Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download
SKU: MQ.8491-44E
Composed by MeeAe Cecilia Nam and Theodore Gouvy. 9 pages. E. C. Schirmer Music Company - Digital #8491-44E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-44E).
French.
A French composer, ThĆ©odore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of LāInstitut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.
Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La PlƩiade.
Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La PlĆ©iade: a group of seven poets (Joachim Du Bellay (1522-1560), RĆ©my Belleau (1528-1577), Ćtienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), JeanāAntoine BaĆÆf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of natureās elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore.
As a significant melodist, Gouvyās treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod.
Contents:
Six Odes de Ronsard pour tƩnor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle)
Neuf PoƩsies de Ronsard pour soprano ou tƩnor et piano, Op. 41
Six PoƩsies de Ronsard pour soprano ou tƩnor et piano, Op. 42
Quatre Odes de Ronsard pour baryton et piano, Op. 43
Huit PoƩsies de Ronsard pour tƩnor ou soprano et piano, Op. 44
Sept PoƩsies de Ronsard pour tƩnor ou soprano et piano, Op. 47.
