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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.1337095 Composed by Stephen W. Burch (ASCAP). 21st Century,Chamber,Contemporary. 65 pages. BurchMusic #922902. Published by BurchMusic (A0.1337095). Flute QuartetThis challenging quartet for advanced flautists is in five movements:1. Country Dance - 0:00 (like a festival celebration) – Flute 1, Flute 2, Alto Flute, Bass Flute2. Swing It - 1:47 (jazzy, with a bass flute solo) – Flute 1, Flute 2, Alto Flute, Bass Flute3. The Chase - 4:41 (four piccolos chasing each other) – Piccolos 1, 2, 3, 44. Night Song - 6:02 (a ballad for a quiet evening) – Flute, Alto Flute 1, Alto Flute 2, Bass Flute5. Latest News - 7:12 (just like a gossip session) – Piccolo, Flute, Alto Flute, Bass FluteThe mp3 is a live recording from a faculty concert at Moorpark College.
Flute Quartet
Quatuor de Flûtes : 4 flûtes

$45.00 39.46 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
Bach: Jesu, Joy of Man's Desiring for Flute Choir
Ensemble de Flûtes

$49.95 43.8 € Ensemble de Flûtes PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1377338 Composed by W. Ganz. Arranged by Kent S. Burchill. 19th Century,Classical,Contest,Festival,Romantic Period,Traditional. 23 pages. WINDCREST #961928. Published by WINDCREST (A0.1377338). QUI VIVE` CONCERT GALOP for FLUTE CHOIR - This spirited adaptation of the piano four-hands composition by W. Ganz has been written for flute choir.  It features five parts - Piccolo, 2 Soprano Flutes, 1 Alto Flute, and 1 Bass flute.  Adding two, three or more performers per part is encouraged and adds to the excitement.  This selection will serve well as an opening selection or as an encore.  Tempo is at the discretion of the performers. The attached audio file is about 2 minutes and 40 seconds long.  Difficulty is about a 3.5 out of 6. Keys are F, Bb, Eb Major.
QUI VIVE` CONCERT GALOP FOR FLUTE CHOIR
Ensemble de Flûtes

$20.00 17.54 € Ensemble de Flûtes PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
Ensemble de Flûtes

$47.95 42.05 € Ensemble de Flûtes PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - Digital Download SKU: A0.1230266 Composed by Sarah Wallin Huff. 21st Century,Contemporary,New Age,Religious. 34 pages. Novel Soundtrax #825987. Published by Novel Soundtrax (A0.1230266). This original work creatively weaves the beloved Amazing Grace melody in and out of a second original tune titled In the Forest, evoking a meditative and melancholy sense of wandering and reflection, as if hidden from the outside world. This composition, originally for string quartet, was composed in 2011 at the request of Danielle Rosaria Cummins and the organization Alternate Avenues. In 2023, Wallin Huff got the opportunity to rework this piece for a flute choir, enabling the sweeping lines to be fleshed out with the gentle tones of 8 flutes.
In the Forest (Amazing Grace): for flute choir
Ensemble de Flûtes

$25.00 21.92 € Ensemble de Flûtes PDF SheetMusicPlus

Large Ensemble Alto Flute,Bass Flute,Piccolo - Digital Download SKU: A0.501245 Composed by Wolfgang Amadeus Mozart. Arranged by Heather Bell. Baroque,Classical,Traditional. Score and parts. 48 pages. Published by HB (A0.501245). This piece was originally written by Wolfgang Amadeus Mozart under the original name Sonata in D for Two Pianos (K448). This is an arrangement that changes the instrumentation from pianos to a choir of flutes. It is a classic piece that most people recognize when they hear it. Arranging this for Flute Choir gave it a new sweet and fun timbre whilst keeping the original charm. It is a challenging piece, that allows all members of the choir to shine in the melody while sharing the background and bass responsibilities. It is charming and fun to both play and listen to.
Sonata in D Major for Flute Choir (K448)
Ensemble de Flûtes

$15.00 13.15 € Ensemble de Flûtes PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes

$47.95 42.05 € Ensemble de Flûtes PDF SheetMusicPlus






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