Flute Solo - Level 2 - Digital Download SKU: A0.1131246 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Leo Silva. Film/TV,Singer/Songwriter. Individual part. 2 pages. MP Sheet Music #731500. Published by MP Sheet Music (A0.1131246). Can't Help Falling in Love It is considered one of the most beautiful romantic songs of all time, in addition to the great identification it has with the name of Elvis. It was part of the soundtrack of the film Blues Hawaii by Elvis Presley, released in 1961. It is an English version of Plaisir d'Amour, by the French composer of German origin Jean Paul Egide Martini in 1784. In the 1970s, it would be used as the ending of almost all Elvis concerts. Elvis Presley Version The song, which topped the UK music charts in 1962, has been featured in numerous films, including Coyote Ugly and Lilo & Stitch. The single was certified platinum by the RIAA for sales of thousands of copies. In the US, Presley's version topped the Pop and Easy Listening charts for six consecutive weeks. Elvis sings it live in the 1970 documentary Elvis: That's the Way It Is.

Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533421 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913647. Published by Musik Fabrik Music Publishing (A0.533421). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Eb major Duration: aprox. 3 minutes 30 secondsHolà! qu’on m’apporte ma coupe,Et qu’on appelle mes amis!Si vous m’en croyez, de tous nos soucisNous allons chasser la hideuse troupe!Il faut nous égayer morbleu!Que dites-vous du vin d’Espagne?Réchauffons vite à son doux feuNos coeurs que le froid gagne!Refrain:À moi, ma coupe, à moi, chère maîtresse!Au nectar qui jaillit de ton sein généreuxLaisse-moi noyer la tristesse,Ah! donne-moi l’ivresseQui rend heureux!Jadis, oui, j'ai fait la folieDe croire à de tendres serments!Quels rêves deçus! quels affreux tourments!Par bonheur, un jour, tout cela s’oublie.Hein? qui donc parle ici d’amour?Au diable! la trompeuse flamme!Ma coupe m’aime, et sans détourC’est une rude femme!

Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1266145 By Fabio Eduardo de Oliveira. By Georges Bizet. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Opera,Wedding. Score and part. 5 pages. Fabio Eduardo #858889. Published by Fabio Eduardo (A0.1266145). FREE Download Backing TrackHabanera is the popular name for L'amour est un oiseau rebelle, an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1020220 Composed by William Jordan. Contemporary. Score. 28 pages. WSJ Music #4785635. Published by WSJ Music (A0.1020220). Setting (French) of texts by Ann Hebert: Terre Originelle, Amour, Terre Brule�e, Que Dieu Soit.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 8 pages. Arte Nova Music Lab #4600763. Published by Arte Nova Music Lab (A0.742473). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Le Turc Generaux. Osman Pasha is in love with his slave, the young Émilie, but she rejects him, telling him she was about to be married when a group of brigands abducted her. Osman urges her to give up hope that her fiancé is still alive (Air: Il faut que l'amour s'evole) but Émilie refuses to believe this is true. The sky turns dark as a storm brews; Émilie sees the violent weather as an image of her despair (Air: Vaste empire des mers). A chorus of shipwrecked sailors is heard (Chorus: Ciel! de plus d'une mort). Émilie laments that they too will be taken captive. She recognises one of the sailors as her fiancé Valère. Their joy at their reunion is tempered by sadness at the thought they are both slaves now. Osman enters and is furious to see the couple embracing. However, unexpectedly, he announces he will free them. He too has recognised Valère, who was once his master but magnanimously freed him. Osman loads Valère's surviving ships with gifts and the couple praise his generosity. They call on the winds to blow them back to France (Duet and chorus: Volez, Zéphyrs). The act ends with celebratory dances as Valère and Émilie prepare to set sail.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1333700 Composed by Edward Elgar (1857-1934). Arranged by Stephen Levintow. 19th Century,Romantic Period,Wedding. 22 pages. Cypress Publishing #919997. Published by Cypress Publishing (A0.1333700). These light early pieces, originally for violin and piano, helped establish Elgar's reputation. This set contains the perennial favorite Salut d'amour, Chanson de nuit and Chanson de matin.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.