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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1459916 By Christina Perri. By Christina Perri and David Hodges. Arranged by Jhonatan Lucio Viana. Contemporary,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 10 pages. JLVPartitura #1038874. Published by JLVPartitura (A0.1459916). A Thousand Years for Trumpet in Bb + Piano:Key Features:- Melodies and harmonies that capture the essence of the piece;- Suitable for Easy Intermediate levels;- Professionally arranged sheet music in PDF format;- Genre: Classic Pop;I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
A Thousand Years
Trompette, Piano
Christina Perri
$5.99 5.12 € Trompette, Piano PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life   Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
"Tumbleweed" - (Part Scores)
Voix Alto, Piano

$9.95 8.51 € Voix Alto, Piano PDF SheetMusicPlus

Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. · Gong · 2 Tamt. · gr. Tr. · Log Drum) - Klav. (auch Cel.) - Vl. (auch Va. u. Handgl.) · Vc. (auch Handgl.) ensemble - difficult - Digital Download SKU: S9.Q2922 Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q2922. Published by Schott Music - Digital (S9.Q2922). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella Concierto Barocco by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Filmmusik zu Alain Resnais‘ Film „L’amour à mort Alain Resnais hatte mich gebeten, das Vor-, Zwischen- und Nachspiel der Filmmusik so zu schreiben, daß diese den drei Hauptabschnitten, Sätzen bzw. Strukturen untergeordnet wären: Das Vor-spiel war sonatenförmig, das Zwischenspiel als Arie angelegt und das Nachspiel schließlich eine Passacaglia. Die Form sowie das Fortschreiten dieser drei Sätze stehen im direkten Zusammenhang mit der Struktur des Films. Die Sonate enthält zwei kontrastierende Hauptelemente. Hiervon be-zieht sich das eine auf Elisabeth und ihre Ekstase der Liebe und Furcht; das andere verkörpert Bedrohung, Angst und tonales Symbol, das mit der ständig wachsenden Zahl von den Tod betref-fenden Bildern sowie der Faszination, die diese auf Simon aus-üben, in Zusammenhang steht. Der Sonatensatz endet mit dem Tod von Simon. Der zweite Satz, die MELODIE voller tragischer Akzente und versteckter Anspielungen auf Symbole und Gestik der Oper des 18. Jahrhunderts, enthält Hinweise auf den thematischen Stoff des ersten Satzes. Resnais bezeichnet dies als „la separation (die Trennung). Hierbei geht es um die Zeit zwischen Simons Tod und Elisabeths Entscheidung, ihm zu folgen. Im Film wird die MELODIE (deren Zeilen eine fast buchstäbliche Umsetzung des gesprochenen Textes sind, wie z.B. „je te promets (ich verspreche Dir), durch die Handlung und die Dialoge in regelmäßigen Abständen durchbrochen, jedoch dann immer wieder aufgenommen. Vom Konzept her soll sie durchgängig gespielt werden. Die MELODIE verklingt ganz allmählich und nähert sich dem Rezitativ, ja Ausruf, so als wolle sie Elisabeth in ihrem Klagen und ihren Schmerzensschreien unterstützen und mit ihr sagen: „Je déteste la vie sans Simon (Ich verabscheue ein Leben ohne Simon). Die Passacaglia am Schluß stellt „le départ (den Abschied) dar. Der Bass, in der Regel von der Pauke gespielt, besteht aus den hohen Noten des Themas, das (von der Bassklarinette) im 1. Satz eingeführt worden war, um Simon im Reich der Toten zu zeigen. Fragmente und Erinnerungen an vorausgegangene Ereignisse werden durch den beharrlichen Bass im Herzschlag Rhythmus eingeworfen, wobei die Musik aus dem Reich der Toten allmählich von den untersten Registern, gleichsam einer Flut, aufsteigt, den gesamten Raum einnimmt und letztlich alles andere überdeckt und auslöscht. -Hans Werner Henze.
Sonata for 6 Players

$34.99 29.93 € PDF SheetMusicPlus

Tenor Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1449168 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1028988. Published by JLVPartitura (A0.1449168). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Tenor Voice + Piano in C + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
Home on the Range
Voix Tenor, Piano
Traditional
$2.99 2.56 € Voix Tenor, Piano PDF SheetMusicPlus

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1217379 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. Score and Parts. 17 pages. Regis Bookshar #813925. Published by Regis Bookshar (A0.1217379). La Majeste (from Heroic Music) - Georg Philipp Telemann - Brass Choir - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Majeste (from Heroic Music), is arranged for a Brass Choir, with parts for 3 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba, and is associated with the heroic quality of Dignity. The parts may be doubled as needed. There is also a version which includes a Timpani, if you would prefer. Included are a score and a complete set of parts (17 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
La Majeste (from "Heroic Music") (C) (Brass Choir - 3 Trp, 1 Hrn, 1 Trb, 1 Euph, 1 Tuba)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$18.00 15.4 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.942683 Composed by Sarah Bauerle. 20th Century,Christmas,Contemporary,World. Score and parts. 10 pages. Sarah Bauerle #3006835. Published by Sarah Bauerle (A0.942683). Duet on Two French Carols is a short piece inspired by the main theme of my orchestra piece, Joan. This theme is a melding of two traditional French carols - Il est ne, le divin Enfant (He is Born, the Holy Child) and Un flambeau, Jeannette, Isabelle (Bring a Torch, Jeanette, Isabella). This piece is suitable for intermediate level players and beyond, and includes unique percussive elements and a general upbeat, festive air.Title: Duet on Two French CarolsComposer: Sarah BauerleInstrumentation: Violin/Cello duetLength: app. 3 minutesSuitable for: Christmas, Advent, worship services, general performanceYear Composed: 2014Copyright: © Copyright 2014 by Sarah Bauerle. All rights reserved.Composer info: Hello! My name is Sarah Bauerle, and I am a Michigan-based composer. I write in a variety of styles and for many different ensembles and instruments. I have a Master's degree in Music Composition from Eastern Michigan University, and my orchestra piece Joan was premiered by the Livingston Symphony Orchestra in May 2016. For recordings of some of my pieces, please visit my YouTube channel: https://www.youtube.com/channel/UCkbZrAd0EK_OxX9OBewxddg I also welcome any feedback or questions you may have, and would love to hear of any performances of my pieces. I can be reached at sarahbauerlemusic(at)gmail(dot)com.
Duet on Two French Carols
Violon, Violoncelle (duo)

$10.00 8.55 € Violon, Violoncelle (duo) PDF SheetMusicPlus






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