Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589957 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 3 pages. David McKeown #6134137. Published by David McKeown (A0.589957). Shall We Gather at The River is an American nineteenth century hymn often sung in a gospel style. This version is arranged as a duet for one Oboe and one Bassoon. Shall We Gather at The River was composed in 1865 by a Baptist minister from New York, Robert Lowry. As well as becoming a gospel standard, the melody of Shall We Gather at The River has found its way into compositions by Charles Ives and Aaron Copeland and has often been used in classic Western movies.Shall We Gather at The River is simply arranged in keys and range best suited to the instruments. The hymn is played three times in a slow swing style, with a key change on the final verse and chorus. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Shall We Gather at The River is suitable for players at an intermediate level and above, though the key change may require extra work for less experienced players. With a performance time of around three minutes, this version of Shall We Gather at The River is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

String Orchestra - Level 3 - Digital Download SKU: A0.521481 Composed by Ludwig van Beethoven. Arranged by Sherry Lewis. Classical,Holiday,Multicultural,Wedding,World. Score and Parts. 32 pages. Sherry Lewis Publishing #6132891. Published by Sherry Lewis Publishing (A0.521481). Symphony No. 5, Mov. I, Allegro con brio (abridged), Beethoven, String Orchestra of 2 violins, viola, cello, string bassThis was a very fun project and I think I caught the important parts and did a fairly seamless cut so that the performance is down to 5'30...I hope you like it. I think it came off really well.  Score: 15 pages parts: 14 pages time: 5:30 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts  however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups.  AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations.  ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!

Lever Harp - Level 4 - Digital Download SKU: A0.1500755 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Film/TV,Romantic Period. Score. 5 pages. Learning the Harp #1076835. Published by Learning the Harp (A0.1500755). This rendition of A Time for Us is a beautiful performance piece that displays the full range of the harp! It sounds very impressive to play and creates such a hauntingly beautiful atmosphere. In this piece you’ll get practice with lots of 4-finger arpeggios between the two hands, jumping between registers, series of octaves and 10th intervals, many lever changes and some glissandos. If you learn along with the Video Course, Carrie will show you how to go beyond just playing the notes on the page by sharing tips on how to bring out the melody line so it sounds musical and doesn’t get lost among the many notes. She’ll also show you exactly how to practice those lever changes so that they feel controlled and predictable rather than rushed and frantic! This piece is challenging but so rewarding to play.Difficulty Level and Skills Required: Late-Intermediate. The right hand often plays the melody line and sometimes serves as a continuation of the left-hand accompaniment. The right hand also handles the quick placement of rolled chords under the melody and series of octaves. The left hand consists of 10th intervals, jumps between registers, and executes more challenging cross-under passages. Together, the two hands perform continuous placements, arpeggios, glissandos, and numerous lever changes.Type of Harp: For big harps, 34 strings or larger.Range: The lowest note is D almost two octaves below middle C, and the highest note is A two and a half octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). Many F lever changes throughout.

Small Ensemble Alto Saxophone,B-Flat Bass Clarinet,B-Flat Trumpet,Baritone Saxophone,Horn in E-Flat,Tenor Saxophone,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.929890 Composed by Eddie Pola and George Wyle. Arranged by Noah Allen. Film/TV. Score and parts. 32 pages. N.D.A. #4632993. Published by N.D.A. (A0.929890). In the friendly key of concert C, this fun arrangement of It's The Most Wonderful Time of the Year for five parts will be a great addition to your concert, jam session, or church music! Everyone gets a chance at the melody (even the tuba!) and the flexible instrumentation allows a wide array of timbre and voicing options. Many transpositions for each part are included to allow for many types of ensembles to perform this, from brass quintet, to saxophone quintet, to clarinet choir. A piano reduction of all parts with chord symbols allows for easy comping. Contents include:concert pitch scoreconcert pitch piano reductionsoprano in: C, Bbalto in: C, Bb, Ebtenor in: C (T.C.), C (B.C.), Bb (T.C.), F, Ebbaritone in: C, Bb (T.C.), Ebbass in: C, Eb, Bb (T.C.)Email the arranger at brassclass466.16@gmail.com if you have any questions or comments, or need alternative transpositions.

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1141604 Composed by George Onslow. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 48 pages. J.G. Cuco Barber #741941. Published by J.G. Cuco Barber (A0.1141604). Work Title String Quartet in G major Composer Onslow, George Opus/Catalogue Number Op.10 Nr.1 Key G major Movements/Sections 4 movements: I. Allegro spirituoso II. Adagio III. Minuetto. Allegro risoluto IV. Finale: Allegretto ma non troppo lento Year/Date of Composition 1812 First Publication 1816 ca., see 3 String Quartets, Op.10 (No.1) Dedication Claudius Lurin Average Duration 20 minutes Composer Time Period Romantic Piece Style Classical Instrumentation 2 violins, viola, cello.

String Quintet Cello,Viola,Violin - Digital Download SKU: A0.1158083 Composed by George Onslow. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 70 pages. J.G. Cuco Barber #758382. Published by J.G. Cuco Barber (A0.1158083). Work Title String Quintet No.6 Composer Onslow, George Opus/Catalogue Number Op.19 Key E minor Movements/Sections 4 movements: I. Allegro II. Menuetto. Allegro III. Andante grazioso quasi Allegretto IV. FInale. Presto Year/Date of Composition 1821 First Publication 1823 Composer Time Period Romantic Piece Style Romantic Instrumentation 2 violins, viola, 2 cellos.

Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.

Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839431 Composed by Vince Guaraldi. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #5997663. Published by Bobby Hesch (A0.839431). ***CHRISTMAS TIME IS HERE***!!! OH THAT WE COULD ALWAYS SEE SUCH SPIRIT THROUGH THE YEAR!!! LET'S PLAY SOME JAZZ!!! WRITTEN BE VINCE GUARALDI FOR A CHARLIE BROWN CHRISTMAS IN 1965!!! I LEARNED TO LOVE JAZZ MUSIC WATCHING THIS WHEN I WAS A KID!!! LYRICS BY LEE MENDELSON WHO PRODUCED THE PEANUTS SPECIALS!!! KEY OF D!!! LOTS OF COURTESY ACCIDENTALS & ARTICULATION MARKS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!!  CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyhesch CHALLENGING RHYTHMS !!! LOW C - HIGH ALTISSIMO F#!!! HAVE FUN!!!

Easy Piano - Level 2 - Digital Download SKU: A0.894343 Composed by Scott Joplin. Arranged by Theoria Music. 20th Century,Folk,Traditional. Score. 4 pages. Theoria Music Publishing #3618335. Published by Theoria Music Publishing (A0.894343). Scott Joplin (November 24, 1868 – April 1, 1917) was an American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the King of Ragtime. During his brief career, he wrote 44 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the Maple Leaf Rag, became ragtime's first and most influential hit, and has been recognized as the archetypal rag.Joplin grew up in a musical family of railway laborers in Texarkana, Arkansas, and developed his own musical knowledge with the help of local teachers. While in Texarkana, Texas, he formed a vocal quartet and taught mandolin and guitar. During the late 1880s he left his job as a railroad laborer and travelled the American South as an itinerant musician. He went to Chicago for the World's Fair of 1893, which played a major part in making ragtime a national craze by 1897.Publisher: Theoria Music PublishingWebsite: https://sheetmusicmarket.com 

Trombone Quartet - Advanced Intermediate - Digital Download Composed by Scott Joplin (1868-1917). Arranged by Jordon Drumgoole. 20th Century, Blues, Dixieland, Ragtime. Score, Set of Parts. 50 pages. Published by Cherry Classics Music

Oboe, clarinet, bassoon - Digital Download SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imagine Music - Digital #BCMS171. Published by Imagine Music - Digital (IZ.BCMS171). 9 x 12 in inches.Divertimento is in three movements. The first movement, Frolic, has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic.The second movement, Ballad, is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines.All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently.The last movement, Tarantella, is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. Sy Brandon #3418979. Published by Sy Brandon (A0.755218). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.

Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Published by Sy Brandon (A0.755222). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.

Cello,Instrumental Duet,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1511546 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. 4 pages. Walt Oliver #1086705. Published by Walt Oliver (A0.1511546). Transform your performance with this captivating arrangement of Leonard Cohen's Hallelujah, now available for soprano saxophone and cello. Perfect for beginner musicians, this easy-level arrangement captures the timeless beauty of the melody, making it accessible for those just starting their musical journey. The harmonious blend of soprano saxophone and cello adds a new dimension to the piece, making it ideal for recitals, ceremonies, or intimate moments.Hallelujah is globally recognized from its feature in the movie Shrek, touching the hearts of audiences of all ages. This arrangement has been carefully adapted to ensure a smooth execution, allowing you to express the emotional depth of the song without technical complications.Benefits and Use:* Easy to play: Beginner level, perfect for students or musicians looking to expand their repertoire.* Versatile: Ideal for church performances, school events, or special moments with friends and family.* Essence preserved: The adaptation maintains the melodic beauty of the song, allowing for a touching and engaging performance.Add Hallelujah to your repertoire and elevate your performances with this simple yet captivating masterpiece.

Cello,Instrumental Duet,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1511539 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. 4 pages. Walt Oliver #1086698. Published by Walt Oliver (A0.1511539). Transform your performance with this captivating arrangement of Leonard Cohen's Hallelujah, now available for soprano saxophone and cello. Perfect for beginner musicians, this easy-level arrangement captures the timeless beauty of the melody, making it accessible for those just starting their musical journey. The harmonious blend of soprano saxophone and cello adds a new dimension to the piece, making it ideal for recitals, ceremonies, or intimate moments.Hallelujah is globally recognized from its feature in the movie Shrek, touching the hearts of audiences of all ages. This arrangement has been carefully adapted to ensure a smooth execution, allowing you to express the emotional depth of the song without technical complications.Benefits and Use:* Easy to play: Beginner level, perfect for students or musicians looking to expand their repertoire.* Versatile: Ideal for church performances, school events, or special moments with friends and family.* Essence preserved: The adaptation maintains the melodic beauty of the song, allowing for a touching and engaging performance.Add Hallelujah to your repertoire and elevate your performances with this simple yet captivating masterpiece.