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Solo Guitar - Level 2 - Digital Download SKU: A0.1265015 By Gregory John Madge. By Gregory John Madge. Arranged by Gregory John Madge. 21st Century,Classical. Individual part. 15 pages. Gregory Madge #857857. Published by Gregory Madge (A0.1265015). A 'wallpaper gig'consists of a restaurant or caféhiring a musician to add 'atmosphere' in thebackground as their diners or customers enjoy their refreshments. Musicians spend years preparing concert pieces to amaze and move audiences, but are they always appropriate in the relaxed setting of a café?These ten pieces aim to give the performer repertoire which they can use in these situations. Each piece is written to convey emotion, but not disturb the diner. Structurally, they consist of one or two sections with long harmonic progressions. This should allow the player to repeat each section as many times as they likewithout the audience noticing or becoming bored. I have included suggested structures in the scores, but these are suggestions only. This is true of the tempo markings as well. Feel free to slow the pieces down when a calmer atmosphere is required and the opposite when customers are a little livlier.
Wallpaper Music
Guitare
Gregory John Madge
$1.99 1.69 € Guitare PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1488843 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 12 pages. Artaria Editions #1065697. Published by Artaria Editions (A0.1488843). Artaria Editions AE437Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, as well as for pedagogical use at the Royal Swedish Academy of Music, for which he was educational director from 1788 until his death. This brief Allegro for violin and fortepiano was probably written around this time as a work intended for students at the aforementioned institution. This is evident in the use of deliberate devices, such as unison scalar passages and sustained notes in the violin part. Foreshadowing Hindemith's notion of Bildungsmusik from a century and a half later, it is clear that the intent is to create a substantive piece of music for future instrumentalists that not only allows for good compositional style, but both pedagogical function and a relatively easy degree of difficulty for the performers, as well. Allan Badley.
Allegro for Fortepiano & Violin in D (VB 163)
Violon et Piano

$30.00 25.5 € Violon et Piano PDF SheetMusicPlus

Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1513243 Composed by Jonathan Godfrey. 20th Century,21st Century,Chamber,Classical,Contemporary. Score and Parts. 28 pages. Jonathan Godfrey #1088134. Published by Jonathan Godfrey (A0.1513243). Instrumentation: Five-Part Guitar Ensemble + Optional Melody Instrument (Theremin, Violin, or Other)Level: Easy IntermediateTempo: Slow, BarcaroleDescription:Perhaps Eternally, a Voyager is an evocative work inspired by the awe-inspiring journey of the Voyager 1 space probe, celebrating the spirit of exploration and discovery. This piece is crafted as a serene barcarole, gently swaying like a cosmic lullaby through the vast expanse of space. Ideal for large guitar ensembles, it features rich harmonic textures and an immersive atmosphere, with an optional melody instrument—envisioned for theremin, though adaptable for violin, flute, or any other suitable instrument—to add a haunting, celestial voice that echoes the probe's timeless voyage.Commissioned by the State College of Florida Guitar Ensemble to honor the retirement of longtime music faculty Rex Willis, Perhaps Eternally, a Voyager offers intermediate-level players the opportunity to explore delicate phrasing, expressive dynamics, and a blend of traditional arpeggiation with a touch of the ethereal.Perfect for performances that seek to engage audiences in a reflective, contemplative atmosphere, this piece invites players and listeners alike to embark on an otherworldly musical journey.
Perhaps Eternally, a Voyager

$9.99 8.49 € PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0016543_M2 2nd Mallet Percussion. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016543_M2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016543_M2). UPC: 038081481296.Drawing its title from the term firestorm, this original composition opens with a slow and mysterious chorale in 3/4 time, then yields to relentless waves of firestorms, each one building in intensity, then receding, then rising again in a successive series of escalating passages, finally reaching a powerful and emphatic conclusion. Intense! (3:45) This title is available in SmartMusic.Concert/Contest; Festival.
Prelude and Firestorm: 2nd Mallet Percussion
Orchestre d'harmonie

$3.00 2.55 € Orchestre d'harmonie PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.796748 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score and part. 13 pages. DR GARY D BELSHAW #4631205. Published by DR GARY D BELSHAW (A0.796748). For the advanced intermediate saxophonist. Three-and-a-half minutes. 13 pages. This enormously popular tune translates so naturally for the solo saxophone with a more classical (serious concert music) feel. Not only is this a solid recital closer, it is an excellent choice for social obligations and for recruiting. Free improvisations are welcome. Reward your advanced pupils with a gift of this arrangement. Thank you for considering my music. Your reviews are really important to me and are deeply appreciated. Follow me on Facebook (Gary D. Belshaw Music) or Twitter @GaryDBelshawMus. Please like this title on your Sheet Music Plus page.
Rocket Man (i Think It's Gonna Be A Long Long Time)
Saxophone Tenor et Piano
Piano Tribute Players
$6.99 5.94 € Saxophone Tenor et Piano PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.796747 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score and part. 13 pages. DR GARY D BELSHAW #4631187. Published by DR GARY D BELSHAW (A0.796747). For the advanced intermediate saxophonist. Three-and-a-half minutes. 13 pages. This enormously popular tune translates so naturally for the solo saxophone with a more classical (serious concert music) feel. Not only is this a solid recital closer, it is an excellent choice for social obligations and for recruiting. Free improvisations are welcome. Reward your advanced pupils with a gift of this arrangement. Thank you for considering my music. Your reviews are really important to me and are deeply appreciated. Follow me on Facebook (Gary D. Belshaw Music) or Twitter @GaryDBelshawMus. Please like this title on your Sheet Music Plus page.
Rocket Man (i Think It's Gonna Be A Long Long Time)
Saxophone Alto et Piano
Piano Tribute Players
$6.99 5.94 € Saxophone Alto et Piano PDF SheetMusicPlus

Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.796745 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score and parts. 13 pages. DR GARY D BELSHAW #4616061. Published by DR GARY D BELSHAW (A0.796745). For the advanced intermediate flautist. Three-and-a-half minutes. 13 pages. This enormously popular tune translates so naturally for the solo flute. Not only a solid recital closer, it will also serve well for recruiting and for social obligations. Free improvisations are also quite welcome and natural. Reward your advanced pupils with a gift of this arrangement. Thank you for considering my music. Your reviews are really important to me and are deeply appreciated. Follow me on Facebook (Gary D. Belshaw Music) or Twitter @GaryDBelshawMus. Please like this title on your Sheet Music Plus page.
Rocket Man (i Think It's Gonna Be A Long Long Time)
Flûte traversière et Piano
Piano Tribute Players
$6.99 5.94 € Flûte traversière et Piano PDF SheetMusicPlus

Large Ensemble Easy Piano - Level 1 - Digital Download SKU: A0.780772 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Patriotic,Pop,Standards,Wedding. Score. 5 pages. Cathy Stamegna #5320617. Published by Cathy Stamegna (A0.780772). I’ll Be With You in Apple Blossom Time (Easy Piano Solo, Chords).  This standard tune from 1920 begins in 3/4, as recorded by Connie Francis, and changes to 4/4.  Skills:  switching meters, reading with a key signature, navigating accidentals, and moving hand positions.  Also recorded by The Andrews Sisters, Dame Vera Lynn, The Four Aces, Barry Manilow, Emmy Rossum to name a few.  Addition of chord symbols allows for a guitar, harp, or mallet instrument to join in!  A fun tongue-in-cheek wedding number, too.  Lyrics included to sing along. 
I’ll Be With You in Apple Blossom Time (Easy Piano Solo, Chords)
Piano Facile

$4.99 4.24 € Piano Facile PDF SheetMusicPlus

Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1288799 Composed by Frits Renting. Arranged by Frits Renting. Film/TV. 35 pages. Frits_Renting #879651. Published by Frits_Renting (A0.1288799). Side note: This version is for small/medium percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
The Escape - (small/medium percussion ensemble)

$70.00 59.49 € PDF SheetMusicPlus

Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.781316 Composed by Joanna Mills. Children,Christian,Christmas,Holiday,Sacred. 5 pages. Joanna Mills Music #4347391. Published by Joanna Mills Music (A0.781316). This lively unison Christmas anthem (from the award-winning children's musical The Animal Alleluia) is perfect for children's choirs or a child's solo -- use it in your Christmas Pageant, or your Lessons & Carols service! It tells the story of the brave and weary donkey who carries Mary to Bethlehem, and is pitched in an accessible key for most voices. The simple melody and chorus is easy to learn, even for very young children, but interest is built through dynamics, a key change, and an optional descant in the last a cappella chorus. Approximate performance time: 2:13. (Also available for 2-part choir) Need a rehearsal or performance accompaniment track? Search for item S0.654619This product is one song from a complete musical called The Animal Alleluia (S0.549673) which is also available on this site.
Follow Joseph, Weary Little Donkey (Unison)
Chorale Unison

$1.99 1.69 € Chorale Unison PDF SheetMusicPlus

Choir,Piano - Digital Download SKU: A0.1069489 Composed by Joanna Mills. A Cappella,Children,Christian,Christmas. Accompaniment. Duration 131. Joanna Mills Music #4849791. Published by Joanna Mills Music (A0.1069489). This lively Christmas anthem (from the children's musical The Animal Alleluia) is perfect for children's choirs or a child's solo -- use it in your Christmas Pageant, or your Lessons & Carols service! It tells the story of the brave and weary donkey who carries Mary to Bethlehem, and is pitched in an accessible key for most voices. The simple melody and chorus is easy to learn, even for very young children, but interest is built through dynamics, a key change, and an optional descant in the last a cappella chorus. Approximate performance time: 2:13. This piano accompaniment track may be used for rehearsals or performances of both the unison and 2-part arrangements of this song.This product is one song from a complete musical called The Animal Alleluia (S0.549673) which is also available on Sheet Music Plus
Follow Joseph, Weary Little Donkey - Piano Accompaniment
Accompagnement Piano

$4.99 4.24 € Accompagnement Piano PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.940657 Composed by George Butterworth. Arranged by Jonathan Spencer. Romantic Period. Score and parts. 50 pages. Jonathan Spencer #3691335. Published by Jonathan Spencer (A0.940657). George Butterworth (1885-1916) was an English composer before he his untimely death during WW1. As a composer he showed real potential, but left behind only a few compositions - The Banks of Green Willow being one of them.  Written in 1913 the composer described the work as an Idyll based on two folk songs - The Banks of Green Willow and Green Bushes.  This arrrangement for brass ensemble remains as close to the original as possible, whilst making it achievable for brass musicians.  A challenging arrangement of a super work by a composer killed surving his country.  Arrranged in 2018, 100 years after the end of WW1.
The Banks of Green Willow - Brass Ensemble
Ensemble de cuivres

$24.99 21.24 € Ensemble de cuivres PDF SheetMusicPlus

Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking
$20.00 17 € 2 Pianos, 4 mains PDF SheetMusicPlus

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781387 Composed by Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 102 pages. Joanna Mills Music #5990835. Published by Joanna Mills Music (A0.781387). This fun musical retells the Christmas Story through the adventures of some time-travelling teens! In Just in Time for Christmas, a group of senior Sunday School students decide that they’re too old to take part in the Christmas pageant. While hiding from their Musical Director, they discover a mysterious machine that takes them on an epic adventure through space and time! Along the way, they encounter a number of biblical characters (including Isaiah, Mary, Elizabeth, Joseph, the Innkeeper, and the Shepherds) and learn that the Christmas Story is important and real. The musical features a flexible script with parts for every age group, allowing for maximum flexibility with age-range, cast size, and rehearsal time. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries.
Just in Time for Christmas: An Original Christmas Musical for Children and Teens
Chorale Unison

$4.99 4.24 € Chorale Unison PDF SheetMusicPlus






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