Instrumental Duet,Piano Horn,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.871117 Composed by Paul S. Jones. Arranged by Paul S. Jones. Christian,Concert,Contemporary,Sacred. Score and parts. 8 pages. Paul S. Jones #5020491. Published by Paul S. Jones (A0.871117). A short piece of sacred chamber music on the well-loved hymn as recorded by the Penn State music professors Lisa Bontrager, and Timothy Shafer, along with Grace Salyards on the 2018 disc Abide with Me / Great Hymns in New Settings. Perfect for church, a wedding, a funeral, or a sacred concert. (There is also a duo piano version, a piano trio version, and a piano/wind trio version on this site. Additionally, there is a solo version for generic instrument available in the collection O Praise Him, Alleluia! also by Paul S. Jones on the Paul Jones Music, Inc. website).

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47102 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: set of parts. Downloadable, set of parts. Duration 16 minutes. Schott Music - Digital #Q47102. Published by Schott Music - Digital (S9.Q47102). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design. The piece is dedicated to the two Bills (Cadman and Frisell).

String Orchestra - Level 3 - Digital Download SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages. Yoel Epstein #3236529. Published by Yoel Epstein (A0.773302). If ever there was a nation with song in its heart, it is the Welsh. These five traditional Celtic folksongs are among the best known and best loved of all folk music. Ar Hyd Y Nos (All Through The Night), first published in 1784 in Edward Jones's anthology of folk songs,  Musical and Poetical Relics of the Welsh Bards, became one of the most popular hymns in the English-speaking world. A popular Christmas song, All Through the Night also appears in numerous films and stage productions, beginning with John Gay's opera of 1728 and up to the present day. Calon Lân (a pure heart), a traditional Celtic tune with lyrics later written by Daniel James (Gwyrosydd) in the 1890s, has become the anthem of the Welsh Rugby league. Llwyn Onn (The Ash Grove) was first published in 1892 in The Bardic Museum by harpist Edward Jones. In its English version, with words written by poet Thomas Oliphant, it is traditionally sung in America on Thanksgiving and Christmas. Dafydd y Gareg Wen (David of the White Rock). This song was written by David Owen, a harpist who died about 1720 at the tender age of 29. Tradition says that Owen was lying on his deathbed, and called for his harp. Too weak to hold the harp, he was helped by his wife, who held the harp upright while he played this haunting tune. Rhyfelgyrch Gwyr Harlech (Men of Harlech) describes the seven-year siege of Harlech Castle between 1461 and 1468. Commanded by Constable Dafydd ap Ieuan, the Welsh garrison withstood the longest known siege in the history of the British Isles I hope you enjoy playing this as much as I enjoyed writing it. If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/publishers/yoel-epstein-sheet-music/3001988?ac=1. I have also arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47101 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: score. Downloadable, score. Duration 16 minutes. Schott Music - Digital #Q47101. Published by Schott Music - Digital (S9.Q47101). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design.The piece is dedicated to the two Bills (Cadman and Frisell).

Small Ensemble Cello,Clarinet,Flute,Violin - Level 4 - Digital Download SKU: A0.976439 Composed by Scott Anthony Shell. 20th Century,Contemporary. Score and parts. 29 pages. Tikadori Music #548961. Published by Tikadori Music (A0.976439). Full score with parts. -- Composition date 2014 -- Approx duration = 8:15 -- PROGRAM NOTES: -- This piece explores and combines various composition techniques that are of interest to me. One is the interruption of expectation in regards to the perception of time and timelessness, where the listener is expecting something to happen, and when it appears like something is about to change, it is only a tease and it goes back to a static state. Another is my interest in utilizing tonality and dissonance as equal in the palette of sound options. Another interest is showcasing the virtuosity of the performers with interesting and challenging solos, that not only require individual dexterity, but also a tightness among the performers. And finally, just the joy of the sounds these four instruments create together. -- Contact me: info@scottanthonyshell.com.

Solo and SS choir divisi (a cappella) - Moderately Easy - Digital Download SKU: MQ.56-0031-E Composed by Howard Goodall. Instrument parts. 5 pages. Duration 4 minutes, 39 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0031-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0031-E). Latin. Genesis 20:13; Numbers 11:17.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For Solo and SS divisi, a cappella, the music has a light, ethereal feeling. “Beati� can be taken as a sort of “Blessed are they� prefix for the movements which are not direct quotes from the Beatitudes. This movement is a unison, chant-like setting of the Latin texts for Genesis 20:13 (“Thou shalt do me this kindness…�) and Numbers 11:17 (“And I will take of thy spirit�). The soloist begins and sometimes takes over from the choral voices. Mostly unison except for about ten measures (out of the 69) in two-part texture and four measures in three parts. Duration 4:39Instrumentalists play from the choral score.

Clarinet - Early Intermediate - Digital Download Composed by David Burndrett. Score, Set of Parts. 12 pages. Published by David Burndrett