Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1134047 By Samuele Cicchitti. By Franz von Suppe. Arranged by Samuele Cicchitti. Classical. 62 pages. Samuele Cicchitti #734155. Published by Samuele Cicchitti (A0.1134047).

Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU: A0.619473 Composed by Johann Pachelbel. Arranged by Stephen DeCesare. Baroque,Broadway,Holiday,Musical/Show,Standards,Wedding. 22 pages. Exultet Music #2964253. Published by Exultet Music (A0.619473). The most popular song to be played as a processional for many weddings around the world.  This arrangement has been specifically modified so that the entire piece can be used for the whole bridal party to walk down the aisle.  The dialogue between the instruments is such where not one instrument will dominate the other and the artists will not get easily winded because of long phrases.  Accessible to play and appropriate for any wedding service.  Scored for Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax, and Piano.  .

Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU: A0.619865 Composed by Johann Pachelbel. Arranged by Stephen DeCesare. Baroque,Classical,Film/TV,Holiday,Wedding. 32 pages. Exultet Music #3053349. Published by Exultet Music (A0.619865). The most popular song to be played as a processional for many weddings around the world.  This arrangement has been specifically modified so that the entire piece can be used for the whole bridal party to walk down the aisle.  The dialogue between the instruments is such where not one instrument will dominate the other and the artists will not get easily winded because of long phrases.  Accessible to play and appropriate for any wedding service.  Scored for Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax, and Organ.  .

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.962170 Composed by Paul Marshall. Contemporary. 51 pages. Sindel-Marshall Music Studio #2968775. Published by Sindel-Marshall Music Studio (A0.962170). Four movements for saxophone quartet. The first, Azure, takes inspiration from calm waters and open skies - it is in 5/8 and gently flows upon a syncopated pedal point.  The second is Lilac, dream like accompaniment figures are contrasted with a more energetic melodic line.  Chartreuse us the the third, quirky in nature and more lively and energetic.  The quartet finishes with Indigo, brooding and dramatic in 11/8, this is the climax of the quartet. Total performance time is 12-15 minutes.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.834764 Composed by EDWARD MACDOWELL (1860-1908). Arranged by BRIAN W. COPPING. Concert,Romantic Period,Standards. 11 pages. EMK Music #6619651. Published by EMK Music (A0.834764). ‘To a Wild Rose’ is one of the most popular pieces from Edward MacDowell’s ‘Woodland Sketches’ (Op.51) written in 1896. While the melody of ‘To a Wild Rose’ has a poignant and retrospective romantic simplicity, more contemporary textures are achieved through the use of more progressive chords with altered, fifths, sevenths and ninths. The overall effect is an endearing charm that has contributed to its longevity.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934266 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 165 pages. Antonio Cericola #6329505. Published by Antonio Cericola (A0.934266). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati e musicalmente più evoluti, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Questi vocalizzi del primo volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11. The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened and musically advanced students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.527535 Composed by John Francis Wade. Arranged by Diego Marani. Baroque,Christmas,Instructional,Sacred,Standards. 13 pages. Diego Marani #2863063. Published by Diego Marani (A0.527535). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol which has been attributed to various authors, including John Francis Wade (1711–1786), with the earliest copies of the hymn all bearing his signature, John Reading(1645–1692) and King John IV of Portugal (1604–1656). The original four verses of the hymn were extended to a total of eight, and these have been translated into many languages. The English translation of O Come, All Ye Faithful by the English Catholic priest Frederick Oakeley, written in 1841, is widespread in most English speaking countries.This arrangement for sax quartet includes the following parts: Bb Soprano or Eb Alto (lead part), Eb Alto, Bb Tenor, Eb Baritone.2016 Holiday Contest Entry

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1294119 Composed by Caleb Crino, Jake Henry, Jeff Pardo, and John Secker. Arranged by Jeff Tincher. Christian,Contemporary,Country,Praise & Worship,Religious. 14 pages. Jeff Tincher #884542. Published by Jeff Tincher (A0.1294119). Here is the Country Rock style song from Contemporary Christian Duo Caleb and John. In the original key from their single, this one will have your congregation/audience on their feet. Duration = 2:56. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490145. Published by jmsgu3 (A0.549365). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.  Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  

Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1057563 Composed by Herbert Hughes. Arranged by Jordan Grigg. Instructional,Multicultural,Standards,World. Full Performance. Duration 148. Jordan Grigg #3465754. Published by Jordan Grigg (A0.1057563).

Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.592470 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. 2 scores. 4 pages. David McKeown #6359879. Published by David McKeown (A0.592470). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for two Alto Saxophones. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Alto Saxophone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements.

Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.592473 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6359885. Published by David McKeown (A0.592473). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for two Soprano Saxophones. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Soprano Saxophone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements.

Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.592474 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6359887. Published by David McKeown (A0.592474). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for two Tenor Saxophones. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Tenor Saxophone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .

Trombone Quartet - Level 2 - Digital Download SKU: A0.1138624 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 6 pages. Woods Only, Arrangements #738972. Published by Woods Only, Arrangements (A0.1138624). This easy arrangement for trombone quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1477853 Composed by Jean Sibelius. Arranged by Diego Marani. 20th Century,Classical,Instructional,Opera,Romantic Period. 18 pages. Diego Marani #1055232. Published by Diego Marani (A0.1477853). Valse triste (Sad Waltz), Op. 44/1, is a short orchestral work by the Finnish composer Jean Sibelius. It was originally part of the incidental music he composed for his brother-in-law Arvid Järnefelt's 1903 play Kuolema (Death), but is far better known as a separate concert piece.Sibelius wrote six pieces for the 2 December 1903 production of Kuolema. The first was titled Tempo di valse lente - Poco risoluto. In 1904 he revised the piece, which was performed in Helsinki on 25 April of that year as Valse triste. It was an instant hit with the public, took on a life of its own, and remains one of Sibelius's signature pieces. It is considered one of the most beautiful and moving waltzes in the history of musicThis arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) is suitable for any occasion: classroom, repertoire and recital.