Concert Band - Level 2 - Digital Download SKU: A0.818279 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #4854631. Published by Stephen R Dalrymple (A0.818279). Rocky Mountain Vista ♫ American Folk Song ♫ “Rocky Mountain High� with “Down in the Valley� and “Home on the Range� ♫ arranged for concert band by Stephen R Dalrymple ♫ What would you see if you climbed to the rim of the Rocky Mountains (or the Appalachians)? I arranged 2 American folk songs of unknown authorship, Rocky Mountain and Down in the Valley, plus Home on the Range (by Brewster Higley (lyrics 1874) and Daniel Kelly (melody pre 1905) to portray our western mountains and range land. ♫ [2021 Update: Actually, modern theory says Rocky Mountain came from the Appalachian Mountains and describes the rocky mountains of the Appalachians, not the Rockies. But for many the song evokes memories of the Rocky Mountains. So if you look to the west or the east for high mountains, you're covered.] ♫ Rocky mountain, rocky mountain, rocky mountain high, When you’re on that rocky mountain, hang your head and cry. Loo, loo, loo, loo, Do remember me. Loo, loo, loo, loo, Do remember me. ♫ Down in the valley the valley so low, Hang your head over; hear the wind blow. Hear the wind blow dear; hear the wind blow. Hang your head over; hear the wind blow. ♫ Oh, give me a home where the buffalo roam, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ Home, home on the range, Where the deer and the antelope play, Where seldom is heard a discouraging word, And the skies are not cloudy all day. ♫ How often at night, when the heavens were bright, With the light of the twinkling stars, Have I stood here amazed, and asked as I gazed, If their glory exceeds that of ours! ♫ sequenced by the arranger ♫ arrangement © 2001, 2019 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute/Oboe, Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Alto Clarinet/Alto Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Bass Clef Baritone/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Snare Drum/Bass Drum, Triangle/Cymbal, and Bells. ♫ The YouTube video contains the full recording.

Flute, Woodwind Trio - Intermediate - Digital Download Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited by Pat Spence. Baroque Period, Repertoire, Recital. Score, Set of Parts. 24 pages. Published by Piper Publications

Fl.pft. - Intermediate-Advanced - Digital Download SKU: F2.FM448 Composed by Geoff Warren. Flute and Piano. Score and part. 30 pages. Forton Music - Digital #FM448. Published by Forton Music - Digital (F2.FM448). ISBN 9790570483471.I wrote these pieces towards the end of summer 2014 at the request of various flautist colleagues who were telling me I should get back to writing for flute and piano. Five of the six pieces are dedicated to musician colleagues; all flautists except Walter the percussionist. The sixth is to myself, perhaps a portait of the artist as a young boy. These compositions, however, are not really meant to be portaits, just pieces dedicated to people I work with, and to some extent inspired by how I see them, so I have called them Sketches. The Sketches offer short expositions of themes which I hope will be enjoyable to play and to listen to. They offer some technical challenges for the flautist but are mostly in a 'medium difficulty' range, in attractive jazz/pop styles.

Small Ensemble Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 4 - Digital Download SKU: A0.835789 Composed by Georges Bizet. Arranged by Paul Burnell. Romantic Period. Score and parts. 31 pages. Paul Burnell #3432415. Published by Paul Burnell (A0.835789). Danse BohèmeLes tringles des sistres tintaient (Chanson Bohème) Composed by Georges Bizet (1838 - 1875), arranged Paul Burnell 2014 for recorder ensemble:Sopranino, Soprano, Alto, Tenor 1, Tenor 2, Bass 1, Bass 2, Great Bass. Duration 4:00 The piece is transposed up a fourth from the original in the second Carmen Suite. Programme Note: This piece for recorder ensemble is an arrangement of the aria (Chanson Bohème) sung by the characters Carmen, Frasquita and Mercédès in act two of the opera 'Carmen' composed by Georges Bizet and first performed in 1875. The composition was included in the Carmen Suite No. 2 for orchestra as 'Danse Bohème'.

Piano Solo - Level 5 - Digital Download SKU: A0.847962 By Simon And Garfunkel. By Traditional English Ballad. Arranged by Timothy Stapay. Baroque,Contest,Festival,Film/TV,Folk,Traditional. Score. 6 pages. Timothy Stapay #454662. Published by Timothy Stapay (A0.847962). Scarborough Fair is a traditional English ballad. A famous version was recorded by Simon and Garfunkel. The lyrics of Scarborough Fair appear to have something in common with a Scottish ballad titled The Elfin Knight (Child Ballad #2, collected by Francis James Child, which has been traced as far back as 1670. In this ballad, an elf threatens to abduct a young woman to be his lover unless she can perform an impossible task (For thou must shape a sark to me / Without any cut or heme, quoth he); she responds with a list of tasks that he must first perform (I have an aiker of good ley-land / Which lyeth low by yon sea-strand). Dozens of versions existed by the end of the 18th century. A number of older versions refer to locations other than Scarborough Fair, including Wittingham Fair, Cape Ann, twixt Berwik and Lyne, etc. Many versions do not mention a place name and are often generically titled (The Lovers' Tasks, My Father Gave Me an Acre of Land. The references to the traditional English fair, Scarborough Fair and the refrain parsley, sage, rosemary, and thyme date to 19th-century versions, and the refrain may have been borrowed from the ballad Riddles Wisely Expounded, which has a similar plot. O, where are you going? To Scarborough fair, Savoury sage, rosemary, and thyme; Remember me to a lass who lives there, For once she was a true love of mine. And tell her to make me a cambric shirt, Savoury sage, rosemary, and thyme, Without any seam or needlework, And then she shall be a true love of mine. And tell her to wash it in yonder dry well, Savoury sage, rosemary, and thyme, Where no water sprung, nor a drop of rain fell, And then she shall be a true love of mine..

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1321543 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Easter,Praise & Worship,Religious,Sacred. 8 pages. Kevin G. Pace #910010. Published by Kevin G. Pace (A0.1321543). A beautiful, sacred composition for SATB choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:In the garden, Gethsemane, Jesus wept upon his knees.Sorrowing for humanity, Jesus suffered grief for me.Saving love, the purest love, spared mankind . . . new life to come.Only love, Christ’s perfect love, frees my soul with saving love!On the cruel cross of Calvary Jesus died for all to see.Calling out his whole-hearted plea, Jesus suffered pain for me.Saving love, the purest love, spared mankind . . . new life to come.Only love, Christ’s perfect love, frees my soul with saving love!Though his body inside a tomb laid three days, his Father knewChrist, his Son, would arise anew . . . Resurrection claimed that truth.Only Christ, the saving One, saves my soul with his pure love.Only love, Christ’s perfect love, frees my soul with saving love!

Clarinet Solo - Level 3 - Digital Download SKU: A0.533881 Composed by David Warin Solomons. Contemporary,Folk,Holiday,Love,Wedding. Individual part. 66 pages. Musik Fabrik Music Publishing #3057483. Published by Musik Fabrik Music Publishing (A0.533881). A set of five folksong arrangements, suitable for use for concerts and also for wedding receptions. 1. Deer me!based on A Keeper Would a hunting go2. Red Rosebased on My Love is like a Red, Red Rose3. Cutting of Broombased on The Ballad of Green Broom4. One oh!based on Green grow the rushes oh!5. Weddingbased on Mhairi's wedding

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.533882 Composed by David Warin Solomons. Concert,Contemporary,Folk,Holiday,Love,Wedding. 80 pages. Musik Fabrik Music Publishing #3057485. Published by Musik Fabrik Music Publishing (A0.533882). A set of five folksong arrangements, suitable for use for concerts and also for wedding receptions. 1. Deer me!based on A Keeper Would a hunting go2. Red Rosebased on My Love is like a Red, Red Rose3. Cutting of Broombased on The Ballad of Green Broom4. One oh!based on Green grow the rushes oh!5. Weddingbased on Mhairi's wedding

Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3066951. Published by Musik Fabrik Music Publishing (A0.533911). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard,comprise a complete vocal cycle of five poems set to music as a posthumoustribute by the composer to the Athenian poet Melissanthi (1910-1991),in the manner of the old tombeaux of the Baroque era, atradition also used by many composers of the first half of the 20th century.This composer confirms, with reference to his own experience of Melissanthi'spoetry these five from among her many poems have made a such a great impacton my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name wasEve Chougia-Skandalaki, and the mysterious atmospheres invokedby David Solomons' music introduce the listener to an ethereal andmetaphysical dimension, allowing us a glimpse into the unknown and the intangible.A recurring theme, which unites the five lyrics by an invisible thread, isan incessant fluctuation between the real and the unreal, between the knownand the unknown and between reality and unreality.The inevitable abandonment of the mind to the seductive charms of thesurreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems thereforerequire particular emotional involvement, in an overall picture where everysingle note is a tiny but essential constituent of a larger and more complexmusical architecture. The harmonic structure of the five compositions presentsa substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords.This creates an indissoluble unity, such that it would spoil the completenessof the whole cycle of compositions if it were broken.Alessandro BalsiminiTranslation by David W. Solomons

Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys.  This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1124806 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,Spiritual. Score. 6 pages. Andrew Mc Donald (Macka Records) #725577. Published by Andrew Mc Donald (Macka Records) (A0.1124806). Drink is a song about when Jesus meets a Samaritan woman at Jacob's well. He asks her for a drink of water and goes on to explain to her that she can find living water which comes from Him. Drink of me and you will never thirst. This is a ballad song for piano and vocals.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.872688 Composed by Philip Orem. Christian,Contemporary,Sacred. Score. 60 pages. Philip Orem #4784467. Published by Philip Orem (A0.872688). Sacred Songs is a collection of ten songs suitable for church services using American texts from Sidney Lanier, John Greenleaf Whittier, The Bay Psalm Book, spirituals and Shaker hymn books. These  songs should suit most voices, from the lyrical Peace Be Still and A Ballad of Trees and the Master to the rousing Weary Not. Your congregation will love these!For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.

2 (1. auch Picc.) · 2 · 2 · Bassklar. · 2 - 2 · 2 · 2 · 1 - P. S. (Glsp. · Marimba · Crot. · 2 hg. Beck. · Tamt. · 3 Bong.) (2 Spieler) - Hfe. - Str. violin and orchestra - Digital Download SKU: S9.Q6297 Nocturne for Violin and Orchestra. Composed by Henri Dutilleux. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q6297. Published by Schott Music - Digital (S9.Q6297). Sur le même accord (about a single chord) is - as the subtitle suggests - a nocturne-like work. Although in one mouvement, at its centre are two expressive sections, which alternate with more rapid writing. The soloist plays a concertante role with the orchestra. In both the solo part and the orchestral texture, a six-note chord can be heard throughout the work, either concealed or more overtly, given to soloists drawn from the orchestra. At the start of the work, the solo violin announces these six pitches, first as a monody, then double-stopped; this material is then distributed vertically (played as a chord) by various instrumental groups. Mirror writing and different orchestral colours transform this chord, but it is omnipresent, an obsession. This relatively short work is dedicated to Anne-Sophie Mutter, to whom I was introduced by Paul Sacher about fifteen years ago. Since then, this great artist, who captivates so many composers, has unceasingly added to her repertoire music of our time by commissioning new works in many genres from contemporary composers. - Henry Dutilleux.