B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1499555 Composed by Filippo Zaccaria. Baroque,Chamber,Classical. 8 pages. Filippo Zaccaria #1075619. Published by Filippo Zaccaria (A0.1499555). 3 inventions of easy/intermediate difficulty, suitable for clarinet in B flat and a bassoon, or any other similar combination (for example, soprano saxophone and cello). The first one, an Allegro, is in F major.The second, an Andante, in G minor.The third one, an Allegretto, is in E flat major.Following a Baroque fashion, I left to the performers the freedom to choose their own articulations.

Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778018 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Score and parts. 19 pages. ACORDO Sheet Music #4837609. Published by ACORDO Sheet Music (A0.778018). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-3 consists of the following movements; I. Andante II. Presto III. Adagio IV. Allegro Beautiful piece. Players will appreciate the fun of playing in concert with others.

Full Orchestra - Level 5 - Digital Download SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #900836. Published by Gerd Prengel (A0.1311951). In 1845 Felix Mendelssohn was working on 2 movements for a 6th symphony in C-Major (shortly before he begann working on his Elijah oratorion). This is an attempt to complete them in his style and for the first time. I. Allegro ma non troppoFor the first movement a full score of the first 2 minutes (79 measures) exist and additionally sketches for further passages were included and elaborated here: m. 81 - 93: transition to the 2nd theme m. 107 - 116: 2nd theme m. 146 - 150 ending of the exposition m. 152 - 165: beginning of the development m. 196 - 204: canonic passage 11:57 II. Andante cantabile The very melodious sketches for the first 2:15 minutes were worked out to a second movement with variations on the main theme and a more passionate middle part. This publication includes the score and parts and is addressed to any conductors and orchestras willing to play unknown, excellent music by Mendelssohn put in a context true to his idiom. Total duration: 23 min. MP3:www.gerdprengel.de/Mendelssohn_unfinished_symphony_1.mp3www.gerdprengel.de/Mendelssohn_unfinished_symphony_2.mp3

Full Orchestra - Digital Download SKU: A0.819690 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 118 pages. J.G. Cuco Barber #5988917. Published by J.G. Cuco Barber (A0.819690). Composer Haydn, JosephOpus/Catalogue Number Hob.I:95Key C minorMovements/Sections 4 movements:Allegro (C minor, 165 bars)Andante (Eâ™­ major, 70 bars)Minuet (C minor, 56 bars) - Trio (C major, 28 bars)Finale. Vivace (C major, 212 bars)Year/Date of Composition 1791First Publication 1795 – Offenbach: Johann AndréAverage Duration 22 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra: FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in Eb/C 1 original & F transposedHorn in Eb/C 2 original & F transposedTrumpet in C 1 original & Bb transposedTrumpet in C 2 original & Bb transposedTimpaniViolin IViolin IIViolaVioloncelloContrabass

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1431199 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 54 pages. Jmsgu3 #1011662. Published by jmsgu3 (A0.1431199). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing.  Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance.  Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement.  The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess.  Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first.  Influence and Legacy It expanded keyboard suites' technical and musical boundaries along with the other partitas.  Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians.  In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.

Small Ensemble Cello,Flute,Harpsichord,Viola,Violin - Digital Download SKU: A0.962357 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 74 pages. Sergio Roberto de Oliveira #4985781. Published by Sergio Roberto de Oliveira (A0.962357). Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.  Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.

Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1285174 Composed by Giuseppe Tartini. Arranged by Edition Maulwurf. Baroque,Chamber. 18 pages. Edition Maulwurf #876288. Published by Edition Maulwurf (A0.1285174). Giuseppe TartiniSonataAllegroAndanteAllegroarrangement for clarinet trio2 clarinets, bass clarinetduration: ca 6m 30sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1077804 Composed by Lowell Mason. Arranged by Piacere Music Sheets. Classical,Praise & Worship,Sacred,Spiritual. Score. 6 pages. Piacere Music Sheets #681987. Published by Piacere Music Sheets (A0.1077804). Opus/Catalog Number: ILM 1 Key/Tone: F Major Movements/Sections: Andante Year/Date of Composition: 1859 Difficulty: Grade 2/12 (Easy) Obs.: This score is an arrangement of the famous 19th century hymn Nearer, my God, to Thee for soprano voice with piano accompaniment. The verses were written in 1841 by British actress and poet Sarah Flower Adams (1805-1848). This hymn is based on the scripture Genesis 28:11-12. The hymn has become associated with the RMS Titanic, as passengers reported that the string ensemble played it in the final minutes before the vessel sank. Included: Full score and separated parts for each instrument.

String Ensemble - Level 4 - Digital Download SKU: A0.551073 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and parts. 42 pages. Jmsgu3 #4986697. Published by jmsgu3 (A0.551073). Score: 18 pages, duration: ca. 20:00.Contents:1. Allegretto grazioso2. Andante con variationi3. Allegretto scherzo.

Piano Solo - Level 4 - Digital Download SKU: A0.1103364 Composed by Gerald W. Gabbard. Baroque. Score. 14 pages. Gerald W. Gabbard #706626. Published by Gerald W. Gabbard (A0.1103364). This set includes four original compositions of 2-part sonatas for keyboard in A-B form. These were composed as an homage to Domenico Scarlatti. No. 1 - A Major - Spritely is in 7/8 time. No. 2 - D Major - Allegro comodo is in cut time. No. 3 - a minor - Allegro is in 6/8 time. No. 4 - g minor - Andante amoroso is in 4/4 time. These sonatas have few editorial markings, like Urtext Scarlatti manuscripts. Pedal should be used sparingly. Grace notes may be played either on the beat, Baroque style, or ahead of the beat, modern style.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1241171 Composed by Kate Loder. Arranged by Owain Evans. 19th Century,Classical,Romantic Period,Traditional. Score. 3 pages. Owain Evans #836565. Published by Owain Evans (A0.1241171). This is a fairly early piece by Kate Loder. It dates from around 1845 and she would be 20 years old or less when composing it and it exists at least three months before the death of her grandmother, Bathsheba Richards; maybe with such sadness there is a connection. With this in mind, the words could truly mean so much more. Note that both the words and music are by Kate Loder.It’s in the key of a minor, a slow andante tempo and sad.It’s quite simple, certainly for the singer.

Cello Duet Cello - Level 2 - Digital Download SKU: A0.1075954 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Classical,Instructional,Standards,Traditional,Wedding. Score. 12 pages. Jmsgu3 #680123. Published by jmsgu3 (A0.1075954). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/Grazioso.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1440991 By Keith Terrett. By Francisco de Asís Tárrega Eixea (21 November 1852 – 15 December 1909). Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Score. 3 pages. Keith Terrett #1020970. Published by Keith Terrett (A0.1440991). Lágrima (Teardrop) is a romantic prelude for solo guitar by Spanish guitarist Francisco Tárrega. It is one of the best-known original compositions by Tárrega. It has been published by Ildefonso Alier.Analysis:Lágrima is a very short miniature consisting of only 16 bars. It takes around 2 minutes to perform and its tempo marking is andante. It has an A-B-A structure, section A being in E major and B in E minor, and has been overwhelmingly highlighted by critics because of its simplicity and melancholic atmosphere. Each section has 8 bars. Section A consists of a very simple and predictable melody with quarter notes and dotted half notes, while the accompaniment has eighth notes. Section B turns a little bit less predictable but otherwise still very simple, with eighth notes on the main voice. At the end of section B, section A is repeated to close the work.[ As usual in Tárrega's composition, Lágrima bears some technical difficulties in spite of its simplicity.Composed between late 1891 and early 1892, it is one of Tárrega's most performed pieces. Lágrima has not been included in a definitive catalogue of his works. It has been, however, included in other collections of pieces and has been numbered depending on the position in those collections or in recordings.Musical style:Tárrega composed music in the romantic style of 19th-century European masters. His conservatory training and familiarity with contemporary classical genres and techniques are apparent in his compositions and transcriptions; these are more sophisticated than those of Spanish guitarist-composers of the previous generation and his contemporaries, e.g., Magín Alegre, Tomás Damas, Julián Arcas, José Viñas, and José Ferrer.A virtuoso on his instrument, he was known as the Sarasate of the guitar, although Tárrega preferred small intimate performances over the concert stage.Tárrega is considered to have laid the foundations for 20th-century classical guitar and for increasing interest in the guitar as a recital instrument.