Brass Ensemble Euphonium,Trombone,Tuba - Level 3 - Digital Download SKU: A0.508196 Arranged by Eric Burger Music. Baroque. Score and parts. 26 pages. Eric Burger Music #3514713. Published by Eric Burger Music (A0.508196). This work was composed around 1718 for the Imperial Court in Vienna. An interesting and lively work, it doesn't fall into the traditional 4 quartets usually found in 16 part works, and will be quite challenging and interesting to both you group and your audience! View the score with playback at:https://youtu.be/BcbhKAT5a0Q This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.

Brass Ensemble - Digital Download SKU: A0.1006832 Composed by Eddie Hurt. 20th Century,Contemporary. Score and parts. 96 pages. Eddie Hurt #3006787. Published by Eddie Hurt (A0.1006832). This composition was inspired by a cruise of the Mediterranean and visits to Italy, Croatia, and Greece.   I was struck by the age and endurance of the structures and the history of the region.  The hard work and thought that went into the construction of theses incredible buildings  that have survived 1000s of years was amazing.  I describe my musical style as neo polyphonic.  I write each part as a spate melody or counter melody and the harmonization is what occurs naturally as they entwine.    They are usually impressionistic in nature reflecting  some action or scene.  The First movement is my impression of walking on the ancient roman roads. I found them uneven and I I was wobbling all over the place. To me it sounds  like a old wagon with different sized wheels going down the road with other traffic.  The second movement. Is  inspired by the great Cathedrals you find all through Europe.   They are huge open and full of history.  As you wonder through them you can feel the history and the devotion in them.  The third movement  evokes the fast ride of a cavalry unit scouting enemy territory and having a skirmish with and enemy then riding off..  It was inspired by all the history of conflict between the countries  of the Mediterranean.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1199677 By Barbra Streisand. By Bob Merrill and Jule Styne. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #798681. Published by John Fries (A0.1199677). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Woman in Love is a song performed by Barbra Streisand and taken from her 1980 album, Guilty. The song was written by Barry and Robin Gibb of the Bee Gees, who received the 1980 Ivor Novello award for Best Song Musically and Lyrically. It is her fourth of four Platinum records, and is considered her greatest international hit.

C Instrument - Level 4 - Digital Download SKU: A0.500297 By Barbra Streisand. By Barry Gibb and Robin Gibb. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113484. Published by John Fries (A0.500297). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   Woman in Love is a song performed by Barbra Streisand and taken from her 1980 album, Guilty. The song was written by Barry and Robin Gibb of the Bee Gees, who received the 1980 Ivor Novello award for Best Song Musically and Lyrically. It is her fourth of four Platinum records, and is considered her greatest international hit.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1199675 By Bon Jovi. By Jon Bon Jovi. Arranged by John Fries. 20th Century,Rock,Standards. Score. 2 pages. John Fries #798678. Published by John Fries (A0.1199675). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Woman in Love is a song performed by Barbra Streisand and taken from her 1980 album, Guilty. The song was written by Barry and Robin Gibb of the Bee Gees, who received the 1980 Ivor Novello award for Best Song Musically and Lyrically. It is her fourth of four Platinum records, and is considered her greatest international hit.

By Ben E. King. Arranged by Tsuyoshi Yoroiguma. Movies, Pop, Old-time. Set of Parts. 12 pages. Published by Tsuyoshi Yoroiguma (H0.113493-778900). - Set of Parts - Movies,Pop,Old-time - Tsuyoshi Yoroiguma

Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841584 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3471735. Published by Andrew Mc Donald (Macka Records) (A0.841584). I Bow To You is a song about an experience I had when God gave me a vision. The response I had to the Lord was to fall flat on my face bowing to Him. I was compelled because He is the King of Kings. The word says every knee shall bow. Test this for yourself if you like. I was totally blown away!

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1031940 Composed by Max A. Clifford. Contemporary. Octavo. 5 pages. Max Clifford #3880365. Published by Max Clifford (A0.1031940). A beautiful, short piece for SATB choir. Everyone needs friends in their lives. This piece, inspired by verses from Ecclesiastes, is dedicated to all of my friends. The people who I lean on when I'm in trouble, the people who make me laugh, the people who make my life whole. This piece is easily accessible for vocalists of all ages and can be used for many occasions, from graduation, to worship, to general concert programming. .

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started.  In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements.  1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music.  1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.

Concert Band - Level 3 - Digital Download SKU: A0.1429858 By Bananarama. By Robert van Leeuwen. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Pop. 45 pages. John Ivor Holland #1010492. Published by John Ivor Holland (A0.1429858). Venus is a song by Dutch rock band The Shocking Blue, released as a single in the Netherlands in the summer of 1969. Written by Robbie van Leeuwen, the song topped the charts in nine countries. It has since been covered dozens of times by many artists. In 1986, English girl group Bananarama covered Venus for their third studio album, True Confessions, with the single reaching number one in six countries and has been featured in numerous films, television shows, and commercials. Venus had been a part of Bananarama's repertoire for several years before they actually recorded it. The group's three members, Sara Dallin, Siobhan Fahey and Keren Woodward had the idea of turning the song into a dance tune, but they were met with resistance from their producers at the time, Steven Jolley and Tony Swain. The group brought the idea to the production trio of Stock Aitken Waterman, and it became Bananarama's first collaboration with them. The track was initially produced in an arrangement more faithful to the Shocking Blue original, but was reworked in hi-NRG style after Fahey suggested that their version should sound similar to Dead or Alive's You Spin Me Round (Like a Record). Turn back the clock with this great song, perfect for outdoor performances - there are solo spots for alto sax and trumpet, as desired and the key has been shifted up from the original E minor to make it more band-friendly.