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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105). THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then. Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.The whole work consists of three pieces. They were written based on my impression of each place when I visited them. 1. Kamakura: In the Hydrangea Temple I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea. 2. Nara: Consecration of the Great Buddda Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.I imagined the solemn scene of the Consecration Mass of Great Buddha. 3. Kyoto: The Golden Pavilion in the Sunset It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting. Performance Time: 12’00” PROFILE: Keiko Takashima Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.*The YouTube sample is a performance of oboe d'amore for reference of the music.
Three Ancient Capitals for Trombone and Piano
Trombone et Piano

$29.95 25.64 € Trombone et Piano PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.845984 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. Celtic,Contemporary,Folk,Irish,New Age. 13 pages. ViolinVagabond Music #6020001. Published by ViolinVagabond Music (A0.845984). This is an original Celtic fiddle tune that I wrote & performed with my live-looping duo, The Khromatiks, in 2015. It was originally conceived as a loop station composition for 7-string electric violin, but can also be performed as a fiddle solo with any form of standard accompaniment. The looper arrangement was recorded on 7-string violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 tempo-synced tracks with overdubs will be able to handle this structure, such as the Singular Sound Aeros, BOSS RC-30, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can play all of the melodies & harmonies, but some accompaniment parts in the loop arrangement will have to be transposed 8va.The tune itself is a fairly standard Celtic jig+reel medley. In the loop station arrangement there is an extended opening that explores some suspended harmonies over a pedal-tone D. String pads & chopping grooves are stacked in the accompaniment track to bring in a more modern fusion approach to the Celtic sound.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but as I mentioned it also works as a violin solo. Using the included lead sheets, you can perform this with guitar, piano, bass, etc. The sky is the limit, feel free to get creative and share your performance!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
Bows & Tippers by The Khromatiks - Fiddle Lead Sheet & Loop Station Charts
Violon
The Khromatiks
$7.99 6.84 € Violon PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.1008360 Composed by S. Lyapunov. Arranged by A. Leytush. 20th Century. Score and parts. 125 pages. Arkady Leytush #4809177. Published by Arkady Leytush (A0.1008360). Variations on a Georgian Theme, (1915) were originally written for piano.  This piece belongs to the late period of Lyapunov’s work.  The composition is distinguished not only by its virtuosity, but also by the brilliant development of Georgian folk melody.  Bright national color, musical contrast, rhythm variety and its collision, polymeric - all of these have pushed me to make an orchestral transcription of this brilliant piece.  Being played at the end, this composition can certainly enhance the program and leave a long lasting impression.
S. Lyapunov - Variations on a Georgian Theme, Op.60, Orchestrated by A. Leytush
Orchestre

$80.00 68.48 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1244847 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Chamber,Classical,Romantic Period. Score. 2 pages. Lagos Music #839768. Published by Lagos Music (A0.1244847). I wrote this one over the last week, but the amount of hours that it took was quite ridiculous. I wasn't expecting this one to take as much work as it did, but I'm happy with it. The second movement of my first sonata is complete! I'll admit the trio section is a bit more of a scherzo - I was looking at Beethoven's Sonatas and realized he commonly wrote scherzos after his minuets (or similar compositions). I probably should have titled it that way but, oh well. I'm self-titling this as The Empress Minuet because it reminds me of a gig I did where I played for a huge ball at The Fairmont at The Empress in Victoria, BC. This ball was Jane Austen themed, so everyone was dressed in costumes and danced to Minuets and more - all played by a live String Quartet. I was hired to play piano during the breaks and dinner, so I had to play music from the classical period and it was so much fun :) especially since most of my favorite music of all time was composed in that era of history! This took me longer to write than expected, but that's ok. I really wanted to get the feel right. Sounds I'm trying to get: royalty/nobility, and a balance between strength, beauty, and dignity, like our late Queen Elizabeth. I hope you like it. Thank you, Gabe.
Piano Sonata in F Minor - II. Minuet and Trio
Piano seul
Gabriel Lagos
$4.99 4.27 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
Infinite, Eternal, Invisible, Undetectable God
Piano, Voix
Stephen R Dalrymple
$4.50 3.85 € Piano, Voix PDF SheetMusicPlus

Piano Solo Piano/Keyboard - Difficulty: medium SKU: HL.310636 A Tribute To Fred Bock. Composed by Various. Piano solos. Piano Solo Songbook. Spiritual. Collection. With introductory text (does not include words to the songs). 76 pages. Fred Bock Music Company #BG0967. Published by Fred Bock Music Company (HL.310636). ISBN 9780634018404. UPC: 073999547184. 9x12 inches.Bock's Best series is one of the best sacred piano series of all time. How fitting that Fred Bock's keyboard colleagues would pay tribute to Fred by arranging their own favorite hymns in his honor. Featuring such renowned pianists as Mark Hayes, Ovid Young, Jan Sanborn, Kurt Kaiser and Ken Medema - plus nine more - this collection is a great tribute to their friend, Fred, and includes their own special remembrances of him.
Bock's Best Friends
Piano seul

$18.95 16.22 € Piano seul PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.869654 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 50 pages. Thomas Oboe Lee #5711031. Published by Thomas Oboe Lee (A0.869654). Program note: I first met Minami Yoshida when I hired her and her colleagues in the Nico Quartet for a recording session of my Missa Pro Defunctis (2018) in the Eben Jordan Studio at the New England Conservatory of Music and then I heard her at an Honors String Quartet concert with Nico in Jordan Hall. Both events were in the spring of 2019 and she and the quartet were fantastic. I was so impressed with her and her quartet that I wrote a string quartet for them that summer, NICO. They recorded it for me @ NEC in the fall and I love the recording. The next thing I did was to offer to Minami to write a violin sonata for her. She was thrilled with the idea. I decided to call it Mi-la-mi, after her name; the first three notes in the violin for this work are: E - A - E.   Mi-la-mi (2020) is in four movements. 1. Moderato, TRIO, Allegro vivace 2. Allegro con moto. TRIO 3. Moderato 4. Largo Enjoy! Duration: ca. 24 minuteshttps://thomasoboelee.bandcamp.com/album/mi-la-mi-2020-for-violin-and-piano
Mi-la-mi (2020) for violin and piano
Violon et Piano

$9.99 8.55 € Violon et Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1337248 By Niccolò Trivieri. By Niccolò Trivieri. Arranged by Niccolò Trivieri. Contemporary,Film/TV,New Age,Pop,Spiritual. Score. 6 pages. Niccolò Trivieri #923057. Published by Niccolò Trivieri (A0.1337248). A message from the author:This piece is very important to me, each note has its own meaning. The video - with its simple sound and visual effects - tells a story, but... I leave the pleasure of discovering new worlds with this music to your imagination! Inebriate yourself with the mystery of these particular, dark harmonies... and surprise yourself with unexpected sparks of light scattered here and there. This music is for you if you love rainy days, atmospheres of nostalgic beauty and some disturbing little vibes from exploring abandoned houses: there is magic in everything around us, just open your eyes and listen more carefully. This piece came to you for a reason: never stop believing in what your Heart feels; even if you can't prove it at the moment and even if the world works against you. If your Heart is right, in the end you will always have answers, you will always get what you want. Heart was born precisely from this feeling... the certainty that sooner or later, everything will arrive. This composition is definitely a message: in the certainty that it will reach the right person, it is (obviously) also dedicated to all of you who listen to it and play it, so that it can inspire you to never give up and explore the innermost parts of yourself... as a musician, this is my main mission and my joy! May this piece resonate in as many places as possible! Thank you so much.NiccolòP.S. there are some suggestions in the score to make the piece a little easier and with fewer jumps. Also feel free to make a few small changes to the rhythm of the irregular groups only if they are too difficult for you (even if they have a precise meaning) playing them simultaneously with the accompaniment notes of the left hand, and not 'out of phase'. After all, the most important thing is... Heart!
Heart
Piano seul
Niccolò Trivieri
$5.00 4.28 € Piano seul PDF SheetMusicPlus






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