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Euphonium,Piano - Level 5 - Digital Download SKU: A0.811077 Composed by Zoltan Kodaly. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 11 pages. Gordon Cherry #4988477. Published by Gordon Cherry (A0.811077). Four Pieces from Opus 11 arranged for Euphonium and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910. The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War. This item is now available with parts in bass and treble clef. About 12 minutes in length, these four movements are appropriate for advanced performers.
Four Pieces from Op. 11 for Euphonium and Piano
Euphonium, Piano (duo)

$20.00 17.28 € Euphonium, Piano (duo) PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1147885 Composed by Horváth Adrián and Oszkár Várhalmi. Arranged by Adrian Horvath. Folk,March,Patriotic. Score and Parts. 48 pages. Horváth Adrián #748082. Published by Horváth Adrián (A0.1147885). Visit my website: https://www.hadrian.huInstrumentation: Full Score (A4 Portrait), Parts (A4 Portrait): Piccolo, Flute 1., 2., Oboe 1., 2., Bassoon, Clarinet in Eb, Clarinet in Bb 1., 2., 3., Bass Clarinet in Bb, Alto Saxophone 1., 2., Tenor Saxophone, Baritone Saxophone, Horn in F 1., 2., 3., 4., Horn in Eb 1., 2., 3., 4., Flugelhorn 1., 2., Bass Flugelhorn in Bb 1., 2., (T.C.), Bass Flugelhorn in C 1., 2., (B.C.), Euphonium in Bb (T.C.), Euphonium in C (B.C.), Trumpet in Bb 1., 2., 3., 4., Trombone 1., 2., 3., Tuba 1., 2., Snare Drum, Bass Drum & Cymbals, Glockenspiel.
Béla Király March
Orchestre d'harmonie

$49.99 43.2 € Orchestre d'harmonie PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.899139 Composed by Bella Bartok. Arranged by Rod Whittle. Folk. Individual part. 4 pages. Maggie Creek Music #4349077. Published by Maggie Creek Music (A0.899139). for solo classical guitar   4 pp   (7 min.)BELA BARTOK Welcome to the enchanting world of Bartok’s folk music. These pieces have been transcribed from arrangements for flute and guitar. Bela Bartok, considered one of the 20th century’s most important composers, was born in Hungary in 1881. A prodigy, he was a professor at the Budapest Music Academy by the age of 26. His interest in traditional music led him to make many journeys (with his colleague Zolta Kodaly) through Hungary, Romania and Slovakia collecting songs and dances, the styles of which were synthesised into compositions of his own. He emigrated to the USA in 1940 where he died five years later of leukaemia. The pieces are deceptively simple, and it would be a mistake to take their natural forms, clear melodies, tonal harmonies and strong rhythms as an invitation to play inattentively. Quite the contrary. They stand any amount of playing, but only when the composing is heeded, the dynamics observed, and modulations anticipated.
Four Folk Songs
Guitare

$5.00 4.32 € Guitare PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.963683 Composed by Wolfgang Amadeus Mozart. Arranged by Ian Butterworth. Classical,Wedding. 21 pages. Ian Butterworth #5806673. Published by Ian Butterworth (A0.963683). The four solo voice parts have been effectively arranged for four violins.   All the parts are of equaly importance and the arrangement is very suitable for larger groups.  Copying of individual violin parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
MOZART Benedictus (Mass in C minor K.427) for 4 violins and piano
Violon

$11.99 10.36 € Violon PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.891856 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Concert. 19 pages. Stephen Davies #3465670. Published by Stephen Davies (A0.891856). Many scolarly, and some frankly impenetrable, analyses have been written on the subject of Contrapunctus 7, all available on the internet somewhere (mainly if you can't sleep!). So I would simply say that the motif throughout is stretched, further elongated, scrunched up, placed on different beats, played upsidedown, sideways, shortened, further shortened, over the bar, under the bar, off to the bar(!), and so on, it shouldn't work!! But of course it really does, really! I've known this piece for many years, but it was not until I began unravelling it for this arrangement that I must again doff my cap to old J.S. and his enduring genius!(See also Clarinet & Saxophone versions).
'Contrapunctus 10' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Woodwind Quartet.
Flûte, Hautbois, Clarinette, Basson

$1.99 1.72 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1424141 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 23 pages. Jmsgu3 #1005325. Published by jmsgu3 (A0.1424141). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
Schumann: Fugue 2 from Six Fugues on BACH for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 37.12 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #3916053. Published by Thomas R. Schadl (A0.912497). Toccata In B Flat Minor, by Thomas R. Schadl, explores rhythmic energy and lyricism. The exposition (bars 1-18) consists of the static rhythm, where the the first beat is accented. The melodic part of the exposition is lyrical and has syncopation that provide contrast to the driving rhythm. The transition exists from bar 19 to 56, but unlike the traditional sonata form where the transition moves on to the second theme in the exposition, the main theme re-appears briefly from bar 57 to 64 and then it moves on to the second theme (bars 65-100). Sonata form includes the development section that involves the  working of a theme or themes that were stated in the exposition, but this work does not have a development part; so in its place is the transition that spans from bar 101 to 114, leading to the recapitulation (restatement of the first theme in the exposition). Following the restatement, the second theme comes in at bars 133 to 140 and is restated at bars 157 to 176; transition is inserted at bars 141 to 156. As the piece progresses toward the end, the fragmented portion of the second theme repeats with diminishing sound intensity, followed by a brief transition stated in the first few bars after measure 19. The piece ends with a loud B Flat, after a one bar rest. Anyone planning to analyse this composition will come to realize that since the development section does not exist, one may conclude that the work is composed in a modified sonata form. Toccata In B Flat Minor requires steady rhythmic sense, quick left-hand jump between bass notes to eighth-note passages in the second theme, and a good sense of rhythm when executing four eighth notes against triplets. Slow practice speed is advised in order to master the technical challenges. The piece is suitable for education and concert purposes, and may be performed in silent movies or stage shows.
Toccata In B Flat Minor For Piano
Piano seul

$9.99 8.63 € Piano seul PDF SheetMusicPlus

Brass Ensemble Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.750232 Composed by Eddie Lewis. Contemporary. Score and parts. 19 pages. Tiger Music #3007665. Published by Tiger Music (A0.750232). Pearl is the only composition the composer has ever written about a person. He has written works that tell stories about people. He has dedicated compositions to people. He has been inspired by people, but never composed anything that represents someone's personality the way Pearl does. Composed in October 2005, this work is the musical painting of the woman who would become the composer's wife almost two years later. Each musical aspect of the two movements symbolizes a different characteristic of Pearl's personality. Woven into the music is her quiet, caring, devoted nature, her love for God, her passion for the things she believes in, her wisdom, her logical and analytical approach to life, and her care-free disregard for the pressures that force many other women to be less than true to themselves. All of these facets of Pearl are portrayed through symbolism, atmosphere, and mood. The first movement is best described as unfolding. In an unassuming way, the piece unfolds like a delicate blossom confidently moving from bud to full bloom. This unfolding represents the gradual discovery of the depth of a personality as a relationship grows. The second movement represents the patient waiting associated with allowing a relationship to grow and mature. The subtle use of silence is symbolic of this patience, and adds richness to the piece. The debut performance of this remarkable composition formed part of the October 2008 Faculty Recital at Rice University, Houston, Texas.   Pearl is appropriate for college or professional level musicians. As a serious work, Pearl makes an excellent recital piece. The unusual brass trio instrumentation for this work is an added bonus and makes the piece ideal for integration in a brass quintet repertoire, as it provides a rest opportunity for the trombone and one of the trumpets.The MP3 in the sample is only the first movement.
Pearl for Brass Trio - Trumpet, Horn and Tuba by Eddie Lewis

$17.76 15.35 € PDF SheetMusicPlus






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