Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Drums,English Horn,Euphonium,Flute,Multi-Percussion,Oboe,Piano Accompaniment,Recorder,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Early Intermediate - Digital Download SKU: A0.510110 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Andrea La Rose. Metal,Rock. Score and parts. 270 pages. Published by Andrea La Rose (A0.510110). • Melody and four-part harmony parts for all standard band and orchestral instruments, plus piano/keyboard, drum set and percussion trio (snare/ride, toms/crash, bass drum).• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!

Trumpet - Level 2 - Digital Download SKU: A0.1099560 Composed by Eddie Lewis. Classical,Instructional,March. 13 pages. Tiger Music #703450. Published by Tiger Music (A0.1099560). Upgrade your library of easy trumpet literature with At Last Victorious! easy trumpet quartet. This is a 6/8 march in three sharps. As a trumpet teacher with over forty years of experience teaching beginners, I believe that solid range should be developed over a long period of time. But this doesn’t mean that the beginner students need to wait for their range to improve before they dive deeper into the musical side of the instrument. At Last, Victorious! easy trumpet quartet includes the most difficult combination of skills without moving into our first intermediate level. We will talk more about skill levels below, but let me say that many people would label At Last, Victorious as an intermediate piece. In our skill level system, three sharps and six-eight time signature are both in our second beginner skill level. And yet, the highest note in the first part is fourth space E. At Last, Victorious! easy trumpet quartet is the kind of piece I would assign to my students right before they “graduate� from the second beginner skill level into the first intermediate skill level. At Last, Victorious! is a march in six-eight time signature in three sharps. It is not as long as a traditional march and the “trio� is not technically a real trio (and therefore not marked as such). But I do believe that the piece serves as a nice introduction to marches for beginner trumpet students.

SATB chorus, Flute, Oboe, Piano, Djembe - Grade 5 - Digital Download SKU: IZ.VMW1812 Composed by Daniel Baldwin. Score. 36 pages. Imagine Music - Digital #VMW1812. Published by Imagine Music - Digital (IZ.VMW1812). 6.75 x 10.5 in inches.My good friend, Elizabeth Tomorsky Knott, has personally commissioned me to write several pieces for her various organizations. This piece was requested for Music for Tanzania, which serves underprivileged children in Tanzania providing them with music and instruments. Maombi na Sifa (in Swahili, for which the diction is similar to Latin) is translated as Prayer and Praise. As the title suggests, the piece begins with a prayerful chorale which leads into a joyous affirmation of life.

Piano Solo, Violin - Digital Download Composed by Charles Francois Gounod (1818-1893). Arranged by Yoel Epstein. Romantic Period, Repertoire, Halloween, Children's Music, Fairy Tales. Score, Set of Parts. 6 pages. Published by Yoel Epstein

Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Erroll Garner. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer

Violin Solo - Level 4 - Digital Download SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.

Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 3 - Digital Download SKU: A0.900462 By The Commodores. By Lionel Richie, Milan Williams, Ronald LaPread, Thomas McClary, Walter Orange, and William King. Arranged by Carlos Alberto Muñoz Martinez. Rock,Soul. Score and parts. 23 pages. Carlos Martinez #3577849. Published by Carlos Martinez (A0.900462). This is an arrangement for a small band that does not have wind instruments, it is a reduction where the guitar substitutes the wind instruments, in the file is included the complete score as well as the parts of each instrument. Follow me on Facebook: https://www.facebook.com/CXMusic.Tv/?ref=bookmarks

Cello,Piano - Level 4 - Digital Download SKU: A0.796755 By Sam Smith. By Sam Smith and Steve Mac. Arranged by Gary D. Belshaw (ASCAP). Pop,R & B. Score and part. 22 pages. DR GARY D BELSHAW #5359785. Published by DR GARY D BELSHAW (A0.796755). For the Advanced Intermediate Cellist. 4½ minutes. 22 pages. This achingly beautiful melody translates so naturally for the violoncello. Arranged here in the original key, the full range of the instruments are exploited with wonderful results. Not only a solid closer for recital, it will also serve well for recruiting and for social obligations. Free improvisations are welcome and natural. Your knowledgeable classical music supporters will be caught off-guard with the nod to Impressionism as the work opens. Reward your advanced pupils with a gift of this arrangement, and your audience with some solid artistry.Your comments earnestly desired. Follow me at https://www.garydbelshawmusic.com/.

Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1422372 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Festival,Historic,Musical/Show,Opera,Romantic Period. 19 pages. Deborah Johnson #1003714. Published by Deborah Johnson (A0.1422372). With a charming message evoking nostalgia for days gone by, 'Dishes, Dolls, Dresses and Dreams' is an enchanting song crafted for solos and chorus. Its whimsical melody and heartfelt lyrics transport listeners to a bygone era filled with innocence and wonder. Originally written for a musical, this versatile composition can stand alone as a captivating musical selection or be enhanced with the addition of dance, adding visual depth to its already enchanting narrative. Furthermore, its adaptable nature allows for easy dramatization, making it suitable for theatrical performances. For those seeking versatility, the song offers the flexibility to be shortened after measure 117 without compromising its impact, ensuring it can be tailored to fit various performance contexts and preferences. Sheet music, including vocal lead sheet score is 19 pages including cover. Instrumental accompaniment track also available for download. Range is G below middle C to high C, which occurs once very quickly.Written and arranged by Deborah Johnson, first written to be included in the musical TSARINA. (http://TsarinaTheMusical.com) DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released books have garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production & keyboards: Richard Callaci, guitars Jack Majdecki. Additional vocals: Deborah Johnson, Joyce Anderson, Micah Pearsal, Lori Donato, Melanie Smith. Recorded at DJWorks Studios & Callaci Studios. https://DJWorksMusic.com Books & Products: https://goalsforyourlife.com/goal-setting-products Twitter: @DJWorksMusic; LinkedIn: https://www.linkedin.com/in/deborahjjohnson/ Follow on Facebook: http://on.fb.me/14hfyhf For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com

Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute. 

Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Tenor Recorder,Trombone,Tuba,Viola,Violin - Intermediate - Digital Download SKU: A0.510056 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 61 pages. Published by Andrea La Rose (A0.510056). • Melody and four-part harmony parts for C instruments in treble, alto, and bass clefs: voice, flute, recorder, oboe, bassoon, violin, viola, cello, bass, trombone, baritone horn• Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!

Piano Solo - Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer

Piano trio - intermediate - Digital Download SKU: S9.Q43269 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: score and parts. Bohemia - idyll - Symphonic Poem. Downloadable, Score and parts. Op. 39. Schott Music - Digital #Q43269. Published by Schott Music - Digital (S9.Q43269). The fact that the Bohemian composer Zdenek Fibich (1850-1900) is in the shadow of Smetana and Dvorák is totally unjustified because he, too, was instrumental in the foundation of the Czech national school. His best-known work is probably the subsidiary theme from his symphonic poem 'At Twilight' which has become famous under the name of 'Poème'. The violinist Jan Kubelík played this tune under this title since 1908, and as such the work has become known and, with its catchy charm, is now one of the most popular classical themes.

String trio (violin, viola and cello) - intermediate - Digital Download SKU: S9.Q6685 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: score and parts. Bohemia - chamber music - classic. Downloadable, Score and parts. Op. 39. Schott Music - Digital #Q6685. Published by Schott Music - Digital (S9.Q6685). The fact that the Bohemian composer Zdenek Fibich (1850-1900) is in the shadow of Smetana and Dvorák is totally unjustified because he, too, was instrumental in the foundation of the Czech national school. His best-known work is probably the subsidiary theme from his symphonic poem 'At Twilight' which has become famous under the name of 'Poème'. The violinist Jan Kubelík played this tune under this title since 1908, and as such the work has become known and, with its catchy charm, is now one of the most popular classical themes.

Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,� profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…� Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.� The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.