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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download

SKU: A0.1353773

Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773).

Arranged double wind quintet/bass and optional percussion.

Background info:

Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.

The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.

The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.

The plot reproduces various elements of everyday life such as the music hall and fairground.

Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.
The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.
Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.

The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).
It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.

Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.
The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.

The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their show

The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.

 Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.
It also includes the Ragtime Dance which became very popular in it's own right.

The piece can be performed without percussion....but the percussion gives it an extra something!!

Satie: Parade - II. Petite Fille Americaine - wind dectet

$14.95 14.13 € PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.963581

Composed by Marsha Chusmir Shapiro. Contemporary. Score and parts. 29 pages. Marsha Shapiro #3866181. Published by Marsha Shapiro (A0.963581).

Grade 3: Early Americans is an original composition for string orchestra which depicts the people from three periods of early American development: the era of the Native Americans, the Colonial Period and the time of Westward Expansion. In the first part (I Native Americans), solo celli imitates the beat of a drum over which the first violin plays a plaintive modal melody which is later layered in canonic style by the other strings. The second section (II Colonists) depicts the classical European dance style brought to the colonies with Yankee Doodle superimposed over the top. In the final section, Westward Expansion (III Pioneers) is symbolized by the square dance tune which is also posed in canonic style.

Early Americans
Orchestre à Cordes

$35.00 33.07 € Orchestre à Cordes PDF SheetMusicPlus

Piano and voice - Digital Download

SKU: LV.23027

Composed by Elizabeth A. Wilbur & Fay Foster. World War I, Soldiers, Flags, Patriotism, War allies. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23027).

The Americans Come! An Episode in France in the Year 1918. A Victory Song. Elizabeth A. Wilbur. Fay Foster. Published 1918 by J. Fischer & Bro., Fourth Avenue and Eighth Street (Astor Place) in New York. Composition of through-composed with piano and voice instrumentation. Subject headings for this piece include World War I, Soldiers, Flags, Patriotism, War allies. First line reads What is the cheering, my little one? oh, that my blinded eyes could see!..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

The Americans Come! An Episode in France in the Year 1918. A Victory Song
Piano, Voix

$5.99 5.66 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download

SKU: LV.23581

Composed by Carrie Jacobs-Bond. Soldiers, War casualties, Patriotism, War allies, World War I. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23581).

We are All Americans (Allegiance). By Carrie Jacobs-Bond. Words by Fanny Hodges Newman. Published 1918 by The Bond Shop, by Carrie Jacobs-Bond & Son, Inc., 746 Michigan Ave. in Chicago. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Soldiers, War casualties, Patriotism, War allies, World War I. First line reads O, England's full of Englishmen and France is full of French..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

We are All Americans (Allegiance)
Piano, Voix
Carrie Jacobs-Bond Words by Fanny Hodges Newman
$5.99 5.66 € Piano, Voix PDF SheetMusicPlus

Piano - Digital Download

SKU: LV.15135

Composed by J. Ignatius Coveney. Portraits, Uniforms, Baseball, Equipment. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15135).

Boston Americans March Two Step. By J. Ignatius Coveney. Published 1903 by Cecilian Music Company in Hyde Park Mass. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Uniforms, Baseball, Equipment.

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Boston Americans March Two Step
Piano seul
J Ignatius Coveney
$5.99 5.66 € Piano seul PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.861961

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961).

Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-P

Brass Parts (score and parts available)

Music by Mark O’Connor

162 pages – 33:00 minutes in length

 

Americana Symphony Variations on Appalachia Waltz

For Large Symphony Orchestra

3333/4331/timp/perc/pno/harp+strings

Composed and orchestrated by Mark O’Connor

 

1st Movement: Brass Fanfare: Wide Open Spaces

2nd Movement: New World Fanciful Dance

3rd Movement: Different Paths Towards Home

4th Movement: Open Plains Hoedown

5th Movement: Soaring Eagle, Setting Sun

6th Movement: Theme: Splendid Horizons


Note: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony.

 

What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.

David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?

William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.

Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2006 - 2007

 

Composed by Mark O’Connor

Commissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony.

 

Can be heard on Americana Symphony! OMAC Records

Baltimore Symphony Orchestra, Marin Alsop

Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestre

$80.00 75.59 € Orchestre PDF SheetMusicPlus


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