published by Austin Ralphson (A0.563785).

This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement so chill out and enjoy!

Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):
www.ralphsonstrings.com

Alto Saxophone Solo - Level 3 - Digital Download

SKU: A0.563090

By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Individual part. 10 pages. Austin Ralphson #1909205. Published by Austin Ralphson (A0.563090).

This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement for alto saxophone and piano.

Piano,Violin - Level 3 - Digital Download

SKU: A0.563784

By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. 10 pages. Austin Ralphson #5001401. Published by Austin Ralphson (A0.563784).

This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement so chill out and enjoy!

Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):
www.ralphsonstrings.com

1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download

SKU: A0.563787

By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score. 6 pages. Austin Ralphson #5001409. Published by Austin Ralphson (A0.563787).

This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this piano duet arrangement; the Primo part is intermediate level and the Secondo is advanced. Chill out and enjoy!

Cello,Piano - Level 3 - Digital Download

SKU: A0.563786

By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 10 pages. Austin Ralphson #5001407. Published by Austin Ralphson (A0.563786).

This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement so chill out and enjoy!

Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):
www.ralphsonstrings.com

Instrumental Solo,Tenor Horn - Level 3 - Digital Download

SKU: A0.563093

By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Individual part. 9 pages. Austin Ralphson #1909211. Published by Austin Ralphson (A0.563093).

This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement for tenor horn and piano.