Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.793926 Composed by Pietro Mascagni. Arranged by Ivana Tuskan. 20th Century,Easter,Opera,Sacred. Octavo. 12 pages. Ivana Tuskan #4283525. Published by Ivana Tuskan (A0.793926). One of the most beautiful opera chorus, Regina Coeli is a scene from Cavelleria Rusticana by Pietro Mascagni (1863-1945) set in a church service on Easter morning. Originally is written for 2 mixed chorus, soprano solo and orchestra (G-major key). This arrangement is for 4-part male ensemble/chorus (TTBB) and tenor solo, with piano or organ as accompanying instrument.  Some choral and instrumental parts are simplefied and reduced. The key is G-major. Duration: ca. 4:00. Pages: 12 Lyrics: latin and italian   Regina Coeli laetare Quia, quem me ruisti portare, Resurrexit, sicut dixit. Inneggiamo,il Signor non è morto! Ei fulgente ha dischiuso l’avel, Inneggiamo al Signore risorto, oggi asceso alla gloria del Ciel!

Violin Duet Violin - Digital Download SKU: A0.856107 Composed by Darren Lloyd. Instructional,Jazz. 18 pages. Darren Lloyd #6683079. Published by Darren Lloyd (A0.856107). 5 Dixieland jazzy duets for violin Has been created to challenge good intermediate players.Full of great sounding jazz vocabulary, the duets are fun to play for both players as the melody line has beenequally shared between player 1 & 2.The book contains original duets written over the chord changes to famous tunes.They include1. Shut the door on your way out! - (After you've gone)2. It couldn't be anyone else! – (It had to be you)3. A pompous party! - (Struttin' with some barbecue)4. A Muskrat miander! (Muskrat ramble)5. Give me butter & eggs – (Big butter & egg man) Check out our YouTube channel to listen to the midi demos and see the sheet music in scroll view.We are constantly adding videos for all instruments and duets.

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1450969 By Nick Jonas. By Nick Jonas, Nolan Lambroza, and Simon Wilcox. Arranged by Aaron Bennett. Contemporary,Film/TV,Pop,Wedding. 9 pages. StringfulScores.com #1030420. Published by StringfulScores.com (A0.1450969). Jealous by Nick Jonas arranged for String Duo (Violin and Cello Duet)* by Aaron Bennett. The song recently regained popularity after being featured in the new season 3 soundtrack from the hit Netflix show BRIDGERTON.This arrangement takes inspiration from both the original song and the Shimmer cover, with melodic interest for every player. Get on trend with this latest BRIDGERTON release!*This song is also available for String Quartet and String Trio (opt. Violin 2/Viola).View all BRIDGERTON arrangements via the Stringful Scores YouTube playlist!BRIDGERTON arrangements by Aaron Bennett also available:- Give Me Everything (Pitball)- Dynamite (BTS)- Happier Than Ever (Billie Eilish)- If I Ain't Got You (Alicia Keys)- I Will Always Love You (Whitney Houston)- Nobody Gets Me (SZA)- Deja Vu (Beyonce ft. Jay-Z)- Wrecking Ball (Miley Cyrus)- Sign of the Times (Harry Styles)- What About Us (P!nk)- Dancing On My Own (Robyn)- Material Girl (Madonna)- Wildest Dreams (Taylor Swift)- Thank U, Next (Ariana Grande)- Girls Like You (Maroon 5)- In My Blood (Shawn Mendes)- Bridgerton Theme (Kris Bowers)For more arrangements by Aaron Bennett, visit: StringfulScores.com

English Horn,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.576951 By András Csáki (guitar) and �gnes Jakab (cor anglais). By David Warin Solomons. 20th Century,Contemporary,Folk. 10 pages. David Warin Solomons #546501. Published by David Warin Solomons (A0.576951). Instrumental arrangement of my song Cupid shame yourself. Versions are available for flute and guitar, alto flute and guitar, clarinet and guitar and cor anglais and guitar. The sound sample is a performance by  �gnes Jakab (cor anglais) and András Csáki (guitar). The pdf file contains score and parts. Cupid, shame yourself, For you have touched marble.You broke a comfortable glacier with hottest arrows,You dared warm a frozen sea, alien to love,and showed it tenderness beyond just friendsCupid, shame yourself,For your whims have hurt me.Recall uncomfortable memories with coldest passion.You iceberg in human form, alien to love,Please show no tenderness beyond just friendsI was your guitar, I was the love of your sweet young yearsI was your guitarCupid, hide yourself,and keep away from me.Just let me walk away every time from all temptation.Not regard my friend's advice Give into loveand show it tenderness, oh no my friend.I was your guitar, I was the love of your sweet young yearsI was your guitarCupid, hide yourself,and keep away from mejust let me walk away every time from all temptationNot regard my friend's advice Give into loveand show it tenderness, oh no my friend.Give me time to grow wiseGive me time to forgetCupid!

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1161791 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 50 pages. Socrates Arvanitakis #762166. Published by Socrates Arvanitakis (A0.1161791). This is the twenty-fifth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 25 (Songs 649-675)O Bury Me Not on the Lone PrairieO Can Ye Sew CushionsO give me a cotO Good Ale Thou art my DarlingO Ho the Pretty ChainO No John 1O ru, ru, ruO Sally My DearO Waly WalyOak and the Ash (the)Oats and Beans and Barley GrowsOh, I love a Maiden FairOld Daddy FoxOld Farmer BuckOld Man of the Woods (the)Old Oak Tree (the)old turf fire (the)Old WichetOld Woman and her Pig (the)Old Woman in our townOld Zip CoonOliver CromwellOn Board of a Man-of-WarOn Christmas DayOn Christmas Night On The Banks Of Sweet DundeeOn this day

Jazz Combo - Level 4 - Digital Download SKU: A0.914431 By Horace Silver. By Horace Silver. Arranged by Bryan Starkweather. Jazz. Score and parts. 47 pages. Bryan Starkweather #5033477. Published by Bryan Starkweather (A0.914431). Nica's Dream for little big band. Originally written as a vocal chart, this was premiered at Barbara B Mann performing arts hall in 2017 by the Florida Southwestern State College Jazz Combo. Written for Alto, Tenor, Bari, Trumpet, Trombone, and Rhythm Secion, the Alto takes over as the feature instrument here instead of the vocal. There are some tricky segues making this a perfect college or all state/all county piece. Chords are included on piano and bass part.For comments, questions, corrections, or special requests, please email me at bryan32483@gmail.com for any and all info, or visit https://www.facebook.com/Canvas-Music-Productions-134274459972325/ I love hearing from my customers! I'm always happy to help in any way I can, including modifying a piece to suit your needs.

Piano Solo - Level 4 - Digital Download SKU: A0.1307701 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay. Film/TV,Jazz,Pop,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #896964. Published by Timothy Stapay (A0.1307701). Strangers in the Night is a song composed by Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder.  The song was made famous in 1966 by Frank Sinatra.Reaching #1 on both the Billboard Hot 100 chart and the Easy Listening chart, it was the title song for Sinatra's 1966 album Strangers in the Night, which became his most commercially successful album. The song also reached No. 1 on the UK Singles Chart.Sinatra's recording won him the Grammy Award for Best Male Pop Vocal Performance and the Grammy Award for Record of the Year, as well as a Grammy Award for Best Arrangement Accompanying a Vocalist or Instrumentalist for Ernie Freeman at the Grammy Awards of 1967.Lyrics:[Verse 1]Strangers in the night exchanging glancesWondering in the night, what were the chances?We'd be sharing love before the night was through[Verse 2]Something in your eyes was so invitingSomething in your smile was so excitingSomething in my heart told me I must have you[Chorus]Strangers in the nightTwo lonely people, we were strangers in the nightUp to the moment when we said our first hello, little did we knowLove was just a glance away, a warm embracing dance away and[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night[Bridge]Love was just a glance away, a warm embracing dance away[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night [Outro]Dooby-doooby-dooDoob-dooob-doob-dee-daaDaaa-daaa-daaa-daaa-daaa.

Instrumental Solo - Level 3 - Digital Download SKU: A0.1050741 Composed by William Kirkpatrick. Arranged by Clifton Davis, ASCAP. Celtic,Folk,Irish,Praise & Worship,Sacred. Individual part. 5 pages. Clifton Allen Davis Music, ASCAP #655079. Published by Clifton Allen Davis Music, ASCAP (A0.1050741). This gentle setting for intermediate piano solo allows the listener and the performer time to reflect on Louisa Stead's affirming words about trust and guidance. Appropriate for church events, recitals, and funerals. Using simple folk-like gestures and light pop syncopations, this setting allows the tune to shine in a fresh way, bringing this hymn to old and young alike. Multiple modulations keep the attention while not diminishing the simple character of the music. Part of the Hymns My Mother Taught Me collection.

Bass Trombone - Level 3 - Digital Download SKU: A0.792093 Composed by Frith, John. Contemporary,Jazz,Latin,Rock. 43 pages. Gordon Cherry #3423375. Published by Gordon Cherry (A0.792093). These TWO SUITES were composed in response to a request form Heini Schneebeli, the musical director of ‘TROMBONANZA 2017’. Santa Fe in Argentina is the backdrop for this exciting annual event involving many hundreds of student and professional players. The SECOND SUITE has five movements and is intended for a quartet of younger tenor trombonists working with a teacher on the fifth part on bass trombone who will add richness and depth to the ensemble sound. It is my hope that this piece will encourage, entertain and challenge student players and provide useful concert material for use in the promotion of this unique and versatile instrument.                                                                                           John Frith - 2017 This work is appropriate for younger performers at an intermediate level all in bass clef. The five movements total about 9 minutes in length and have the following titles: 1. Latin Dance 2. Ballad 3. Give Me a Break! 4. Bass Waltz 5. Cruisin’ Along (swing)

Piano Solo - Level 3 - Digital Download SKU: A0.1345047 By Johnny Mathis. By Jack Lawrence and Walter Gross. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #929999. Published by Phyllis Love (A0.1345047). Tenderly for intermediate pianoA well-known 1946 standard, this arrangement, although easy to play, is interesting, with an echo and call motif. It oozes with feeling.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.

Baritone, flute, guitar, percussion - Digital Download SKU: S9.Q47695 Biography of the runaway slave Estéban Montejo. Composed by Hans Werner Henze. This edition: performance score. Music Of Our Time. Downloadable, Performance score. Duration 76' 0. Schott Music - Digital #Q47695. Published by Schott Music - Digital (S9.Q47695). German • English.The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps something novel might emerge in a new and different context, almost by chance. Enzensberger told me of the recent publication of a biography by Estéban Montejo, an old Afrocuban who lived in Havana and who recalled his adolescence as a slave, and suggested that I should set episodes from this book that he, Enzensberger, would select for my experimentation. El Cimarrón, however, did not turn into a cycle of songs and was, indeed, not even intended as such - what came out of the work is a new form of theatrical music making. Singer, flautist and guitarist are occasionally required to play percussion instruments. - Hans Werner HenzeMitwirkende: Bariton - Flötist (Picc. · Fl. · Altfl. · Bassfl. · Ryuteki [oder Picc.] · Mundharm. [Harmonetta] · Trillerpf. · Maultrommel) - Gitarrist - Schlagzeuger (3 Fingerzimb. · Vibr. · Marimba · 3 Herdengl. · 3 hg. Beck. · 2 Tamt. · 13 Tomt. [chrom.] · 3 Bong. · kl. Tr. · 8 Boo-bams · 4 Log Drums · Cong. [Tumba] · Trinidad Steel Drum · gr. Tr. [mit Ped.] · Mar. · Guiro · Kette auf Holz · Kette auf Metallplatte · 3 Dobaçi · Clav. · Matraca · hg. Bambusstäbe · hg. Glasstäbe [Glasspiel] · Shell Chimes · Vogellockrufe · Marimbula · 2 Donnerbleche).

Baritone, flute, guitar, percussion - Digital Download SKU: S9.Q22853 Biography of the runaway slave Estéban Montejo. Recital for four musicians. Composed by Hans Werner Henze. Arranged by Hans Magnus Enzensberger. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 76' 0. Schott Music - Digital #Q22853. Published by Schott Music - Digital (S9.Q22853). German • English.The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps something novel might emerge in a new and different context, almost by chance. Enzensberger told me of the recent publication of a biography by Estéban Montejo, an old Afrocuban who lived in Havana and who recalled his adolescence as a slave, and suggested that I should set episodes from this book that he, Enzensberger, would select for my experimentation. El Cimarrón, however, did not turn into a cycle of songs and was, indeed, not even intended as such - what came out of the work is a new form of theatrical music making. Singer, flautist and guitarist are occasionally required to play percussion instruments. - Hans Werner HenzeMitwirkende: Bariton - Flötist (Picc. · Fl. · Altfl. · Bassfl. · Ryuteki [oder Picc.] · Mundharm. [Harmonetta] · Trillerpf. · Maultrommel) - Gitarrist - Schlagzeuger (3 Fingerzimb. · Vibr. · Marimba · 3 Herdengl. · 3 hg. Beck. · 2 Tamt. · 13 Tomt. [chrom.] · 3 Bong. · kl. Tr. · 8 Boo-bams · 4 Log Drums · Cong. [Tumba] · Trinidad Steel Drum · gr. Tr. [mit Ped.] · Mar. · Guiro · Kette auf Holz · Kette auf Metallplatte · 3 Dobaçi · Clav. · Matraca · hg. Bambusstäbe · hg. Glasstäbe [Glasspiel] · Shell Chimes · Vogellockrufe · Marimbula · 2 Donnerbleche).

Concert Band - Level 5 - Digital Download SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #686377. Published by Jeff Tyzik/Macaroni Music (A0.1082229). Three Latin Dances was composed for the Eastman Wind Ensemble at the request of Mark Scatterday in September of 2018. In the past twenty years, Mark has been very instrumental in encouraging me to compose wind music. I am grateful for the many wind ensemble projects and recordings we have collaborated on including IMAGES, our CD that was released in October 2018. I've always been attracted to the music of great Latin composers including de Falla, Gimenez, Chapi, Piazzolla, Ginastera, Lacuona and many others. In this short suite, I used three different popular Latin dance forms. The first dance section is based on the Danzón, a Cuban dance that is slow, formal and elegant. The Danzón transitions into a Cha Cha, another Cuban dance that is a medium tempo rhythmic dance that I first experienced during my student days at Eastman when I played in local Latin bands. After a brief recap of the Danzón another transition evolves into a Malambo, an Argentine dance that is exciting, up tempo and whose roots can be traced back to the 1600s. As one might imagine, the percussion section is very busy and featured throughout from the elegant and lyrical introduction to the exciting finish. As an alumni of the EWE under Donald Hunsberger, it is an honor to have this preeminent Eastman ensemble premiere this new suite with Mark Scatterday conducting at Severance Hall in Cleveland on May 7, 2019.

Baritone, flute, guitar, percussion - Digital Download SKU: S9.Q558665 Biography of the runaway slave Estéban Montejo. Recital for four musicians. Composed by Hans Werner Henze. Downloadable, Performance score. Duration 76' 0. Schott Music - Digital #Q558665. Published by Schott Music - Digital (S9.Q558665). Spanish • German.The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps something novel might emerge in a new and different context, almost by chance. Enzensberger told me of the recent publication of a biography by Estéban Montejo, an old Afrocuban who lived in Havana and who recalled his adolescence as a slave, and suggested that I should set episodes from this book that he, Enzensberger, would select for my experimentation. El Cimarrón, however, did not turn into a cycle of songs and was, indeed, not even intended as such - what came out of the work is a new form of theatrical music making. Singer, flautist and guitarist are occasionally required to play percussion instruments. - Hans Werner HenzeMitwirkende: Bariton - Flötist (Picc. · Fl. · Altfl. · Bassfl. · Ryuteki [oder Picc.] · Mundharm. [Harmonetta] · Trillerpf. · Maultrommel) - Gitarrist - Schlagzeuger (3 Fingerzimb. · Vibr. · Marimba · 3 Herdengl. · 3 hg. Beck. · 2 Tamt. · 13 Tomt. [chrom.] · 3 Bong. · kl. Tr. · 8 Boo-bams · 4 Log Drums · Cong. [Tumba] · Trinidad Steel Drum · gr. Tr. [mit Ped.] · Mar. · Guiro · Kette auf Holz · Kette auf Metallplatte · 3 Dobaçi · Clav. · Matraca · hg. Bambusstäbe · hg. Glasstäbe [Glasspiel] · Shell Chimes · Vogellockrufe · Marimbula · 2 Donnerbleche).

Piano Solo - Level 3 - Digital Download SKU: A0.1287755 By Martycli Piano Guy. By Martyn Clive Johnson. Arranged by Martyn Clive Johnson. 20th Century,Comedy,Instructional,Jazz,Ragtime. Score. 7 pages. Martyn Johnson #878830. Published by Martyn Johnson (A0.1287755). I wrote this piano solo I wrote for a dog I had over 2 decades ago called 'Lucy'. I picked her up from the dog pound and had 10 lovely years with her. I wrote the piece as I only had one photograph of her, I lost many photographs whilst moving house recently. When I first got her camera's on mobile phones didn't exist and I wasn't a keen photographer. Having only one image it made me nostalgic so I decided to write a tune. So instead of having memories in terms of photographs now I've got a musical one to go with the images in my head. It's a happy tune as she was a happy dog that made me laugh many times. It's written in an old fashioned piano style known as 'Stride Piano' which has it's roots in the ragtime of Scott Joplin and found it's peak in the piano stylings of the great Fat's Waller in the 'Roaring Twenties'. The British pianist Russ Conway has some bearing on my style which adds a bounce in the form of reverse 10ths.My notation is simple, I haven't added fingerings or dynamic marks. The tempo mark is only a guide. I do include chord symbols which I often find are the best aide to sight reading. It's a tricky style to master but extra notes in the bass can be left out and single notes alternating with chords will suffice. Hope you enjoy playing it.Please note this is a piano solo only and the other instruments featured in my YouTube video are not notated.