C Instrument - Level 4 - Digital Download SKU: A0.1167541 Composed by Larry Williams. Contemporary,Jazz,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 210 pages. Larry Andrew Williams #767921. Published by Larry Andrew Williams (A0.1167541). Larry Williams is a musical explorer In the truest sense.His musical life has occurred in layers, starting on trumpet at an early age, then escalating into an active and celebrated career in the music industry as a seasoned and highly sought after professional.Larry's compositions range in style and influence, and have been written for multiple ensemble dimensions, sometimes using instrument configurations that one could only describe as outside the box.This book is not intended as an educational study. For me, it is a perspective of melody, harmony and rhythm from a singular viewpoint, a chapter in the larger work.Larry's musical interests and influences know no boundaries. Like all life's experiences, an individual's quest in music should be constantly shifting, growing, and learning as one always moves forward, and often into the unknown.As an artist and composer, I feel a certain responsibility to the music itself and any motivation or ambition on my part is solely for purposes of further expression of the art form.

String Orchestra - Level 5 - Digital Download SKU: A0.1310751 Composed by Matt Riley. 21st Century,Chamber,Classical,Contemporary,New Age. 42 pages. Www.mattrileymusic.com #899728. Published by www.mattrileymusic.com (A0.1310751). This purchase includes an immediate download of the PDFs for the Conductor's Score and parts. This is a digital product. Just download, print and play!Experience the enchanting magic of Amaryllis, a captivating piece crafted for advanced solo violin and string orchestra. This stunning orchestration showcases the interplay between the soloist and the rich, resonant depth of the accompanying strings. The piece provides a platform for the solo violinist to showcase their virtuosity, offering an opportunity for an artist to display their technical prowess and emotional depth. The lush accompaniment of the string orchestra provides a harmonious backdrop that elevates the soloist's performance, resulting in a harmonious synergy that lingers long after the final note fades. The intricate melodies and rich harmonies create an immersive experience that transports listeners to a realm of profound beauty and contemplation.

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.750994 Composed by Sir Edward Elgar (1899). Arranged by Brendan Elliget MAGA 537. Classical,Romantic Period. 16 pages. BJE Music #6021545. Published by BJE Music (A0.750994). Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Nimrod (Adagio) was the 9th variation The name of this variation refers to Augustus J. Jaeger, who was employed as a music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as a mighty hunter before the Lord, Jäger being German for hunter.It has been arranged here in the key of Eb for a Clarinet Choir (Septet) including parts for Eb Clarinet, Alto Clarinet in Eb, and Bb Bass ClarinetThe MP3 was recorded with NotePerformer.Grade = 3.5 Duration = 3:15 mins

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.750992 Composed by Sir Edward Elgar (1899). Arranged by Brendan Elliget MAGA 537. Classical,Romantic Period. Score and parts. 19 pages. BJE Music #6021537. Published by BJE Music (A0.750992). Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Nimrod (Adagio) was the 9th variation. The name of this variation refers to Augustus J. Jaeger, who was employed as a music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as a mighty hunter before the Lord, Jäger being German for hunter. It has been arranged here in the lower key of Bb for a Brass Group (Septet): 2 Trumpets, 2 Horns in F or Eb, Trombone (TC or BC), Euphonium (TC or BC), and Tuba.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 3:15 mins

Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.750990 Composed by Sir Edward Elgar (1899). Arranged by Brendan Elliget MAGA 537. Classical,Romantic Period. 16 pages. BJE Music #6021517. Published by BJE Music (A0.750990). Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Nimrod (Adagio) was the 9th variation. The name of this variation refers to Augustus J. Jaeger, who was employed as a music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as a mighty hunter before the Lord, Jäger being German for hunter.It has been arranged here in the lower key of Eb for a Saxophone Septet. Parts for Soprano, Alto, Tenor, Baritone, and Bass Saxophone.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 3:15 mins

Bass Guitar - Level 3 - Digital Download SKU: A0.917921 By Public. By Ben Lapps, John Fields, John Vaughn Handelsman, John Vaughn Handelsman Ii, and Matthew Carter Alvarado. Arranged by Zulhilmy Zulkifli. Contemporary. Score. 11 pages. ZZ Music Solutions #6115853. Published by ZZ Music Solutions (A0.917921). Honey In The Summer is a song by an American band, PUBLIC, from their single with the same title. This song is produced by John Fields, who also wrote the song with Ben Lapps, John Vaughn Handelsman, and Matthew Carter Alvarado, who is also the bassist.This transcription is based on the single version and arranged to be played on a 4-string bass with standard tuning. Matthew's main bass in the Fender Urge II Bass, an Artist Signature bass endorsed by Stu Hamm.This song is in the key of E major and is about 3’20 long. The tempo is at 114 bpm, and the groove sounds very prominent in this tune. It can be quite challenging to perform as the basslines were composed with a lot of 16th notes (semiquaver), and some of the notes were played short (staccato technique indicated with a dot above each note). I would suggest this tune for an intermediate player as it also requires you to be familiar with the higher register of the bass.This transcription includes 3 parts ; 1)both notation and TAB (3 pages) 2)notation-only (2 pages) 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.Have fun and good luck. Do visit me at www.zulhilmyzulkifli.com for any inquiries. Thank you for your purchase, and I hope you enjoy the music.

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1014185 Composed by Paul Emil Levasseur. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Paul Emil Levasseur #1987525. Published by Paul Emil Levasseur (A0.1014185). 'Journey' is a c.a. 12 minute work for String Quartet. The piece begins with an adagio melody which weaves into elegant counterpoint. The adagio opening is juxtaposed by a scherzo with a folk style melody and bouncing, changing rhythms. The two musical ideas collide and combine in the conclusion of the work! I began this piece in the beginning of my D.M.A. in composition when studying with Christos Hatzis. The material for this project has steeped in my mind for 5 years with over 100 drafts and rewrites to date. It really represents a period of struggle in my development as an artist. During this time I was trying to reconcile the struggle between my knowledge of composition and theory with my muse. The difference between putting notes together and creating art is an interesting one and this was something I had to come to terms with. After my 2nd year of study, I put this project on the shelf and carried on with other pieces. I didn't pull it out again until last Dec where there was a short pause in my workload with freelancing. I kept the material I wanted and just 'listened' to where the music wanted to go. Somehow the pieces came together and it worked to create a cohesive whole with a strong musical narrative. I'm very pleased with the result. The piece has not been performed yet but I have included a midi mockup to aide with score reading the piece.

Bass Guitar - Level 3 - Digital Download SKU: A0.917922 By Public. By Andrea Corr, Ben Lapps, Caroline Corr, Jim Corr, John Vaughn Handelsman, Matthew Carter Alvarado, and Sharon Corr. Arranged by Zulhilmy Zulkifli. Contemporary. Score. 14 pages. ZZ Music Solutions #6141275. Published by ZZ Music Solutions (A0.917922). Make You Mine is a song by an American band, PUBLIC, which when viral on the app TikTok. It was first released in 2014 and later released as a three-song Make You Mine mini bundle on August May 9, 2019. This song is produced by Eric Tuffendsam and written and produced by Benjamin Andrew Lapps, John Vaughn Handelsman, and Matthew Carter Alvarado, the bassist. This transcription is based on the second track of the mini bundle and arranged to be played on a 4-string bass with standard tuning. Matthew’s main bass in the Fender Urge II Bass, an Artist Signature bass endorsed by Stu Hamm. This song is in the key of A major and about 3’52 long. The tempo is at 103 bpm, and the bass was recorded with a pick. The basslines are very prominent as they provide melodious roles rather than just sticking to the root note. It can be quite challenging to perform the bass part features a few techniques, such as ghost note, staccato, and slide. I would suggest this tune for an intermediate player as it also requires you to use alternate picking with a pick. This transcription includes 3 parts: 1)both notation and TAB (4 pages); 2)notation-only (3 pages); 3)TAB-only (3 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan María Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1509877 Composed by Myrick Crampton. 21st Century,Classical. Score and part. 29 pages. MDC Music LLC #1085078. Published by MDC Music LLC (A0.1509877). Sonata for Piccolo and Piano No. 1 in 4 movements.Constructed to show off the beauty of the piccolo and piano, using lyrical open intervals and lively syncopated gestures.  Plenty of room for an organic, individual performance of two equals.  Modern, but very listenable!1. The initiation of all wise or noble things (J. S. Mill)2. Lalotte was affectionate, sprightly, and industrious.(H. W. Mabie)3. Something inexpressively lovely and wonderful advancesnthrough the crystal, nearer, nearer. (A. Huxley)4. But he failed to draw the clear and simple conclusion that every man is an artist.  (J. Beuys)The audio sample has excepts from each movement.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life   Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music #2959565. Published by Sydney Stevens, Water Music (A0.859667). Contact: sydneystevenspianostudio@gmail.comHerbie: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From  Album: Cycles of Life Theme: What a pal, what a joyful friend. Appropriate for the loss of a loved one. Song was inspired by the loss of a pet. Mood: Flowing, reflective, tender, comforting Musical Traits: Strong melody, arpeggiated left hand piano, right hand reflects vocal part. Performance Time: 2:48 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.