C Instrument - Level 4 - Digital Download SKU: A0.500308 By Deja Vu. By James Horner and Will Jennings. Arranged by John Fries. 20th Century,Film/TV,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113497. Published by John Fries (A0.500308). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   My Heart Will Go On is a song recorded by Canadian singer Celine Dion. The song serves as the main soundtrack to James Cameron's blockbuster film Titanic, based on an account of the transatlantic ocean liner of the same name which sank in 1912 after colliding with an iceberg in the North Atlantic Ocean. Released as a single from Dion's fifth English-language studio album, Let's Talk About Love (1997), and the film's soundtrack, the love power ballad peaked at the top of the RPM Top Singles Chart.

C Instrument - Level 4 - Digital Download SKU: A0.500163 By Patsy Cline. By Willie Nelson. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113346. Published by John Fries (A0.500163). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Crazy is a ballad composed by Willie Nelson. It has been recorded by several artists, most notably by Patsy Cline, whose version was a No. 2 country hit in 1962. This version is included on Rolling Stone's 500 Greatest Songs of All Time.

Cello Duet Cello - Level 5 - Digital Download SKU: A0.1372278 Composed by Sophia Mackson. Classical,Contemporary. Score. 6 pages. Sophia Mackson #956559. Published by Sophia Mackson (A0.1372278). This work was originally written for two violas. The composer has now arranged it for two cellos.This work features soaring melodic lines and fast demisemiquaver passages. It is an ideal work for advanced players to use in their repetoire or in a concert program.A foreword by the composer:“First and foremost, this work is dedicated to Kristen Scott. It stands as a reminder of a lifelong friendship, and how strong that friendship is. Thank you for supporting me and being so wonderful.This work I began writing in May of this year, and initially it was just an improvisation for one viola. I had then realised after trying to write for Solo Viola how difficult it was, since it is such a unique instrument. I wanted to make the most of the technical and musical capabilities of the instrument, so I added another Viola. With that addition, each motif seemed to make more sense and the music just flowed. Centre is based on the concept of centring oneself, but also the beauty in being surrounded by motion; by seeing things happening around you and being able to observe. Just being allowed to exist, in a way.I’ve always been inspired by Australian composers, especially since I have been lucky enough to be surrounded by their music at different points in my life. My teacher Patricia Pollett, has been actively involved in advocating for Australian composition for the viola, including commissions, recording and performances. So, being able to take my work to our lessons was hugely thought provoking and inspiring. The insights she gave helped to access more depth and meaning within the work.�.

C Instrument - Level 4 - Digital Download SKU: A0.1205895 By Johnny Cash. By Stan Jones. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #804086. Published by John Fries (A0.1205895). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  This was written and originally recorded by Stan Jones in 1948. Jones was a forest ranger who wrote songs on the side. After recording his version of the song, artists like Burl Ives, Bing Crosby, Gene Autry and Johnny Cash all recorded it, and the song became a cowboy standard. The melody is based on the song When Johnny Comes Marching Home. The song presents an image of cowboy hell - riders who are doomed to chase the Devil's cattle for all eternity.

C Instrument - Level 4 - Digital Download SKU: A0.529372 By Acker Bilk. By Acker Bilk and Robert Mellin. Arranged by arr. by John Fries. 20th Century,Film/TV,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #139775. Published by John Fries (A0.529372). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Stranger on the Shore is a piece for clarinet written by Acker Bilk for his young daughter and originally named Jenny after her. The tune was written on a single scrap of paper by Bilk and handed over to Leon Young (1916-1991) who crafted the string arrangement, including the characteristic harmonic shifts at the very end. In May 1969, the crew of Apollo 10 took Stranger on the Shore on their mission to the moon. Gene Cernan, a member of the crew, included the tune on a cassette tape used in the command module of the Apollo spacecraft. On 26 May 1962, Stranger on the Shore became the first British recording to reach number one on the U.S. Billboard Hot 100.

C Instrument - Level 4 - Digital Download SKU: A0.500166 By Kenny Burrell. By Cy Coleman and Robert Wells. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113350. Published by John Fries (A0.500166). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  For Once in My Life is a song written by Ron Miller and Orlando Murden for Motown Records' Stein & Van Stock publishing company, and first recorded in 1965. It was written and first recorded as a slow ballad. The most familiar and successful version of For Once in My Life is an uptempo arrangement by Stevie Wonder, recorded in 1967.

C Instrument - Level 4 - Digital Download SKU: A0.518447 Composed by Clyde Otis and Murray Stein. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #129146. Published by John Fries (A0.518447). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Originally titled You've Got What It Takes, the song was first recorded by Brook Benton's sister, In August 1959. Brook Benton partnered with Dinah Washington to record the song as BABY, You've Got What It Takes. Their version, released in January 1960, was hugely successful on both the pop and R&B charts, reaching #5 on the Billboard Hot 100 and #1 on the Hot R&B sides chart for ten weeks, becoming one of the most successful R&B singles of the 1960s.

C Instrument - Level 4 - Digital Download SKU: A0.1047495 By Sammy Davis Jr. By Anthony Newley and Leslie Bricusse. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #652064. Published by John Fries (A0.1047495). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   The Candy Man (or alternatively, The Candy Man Can) is a song that originally appeared in the 1971 film Willy Wonka & the Chocolate Factory. Sammy Davis Jr.'s version appears on the Sammy Davis Jr. Now album. Although Davis admitted to disliking the song, finding it too saccharine, it became his only number-one hit, spending three weeks at the top of the Billboard Hot 100 chart starting 10 June 1972, and two weeks at the top of the easy-listening chart. Billboard ranked it as the No. 5 song for 1972.

C Instrument - Level 4 - Digital Download SKU: A0.500174 By Kenny Rogers. By Graham Hamilton Lyle and Troy Seals. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113348. Published by John Fries (A0.500174). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. American vocalist Barbra Streisand recorded a version of Didn't We in 1972 for her second live album, Live Concert at the Forum. It was originally performed at Four for McGovern, a concert benefitting George McGovern's ultimately unsuccessful 1972 presidential campaign. Streisand's monologue before and after the performance consisted of her acting as if she had taken marijuana.

Composed by Solomon Lulu Mitiku. Arranged by Keith Terrett. 20th Century, World, African, Patriotic. Score, Set of Parts. 11 pages. Published by Casio (S0.113059). - Score,Set of Parts - 20th Century,World,African,Patriotic - Casio

C Instrument - Level 4 - Digital Download SKU: A0.1117870 Composed by Cole Porter. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #719382. Published by John Fries (A0.1117870). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Night and Day is a popular song by Cole Porter that was written for the 1932 musical Gay Divorce. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architecture of the Alcazar Hotel in Cleveland Heights, Ohio. Others mention that he was inspired by a Mosaic of the Mausoleum of Galla Placidia in Ravenna, he had been visiting during a trip of his honeymoon in Italy.

C Instrument - Level 4 - Digital Download SKU: A0.518016 Composed by Carl Stutz and Edith Lindeman. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #128744. Published by John Fries (A0.518016). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   Little Things Mean a Lot is a popular song written by Edith Lindeman (lyrics) and Carl Stutz (music), published in 1953. Lindeman was the leisure editor of the Richmond Times-Dispatch, and Stutz, a disc jockey from Richmond, Virginia. The best-known recording of Little Things Mean a Lot, by Kitty Kallen reached No.1 on the U.S. Billboard chart in 1954, and also reached No.1 on the Cash Box chart the same year. Billboard ranked it as the No. 1 song of 1954.

C Instrument - Level 4 - Digital Download SKU: A0.1178358 Composed by John Jacob Loeb and Paul Francis Webster. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #778321. Published by John Fries (A0.1178358). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  This Masquerade is a song written by American singer and musician Leon Russell.  It was originally recorded in 1972 by Russell for his album Carney and as a B-side for the album's hit single Tight Rope.  The song was then covered on Helen Reddy's 1972 album, I Am Woman.  It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single Please Mr. Postman.  Three years later, This Masquerade was recorded by American singer and guitarist George Benson.

C Instrument - Level 4 - Digital Download SKU: A0.1178361 Composed by John Barry. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #778324. Published by John Fries (A0.1178361). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   This Masquerade is a song written by American singer and musician Leon Russell. It was originally recorded in 1972 by Russell for his album Carney and as a B-side for the album's hit single Tight Rope. The song was then covered on Helen Reddy's 1972 album, I Am Woman. It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single Please Mr. Postman. Three years later, This Masquerade was recorded by American singer and guitarist George Benson,.

C Instrument - Level 4 - Digital Download SKU: A0.1041518 Composed by Bronislau Kaper and Ned Washington. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #646273. Published by John Fries (A0.1041518). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. On Green Dolphin Street (originally titled Green Dolphin Street) is a 1947 popular song composed by Bronisław Kaper with lyrics by Ned Washington. The song was composed for the film Green Dolphin Street, which was based on a 1944 novel of the same name by Elizabeth Goudge, and became a jazz standard after it was recorded by Miles Davis in 1958.