Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1157589 By Adele. By Adele Laurie Adkins and Erroll Garner. Arranged by Fabio Eduardo de Oliveira. Hip-Hop,Pop,R & B,Rock. Score. 2 pages. Fabio Eduardo #757928. Published by Fabio Eduardo (A0.1157589). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownload“All Night Parking� is an interlude by British singer-songwriter Adele, taken from her fourth studio album, 30. The song was written by Adele and includes a sample from the late jazz pianist Erroll Gardner. “All Night Parking� serves as the eighth track on the album, and marks the first time an interlude appears on an Adele album; it is also the first time a featured artist appears on the standard edition of an Adele album.

String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1466322 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by Glauco Fernandes. Chamber,Christian,Religious,Wedding. 15 pages. Glauco Fernandes #1044753. Published by Glauco Fernandes (A0.1466322). We present the sheet music for an easy intermediate level chamber music arrangement of the inspiring Goodness of God by Bethel Music and Jenn Johnson. This arrangement is ideal for professional musicians, offering practicality by combining simplicity with professionalism, making it perfect for various occasions, from church services to wedding ceremonies.For amateur musicians, this arrangement provides an accessible way to play an emotionally engaging and spiritually rewarding piece. Teachers will find this material to be an excellent teaching tool, perfect for lessons and school performances. Developing students will benefit from a rich experience that will help enhance their technical and musical skills.With this arrangement, you have a versatile piece suitable for any gospel event and a great choice to add to your chamber music repertoire. Take the opportunity to play Goodness of God and delight your audience with a memorable performance.Tags: sheet music, arrangement, easy intermediate, chamber music, Bethel Music, Jenn Johnson, professional musicians, amateur musicians, teachers, developing students, teaching material, events, gospel, church, wedding, piano.

Viola Solo - Level 2 - Digital Download SKU: A0.1281867 By Taylor Swift. By Taylor Swift. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Individual part. 4 pages. Glauco Fernandes #873218. Published by Glauco Fernandes (A0.1281867). Introducing the Viola Arrangement: My Tears Ricochet - Taylor SwiftEmbark on a journey through the emotional depth of Taylor Swift's song My Tears Ricochet with our exclusive arrangement for Viola. Meticulously crafted, this arrangement showcases the expressive tones of the viola, making it an excellent choice for musicians ranging from beginner to intermediate, as well as professionals.Arrangement Highlights:- Sheet music exclusively for the Viola.- Suitable for musicians at beginner and intermediate levels.- Clear and easily readable notation, ensuring smooth interpretation and practice.- Ideal for special events such as weddings, corporate functions, and live performances.Why Choose Our Viola Arrangement:By selecting our My Tears Ricochet viola arrangement, you're choosing a premium musical experience. The arrangement's versatility caters to musicians with varying levels of skill. Whether you're a music student striving for improvement or a professional musician seeking an impressive addition to your repertoire, our arrangement meets your needs.This arrangement beautifully brings out the expressive tones of the viola, creating an atmosphere that enriches any occasion. The clear notation allows for smooth interpretation and facilitates harmonious collaboration among musicians of different levels.Elevate Your Events with Your Purchase:Infuse elegance and emotion into your events, whether it's a romantic wedding, a special corporate function, or a captivating live musical performance. Through the My Tears Ricochet viola arrangement, you'll provide your audience with an unforgettable musical experience.Don't miss the opportunity to acquire this exceptional viola arrangement. Place your order now and immerse yourself in Taylor Swift's captivating melody, reshaping your musical journey.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879. Published by Stefano Torchio (A0.1022762). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1373841 By George Frideric Handel. By George Frideric Handel. Arranged by Glauco Fernandes. Baroque,Chamber,Classical. Score. 4 pages. Glauco Fernandes #958314. Published by Glauco Fernandes (A0.1373841). Title: Lascia Ch'io Pianga - Exclusive Sheet Music for Voice and PianoDiscover the perfect interpretation for your voice! If the key of this arrangement isn't suitable for you, simply search for Glauco Fernandes + Lascia Ch'io Pianga + [your voice] on the site's search bar. We offer custom arrangements for soprano, contralto, tenor, and bass, in all keys.You are about to acquire a unique and enchanting musical piece: the sheet music for the special arrangement of Handel's Lascia Ch'io Pianga, meticulously adapted for voice and piano. This timeless masterpiece now takes on a new life with an accessible interpretation, maintaining all the harmonic richness of the original composition.Special Features:1. Simplified Orchestral Adaptation: The piano part of this arrangement is a careful adaptation of the original orchestral section. It has been crafted to be accessible, even for beginner musicians, without losing the essence and beauty of the original composition.2. Ease of Execution: Considering the diversity of musicians' skills, this sheet music has been created with an approach that balances challenge and accessibility. Pianists will find a smooth execution, while singers will have the opportunity to explore the expressiveness of the melody.3. Preservation of Harmonic Characteristics: Every note, every chord has been meticulously preserved to ensure that the musical experience conveys the true essence of Lascia Ch'io Pianga. Handel's distinctive harmonic features remain intact, making this sheet music a faithful interpretation of the original work.Why Choose This Sheet Music:- Versatility: Whether you are an experienced musician or just starting your musical journey, this sheet music adapts to different skill levels.- Preserved Emotion: The melodic beauty and emotion that make Lascia Ch'io Pianga so beloved are retained, allowing for an expressive and engaging interpretation.- Ideal for Performances and Rehearsals: Whether for live performances, rehearsals, or simply enjoying the music at home, this sheet music provides a gratifying musical experience.Acquire this exclusive sheet music now and discover a new dimension in interpreting Lascia Ch'io Pianga. Bring Handel's magic to your repertoire and captivate your audience with this unique and accessible interpretation. Transform your performances with the timeless elegance of this Baroque masterpiece.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1121353 By New Order. By Bernard Sumner, Gillian Gilbert, Peter Hook, Stephen Hague, and Stephen Morris. Arranged by Austin Ralphson. Pop. Octavo. 23 pages. Austin Ralphson #722526. Published by Austin Ralphson (A0.1121353). Classic dance track from 1987, presented here as an exciting and creative arrangement for TTB with piano. As is the case for many New Order songs of this period, the words in the title do not appear anywhere in the lyrics. There is an optional solo section for any instrument pitched in C, E flat or B flat (violin, alto or tenor sax, trumpet etc.) if available. An essential addition to any programme, this is for groups of an advanced-intermediate level such as school, amateur or professional choral groups. It is a great crowd-pleaser!

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1396342 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Glauco Fernandes. Broadway,Chamber,Film/TV,Musical/Show,Wedding. Score and part. 6 pages. Glauco Fernandes #979717. Published by Glauco Fernandes (A0.1396342). Discover the magic of music with our special arrangement of the classic Beauty and the Beast! This arrangement, at an intermediate easy level, is perfect for musicians of all levels, from students seeking challenging repertoire to teachers looking for engaging materials for their classes. The score has been carefully crafted, with clear and practical notation, making it easy for all instrumentalists to perform.Ideal for a variety of occasions, from recital performances to special events such as weddings, receptions, and parties, this arrangement will enchant your audience with its beauty and sophistication. Whether you're a professional musician, a dedicated student, or an enthusiastic teacher, this arrangement offers a unique opportunity to explore the charms of classical music in an accessible and engaging way.With its versatility, this arrangement is also an excellent choice for musicians looking to expand their repertoire for performances in diverse settings such as hotels, restaurants, and corporate events. The exceptional quality of the score ensures a memorable musical experience, capable of captivating and moving any audience.Don't miss the chance to add this charming arrangement to your repertoire and elevate your performances to a new level of excellence. Get your copy now and turn your next performance into a truly magical experience!Tags: Beauty and the Beast arrangement, music sheet, intermediate level, piano sheet music, piano, music education, wedding music, recital piece, classical music, engaging teaching material, versatile repertoire, memorable performance.

String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1087399 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691619. Published by Regis Bookshar (A0.1087399). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Octet, consisting of 4 Violins, 2 Violas and 2 Violoncellos. In addition to this arrangement of Tchaikovsky's Coronation March for a String Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation� is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.� Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1374316 By George Frideric Handel. By George Frideric Handel. Arranged by Glauco Fernandes. Baroque,Chamber,Classical. Score. 7 pages. Glauco Fernandes #958920. Published by Glauco Fernandes (A0.1374316). Title: Lascia Ch'io Pianga - Exclusive Sheet Music for Voice and PianoDiscover the perfect interpretation for your voice! If the key of this arrangement isn't suitable for you, simply search for Glauco Fernandes + Lascia Ch'io Pianga + [your voice] on the site's search bar. We offer custom arrangements for soprano, contralto, tenor, and bass, in all keys.You are about to acquire a unique and enchanting musical piece: the sheet music for the special arrangement of Handel's Lascia Ch'io Pianga, meticulously adapted for voice and piano. This timeless masterpiece now takes on a new life with an accessible interpretation, maintaining all the harmonic richness of the original composition.Special Features:1. Simplified Orchestral Adaptation: The piano part of this arrangement is a careful adaptation of the original orchestral section. It has been crafted to be accessible, even for beginner musicians, without losing the essence and beauty of the original composition.2. Ease of Execution: Considering the diversity of musicians' skills, this sheet music has been created with an approach that balances challenge and accessibility. Pianists will find a smooth execution, while singers will have the opportunity to explore the expressiveness of the melody.3. Preservation of Harmonic Characteristics: Every note, every chord has been meticulously preserved to ensure that the musical experience conveys the true essence of Lascia Ch'io Pianga. Handel's distinctive harmonic features remain intact, making this sheet music a faithful interpretation of the original work.Why Choose This Sheet Music:- Versatility: Whether you are an experienced musician or just starting your musical journey, this sheet music adapts to different skill levels.- Preserved Emotion: The melodic beauty and emotion that make Lascia Ch'io Pianga so beloved are retained, allowing for an expressive and engaging interpretation.- Ideal for Performances and Rehearsals: Whether for live performances, rehearsals, or simply enjoying the music at home, this sheet music provides a gratifying musical experience.Acquire this exclusive sheet music now and discover a new dimension in interpreting Lascia Ch'io Pianga. Bring Handel's magic to your repertoire and captivate your audience with this unique and accessible interpretation. Transform your performances with the timeless elegance of this Baroque masterpiece.

Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.719424 Composed by Curtis Hanson. Christian,Sacred. 3 pages. Curtis Hanson #2023633. Published by Curtis Hanson (A0.719424). An original composition for voice and piano or electronic keyboard written for and dedicated to my children on the occasion of one of their baptisms. Guitar chords give an alternative accompaniment medium. An SATB version is available which has an alternate 2nd verse with text for confirmation.

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.797785 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. 20th Century,Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5792281. Published by Derek Hasted (A0.797785). THE DREAM OF OLWEN - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This fantastic piece was written as an integral part of the film While I Live, and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.The flute part has a compass from Middle C to the G two-and-a-half octaves up and suits an intermediate player.The guitar part will suit an advanced intermediate player - much of the music is fingered for ease of playing.My arrangement captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar and flute to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a piece lasting almost 4 minutes. The ability of the flute to hold a long note makes the music come alive and blossom even more.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment retains much of the original harmony and rhythm, but tailored to the gentle sounds of the flute and guitar.I hope you enjoy playing this piece!Dedicated to the memory of my maternal grandmother Olwen

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1169891 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Religious,Traditional. Octavo. 23 pages. Mark R Lewis #770256. Published by Mark R Lewis (A0.1169891). On Christmas Day is a medley of I Heard the Bells on Christmas Day and I Saw Three Ships by Mark R Lewis. John Baptiste Calkin wrote the music for I Heard the Bells in 1872 as an adaptation of the earlier poem Christmas Bells by Henry Wadsworth Longfellow. I Saw Three Ships is an English carol thought to originate from the 17th century, though the lyrics used is most modern arrangements come from later published versions.This arrangement is intended to be performed by SATB divisi choir and accompanied by a 3-5 octave handbell choir. All four voice parts pass the melody back and forth and are featured at different times and explore different vocal and accompaniment styles throughout the piece. Most intermediate choirs should be able to perform this piece, although the basses and alto should be able to sing down to a D2 or an F3 respectively (there are optional notes if this is too low). The handbell part is not particularly difficult but is active across the whole ensemble and uses mallets through one of the middle verses. There are also several key changes that will require quick bell changes or sharing of bells. It is also worth noting that I Heard the Bells is in 4/4 and I Saw Three Ships is in 6/8.This download includes a piano and choir score for when handbells are not an option as well as the handbell sheet music. Handbells are the preferred accompaniment, although it will still sound good with just piano.

Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download SKU: S9.Q25963 After Texts from the Old and New Testament. Composed by Eduard Puetz. This edition: score. Downloadable, Score. Duration 18 minutes. Schott Music - Digital #Q25963. Published by Schott Music - Digital (S9.Q25963). Latin.Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduard Pütz (1911–2000) unsere Zeit auf musikalischer aber auch gesellschaftlicher Ebene in vielfältiger Weise wider. Die Komposition wird von drei musikalischen Vorstellungen geprägt: In den Rahmensätzen des Requiems greift Pütz den traditionellen lateinischen Text der Totenmesse auf (Requiem aeternam – Agnus Dei). Der musikalische Charakter dieser Chorsätze ist ernst, erhaben und in der Tonsprache eher konservativ. Pütz knüpft hier an die überlieferten musikali¬schen Traditionen an. In den knappen rezitativähnlichen Solosätzen für Sopran und Bariton hingegen bedient sich Pütz der Klangpalette der Moderne. In den hoch expressiven Passagen der Singstimmen und der feingliedrigen, dissonan¬zenreichen Orchesterbegleitung sind die Einflüsse von Komponisten wie Igor Strawinsky oder Paul Hindemith klar zu erkennen. Mit diesen Klängen setzt Pütz die Thematik der Solosätze eindringlich um: Die vom Komponisten ausgewählten Bibelworte klagen wütend die Schattenseiten der Menschheit an, ihre Bosheit, Unvernunft und Torheit. Gleichzeitig begibt sich der Komponist auf die Suche nach Gott und dem Sinn des Lebens. Deutlich sind hier persönliche Anliegen des Komponisten wie das Streben nach einem dauerhaften Weltfrieden zu spüren, die ihn zeitlebens bewegten. In den beiden dem Chor anvertrauten deutschsprachigen Kirchenchorälen verwendet Pütz erneut traditionellere tonale Klangmuster und schöpft dabei harmonisch aus der musikalischen Tonsprache des Jazz. Die Choräle sind Hilfeschreie und Aufforderungen an Gott, die Menschheit von den Nöten dieser Welt, die sie zum Teil mit verursacht haben, zu befreien.

Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.590882 Composed by David McKeown. Holiday,Multicultural,Wedding,World. Score and parts. 37 pages. David McKeown #6249085. Published by David McKeown (A0.590882). 10 Love Duets is an exciting collection of original compositions by David McKeown for one Clarinet and one Tenor Saxophone.The title of each Duet is Love, but in ten different languages. Each duet explores the romantic music of its country, with imaginative arrangements in each national style.Most of these duets are ideal for players of an Intermediate standard, with two or three more suitable for Advanced Intermediate. Click the link above to hear short samples of each duet on YouTube played on clarinet.10 Love Duets areperfect for concert performances large and small; each piece lasts between three and four minutes.Perfect as a musical gift for Valentine’s Day fully articulated to help interpret each style.great for helping with complex rhythms.road tested with scores of students and performed all over the world.fun to play.an exciting introduction to different musical cultures around the world.35 pages adding up to more than half an hour of quality music.The ten titles are, 1.  Amore from Italy, as in a Verdi opera, 2.  Ahava (×�ַהֲבָה) from Israel, like a stately wedding dance,           3.  Grá from Ireland, as in traditional Gaelic singing, 4.  L’Amour from France, as in Parisian café music, 5.  Ai (æ„›) from Japan, as in Enka popular music, 6.  Love from USA, as in a Broadway musical, 7.  Pyar (पà¥�यार) from India, as in a Bollywood film, 8.  Liebe from Germany, as in a slow expressive Baroque piece, 9.  Hubb (حب) from Morocco, as in traditional love poetry set to music, 10. Amor from Brazil, as in a romantic Bossa Nova from Rio. There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203