Piano Solo - Level 3 - Digital Download SKU: A0.1229724 By Harriet Coupal. By The Shakers. Arranged by Harriet Coupal. Christian,Classical,Historic,Religious,Traditional. Score. 2 pages. Coupal Music #825489. Published by Coupal Music (A0.1229724). From those who gave “Hands to work, Hearts to God,� this lovely and evocative Shaker melody is delightfully arranged here for Solo Organ by noted pianist, organist and teacher Harriet Coupal. With helpful fingerings to guide the player, and some dexterity is required, but, otherwise, a most attainable piece for organists of even the most modest skills. Traditional lyrics for this hymn:O the beautiful treasure laid up for the wise,How precious the value, how glorious the prize.Far brighter than riches on princes’ brow,And richer than royalty can bestow.O the beautiful treasure provided by God,And promised to good people who follow the word;And streams of sweet mercy shall bring them homeTo rest from the sorrowful paths they roam.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,� from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5   Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Piano Solo - Level 4 - Digital Download SKU: A0.1171585 By anis Siegel and Fred Hersch. By Fred Hersch. Arranged by evanspiano. Blues,Pop. Score. 6 pages. Evanspaino #771892. Published by evanspaino (A0.1171585).

Piano Solo - Level 4 - Digital Download SKU: A0.1163932 By Luna. By Anis Moujahid, Carlos Jenkins, David Foreman, Eun Jung Kyung, Matthew Quinney, Ryan Sewon Jhun, and Seungyeon Woo. Arranged by Eskander Aceval. Film/TV,Pop. Score. 4 pages. Eskander Aceval #764286. Published by Eskander Aceval (A0.1163932). Luna - Beautiful Breakup chords, piano. This song is part of the original soundtrack from Let Me Be Your Knight. K-Pop, K-Drama.

Piano Solo - Level 1 - Digital Download SKU: A0.865414 Composed by Karen D. Janiszewski. Halloween,Instructional. Score. 6 pages. Karen D. Janiszewski #3820215. Published by Karen D. Janiszewski (A0.865414). Piano solo collection for beginner pianists. 1. Skeleton Scowls, 2. The Haunt, 3. Creepy Clowns, 4. Witch’s Circle, 5. Zombie Apocalypse. Each movement concentrates on various concepts specifically for the beginner pianist.  Movement one emphasizes the use of staccato, the key of G key signature and the use of flats and naturals.  Movement two is meant for the student that is beginning to explore the piano outside of positions, but in a gentle, repetitive way.  Movement three uses the key of D major and minor, to help students with accidentals and key signature studies.  Movement four is also for the student that has learned to play without positions, perhaps one that has done some interval training, as this movement is based on the circle of fifths and fourths.  The final movement has more of a focus on rhythm, articulation and expressive details.  The left hand stays in low G position and the right hand stays in C position, making this movement easier to play, but it allows the student to focus on the other details.  A great way for students to work on their skills, while learning a quick piece for Halloween!

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.824104 Composed by Gabriel Faure. Arranged by Tim TK Murray. Concert,Romantic Period,Standards. Score and parts. 12 pages. TK (Tim) Murray #5739945. Published by TK (Tim) Murray (A0.824104). Faure's 'Le pas espagnol' is the finale to his delightful 'Dolly Suite' for Piano Duet. It is an exhilarating Spanish Dance full of energy and joyful Spanish rhythms and flair. It immediately draws the performers and audience alike into its colourful world making you want to tap your feet and smile! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com

Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.824019 Composed by Gabriel Faure. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 16 pages. TK (Tim) Murray #4785551. Published by TK (Tim) Murray (A0.824019). Faure's 'Le pas espagnol' is the finale to his delightful 'Dolly Suite' for Piano Duet. It is an exhilarating Spanish Dance full of energy and joyful Spanish rhythms and flair. It immediately draws the performers and audience alike into its colourful world making you want to tap your feet and smile! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com

Small Ensemble Piano,Violin - Level 4 - Digital Download SKU: A0.824016 Composed by Gabriel Faure. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 12 pages. TK (Tim) Murray #4785541. Published by TK (Tim) Murray (A0.824016). Faure's 'Le pas espagnol' is the finale to his delightful 'Dolly Suite' for Piano Duet. It is an exhilarating Spanish Dance full of energy and joyful Spanish rhythms and flair. It immediately draws the performers and audience alike into its colourful world making you want to tap your feet and smile! This arrangement works equally well for 2 violinists as it does for Violin Group and is also available to buy as part of Romantic Violins Vol.1. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com

Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.824018 Composed by Gabriel Faure. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 12 pages. TK (Tim) Murray #4785549. Published by TK (Tim) Murray (A0.824018). Faure's 'Le pas espagnol' is the finale to his delightful 'Dolly Suite' for Piano Duet. It is an exhilarating Spanish Dance full of energy and joyful Spanish rhythms and flair. It immediately draws the performers and audience alike into its colourful world making you want to tap your feet and smile! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com

Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.824124 Composed by Gabriel Faure. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 12 pages. TK (Tim) Murray #5803075. Published by TK (Tim) Murray (A0.824124). Faure's 'Le pas espagnol' is the finale to his delightful 'Dolly Suite' for Piano Duet. It is an exhilarating Spanish Dance full of energy and joyful Spanish rhythms and flair. It immediately draws the performers and audience alike into its colourful world making you want to tap your feet and smile! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.824017 Composed by Gabriel Faure. Arranged by Tim TK Murray. Concert. 12 pages. TK (Tim) Murray #4785547. Published by TK (Tim) Murray (A0.824017). Faure's 'Le pas espagnol' is the finale to his delightful 'Dolly Suite' for Piano Duet. It is an exhilarating Spanish Dance full of energy and joyful Spanish rhythms and flair. It immediately draws the performers and audience alike into its colourful world making you want to tap your feet and smile! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com

Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53273 Air favori de l’opéra La muette de Portici de D.F.E. Auber. Composed by Christian Rummel. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 12 pages. Schott Music - Digital #Q53273. Published by Schott Music - Digital (S9.Q53273). German • Danish.Christian Rummel (also Chrétien Rummel), music educator, pianist, clarinettist, violinist and composer, was born in Gollachostheim, Franconia (Germany). He received his musical education in Mannheim. Rummel first worked as a military band director. Following his military career, he moved to Wiesbaden as he was offered a position as a music teacher there. Later he directed the court orchestra in Biebrich and following its dissolution, he directed the Wiesbaden theatre orchestra. On the occasion of a visit to Vienna, the publishers Schott recommended him to Ludwig van Beethoven (letter of 19th April 1824), with the request for ‘friendship and good will‘. He is said to have had an ‘urge for perfection through studying composition‘. This Schlummerlied is dedicated to Baron Breidbach-Bürresheim. The melody comes from the opera ‘La muette de Portici (The mute girl of Portici) by the composer Daniel-François-Esprit Auber (1782–1871), which was first performed at the Paris Opera House in 1828. The setting is a fishing village near Naples. The plot revolves around love, marriage, revolt against the Spanish occupying forces and, as if that were not enough, the volcano Vesuvius erupts at the end. The piece was published by Schott in 1832 (plate number 3733).

Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - Digital Download SKU: A0.534347 Composed by David Hurd. Concert,Contemporary,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3364727. Published by Musik Fabrik Music Publishing (A0.534347). In three movements: 1. Fantasia 2. Aria 3. FugueDavid Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.

Organ - Level 5 - Digital Download SKU: A0.534346 Composed by David Hurd. 20th Century,Concert,Sacred,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3364725. Published by Musik Fabrik Music Publishing (A0.534346). David Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.

Organ - Level 5 - Digital Download SKU: A0.534348 Composed by David Hurd. 20th Century,Concert,Standards. Score. 18 pages. Musik Fabrik Music Publishing #3364729. Published by Musik Fabrik Music Publishing (A0.534348). David Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.