String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.892377 By Andrea Bocelli. By Chad Vaccarino, Fortunato Zampaglione, Ian Axel, and Matteo Bocelli. Arranged by Rafael Brito. Contemporary. Score and parts. 7 pages. RAFAEL NASCIMENTO DE MACEDO BRITO #6355363. Published by RAFAEL NASCIMENTO DE MACEDO BRITO (A0.892377). Arrangement of the song fall on me, success of Andrea Bocelli, for String quartet.

Choral - Digital Download SKU: HX.438243 By Andrea Bocelli and Andrea Bocelli & Matteo Bocelli. Arranged by Mac Huff. This edition: scorch. Concert,Festival. Choral Instrumental Pak. 1 pages. Duration 255. Hal Leonard - Digital #300995. Published by Hal Leonard - Digital (HX.438243).

Choral - Digital Download SKU: HX.438243 By Andrea Bocelli and Andrea Bocelli & Matteo Bocelli. Arranged by Mac Huff. This edition: scorch. Concert,Festival. Choral Instrumental Pack. 1 pages. Duration 255. Hal Leonard - Digital #300995. Published by Hal Leonard - Digital (HX.438243).

Choral - Digital Download SKU: HX.438238 By Andrea Bocelli and Andrea Bocelli & Matteo Bocelli. Arranged by Mac Huff. This edition: scorch. Concert,Festival. Choral Instrumental Pak. 1 pages. Duration 255. Hal Leonard - Digital #300995. Published by Hal Leonard - Digital (HX.438238).

Piano Solo - Level 2 - Digital Download SKU: A0.1428561 By Andrea Bocelli. By Chad Vaccarino, Fortunato Zampaglione, Ian Axel, and Matteo Bocelli. Arranged by Andrea Bocelli. Multicultural,World. Score. 2 pages. Mr. Lu Lai #1009351. Published by Mr. Lu Lai (A0.1428561). Fall On Me Piano score.

Choral - Digital Download SKU: HX.438240 By Andrea Bocelli and Andrea Bocelli & Matteo Bocelli. Arranged by Mac Huff. This edition: scorch. Concert,Festival. Choral Instrumental Pak. 1 pages. Duration 255. Hal Leonard - Digital #300995. Published by Hal Leonard - Digital (HX.438240).

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842059 Composed by Andrew Mc Donald. Blues,Christian,Gospel,Pop. Score. 8 pages. Andrew Mc Donald (Macka Records) #3628213. Published by Andrew Mc Donald (Macka Records) (A0.842059). Come One Come All is about coming to the Lord. No matter our situation we can approach Jesus at any time with any of our needs and requests and we can know and experience His love and salvation. All this is available to all of us no matter who we are and what our needs are. We can approach the throne of God at any point in our lives and He will welcome us.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.935300 By Shawn Mendes & Camila Cabello. By Ali Tamposi, Andrew Wotman, Benjamin Levin, Camila Cabello, Charlotte Aitchison, Jack Patterson, Magnus Hoiberg, and Shawn Mendes. Arranged by George Doswell. Pop. Score. 6 pages. Matteo George Doswell #4793647. Published by Matteo George Doswell (A0.935300). This is an arrangement of Senorita by Shawn Mendes and Camila Cabello.

Small Ensemble Bassoon,Cello,Trombone - Level 2 - Digital Download SKU: A0.935301 By Shawn Mendes & Camila Cabello. By Ali Tamposi, Andrew Wotman, Benjamin Levin, Camila Cabello, Charlotte Aitchison, Jack Patterson, Magnus Hoiberg, and Shawn Mendes. Arranged by George Doswell. Pop. Score and parts. 1 pages. Matteo George Doswell #4793679. Published by Matteo George Doswell (A0.935301). Enjoy yourself playing this arrangement of Senorita by Shawn Mendes and Camila Cabello!

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.935297 By Shawn Mendes & Camila Cabello. By Ali Tamposi, Andrew Wotman, Benjamin Levin, Camila Cabello, Charlotte Aitchison, Jack Patterson, Magnus Hoiberg, and Shawn Mendes. Arranged by George Doswell. Pop. Score. 6 pages. Matteo George Doswell #4793591. Published by Matteo George Doswell (A0.935297). This is an arrangement of Senorita by Shawn Mendes and Camila Cabello.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Piano Quintet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1227725 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Daniel Rojas. 20th Century,Chamber,Classical,Latin,Multicultural,World. 44 pages. Artempo #823683. Published by Artempo (A0.1227725). Discover a new and exciting take on the classic Brazilian tune Tico Tico No Fubá with Australian-Chilean composer Daniel Rojas' arrangement, now available only this platform! This captivating and lively reinterpretation for string quartet and piano infuses elements of choro and samba, creating a vibrant and rhythmic soundscape that seamlessly blends classical and Latin American musical spheres.As a visionary classical musician, you understand the importance of exploring new sounds and expanding your repertoire. Rojas' arrangement of Tico Tico No Fubá offers a unique and exciting opportunity to do just that, with technical and rhythmic challenges present in each instrumental part and ensemble interactions that will inspire you and elate your audiences!Whether you're an intermediate or advanced performer, this arrangement is sure to impress and delight audiences with its rich and full-bodied sound. The combination of piano and string quartet creates a continuous dance of enticing textures, resulting in a dynamic and colorful version of Tico Tico No Fubá that will make your ensemble stand out in the chamber music scene. Order Daniel Rojas' arrangement of Tico Tico No Fubá today and discover a new favorite piece that is sure to become a staple in your repertoire. Don't miss out on the chance to showcase your ensemble's technical abilities and captivate audiences with such a unique approach to chamber music!Check out the YouTube link listed performed by Daniel Rojas with The Apex Ensemble Strings in Sydney Australia. At two-and-a-half minutes, this version works superbly as a concert opener and as an encore, and has led to many a standing ovation!Please note that this download includes the full score and set of parts:- Violin I, Violin II, Viola, Cello, Piano. The full score and parts are professionally formatted and typeset, and ready for download, rehearsal, and performance!.