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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 2 - Digital Download SKU: A0.590946 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 25 pages. David McKeown #6259067. Published by David McKeown (A0.590946). 18 Easy Gospel Duets Vol.1 for Trumpet and Clarinet is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for one Trumpet and one Clarinet.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows·    Abide with Me, ·    Amazing Grace, ·    Blessed Assurance, ·    Deep River, ·    Down by the Riverside, ·    Go Down Moses, ·    Go Tell It on the Mountain, ·    He’s Got the Whole World in HIs Hands, ·    Higher Ground, ·    Jesus on the Mainline, ·    Joshua Fought the Battle of Jericho, ·    Just a Closer Walk with Thee, ·    Just as I Am, ·    Just Over in the Glory Land, ·    Kumbaya My Lord, ·    Love Lifted Me, ·    Nobody Knows the Trouble I’ve Seen, ·    Nothing but the Blood of Jesus. If you like these duets, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Duets Vol.2 for Trumpet and Clarinet in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Trumpet and Clarinet.
18 Easy Gospel Duets Vol.1 for Trumpet and Clarinet
Clarinette, Trompette (duo)

$9.99 8.61 € Clarinette, Trompette (duo) PDF SheetMusicPlus

Cello Duet Cello - Level 2 - Digital Download SKU: A0.1096564 Composed by Antonio Vivaldi. Arranged by Michele Galvagno & Yuriy Leonovich. Baroque,Chamber,Children,Early Music,Instructional. Score. 130 pages. Artistic Score Engraving di Galvagno Michele #700548. Published by Artistic Score Engraving di Galvagno Michele (A0.1096564). Antonio Vivaldi’s Cello Sonatas occupy a special place in every cellist’ heart and they deserve the best possible treatment in every respect. Throughout the centuries many editions have been published of these works, so adding a new one to the mix may seem superfluous, unless it offers something unique. This Critical Performance Edition closely follows the three manuscripts that history allowed to survive until today, and yet gives the player the possibility to choose between the different sources in a way not possible before. It comes in several versions: a) an unmarked score and parts bundle (130 pp.) b) a stylistically accurate keyboard realisation of the continuo line, alongside an annotated cello part by Yuriy Leonovich (117 pp.) c) combination of a) and b) d) a score containing the alternative sources (22 pp.) available offered alongside version c) or separately if you just want to compare it with other editions you already have. They all come in press quality PDF with interactive table of contents to allow you a seamless navigation through its pages. It is a truly unique edition and I am sure you will love it. Only version a) is available here, the others are available here: https://artisticscoreng.gumroad.com/l/yislkn Subscribe to my mailing list for gifts and news: https://bit.ly/3ujFa4j.
Nine Cello Sonatas
2 Violoncelles (duo)

$24.99 21.54 € 2 Violoncelles (duo) PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans:  This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon.  Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
Brass Quartet - Titans
Ensemble de cuivres

$20.00 17.24 € Ensemble de cuivres PDF SheetMusicPlus

Bass Guitar - Level 3 - Digital Download SKU: A0.917925 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Brandon Paak Anderson, Bruno Mars, Chris Brody Brown, Christopher Brody Brown, and Dernst Emile. Arranged by Zulhilmy Zulkifli. Contemporary. Score. 14 pages. ZZ Music Solutions #6428009. Published by ZZ Music Solutions (A0.917925). Leave The Door Open is the debut single by the American super-duo Silk Sonic, consisting of Bruno Mars and Anderson .Paak. On March 5, 2021, the song was released as the lead single from the upcoming debut album, An Evening with Silk Sonic. The song was written by  Christopher Brody Brown, Bruno Mars, Dernst Emile, and Brandon Paak Anderson. This transcription is based on the single and arranged to be played on a 4-string bass with standard tuning. The track credited Brody Brown as the bass performer. You can see him using a 4 string Fender Pbass in the official music video, which is synonymous with the bass tone of many soul music recordings. The song starts in the key of C major and later modulates to the Db major key at bar 53. The tempo is at 74 bpm and is about 4’02 long. The bass lines are perfect the representation of soul music which was made famous in the ‘70s. This score is suitable for an intermediate bassist who is looking for challenging melodious bass lines. This transcription includes 3 parts: 1)both notation and TAB (4 pages) 2)notation-only (3 pages); 3)TAB-only (3 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.
Leave The Door Open
Basse electrique
Bruno Mars, Anderson paak And Silk Sonic
$4.99 4.3 € Basse electrique PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life   Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
"Tumbleweed" - (Part Scores)
Voix Alto, Piano

$9.95 8.58 € Voix Alto, Piano PDF SheetMusicPlus






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