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Cello,Piano - Level 3 - Digital Download SKU: A0.864386 Composed by Anthony Giamanco. Contemporary,Contest,Festival,New Age,Wedding. Score and part. 11 pages. Whole Tone Press #470834. Published by Whole Tone Press (A0.864386). A wistful 'serenade' for cello and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces can also be purchased through ArrangeMe.com, Sheet Music Direct, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org. YouTube Link https://youtu.be/f3wTua50gV0.
SERENATA - cello and piano
Violoncelle, Piano

$4.25 3.67 € Violoncelle, Piano PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.918937 By Jubal's Lyre Music. By Hans Leo Hassler. Arranged by Martin Dicke. 21st Century,Christian,Lent,Religious,Sacred. 30 pages. Jubal's Lyre Music Publishers #6826353. Published by Jubal's Lyre Music Publishers (A0.918937). This partita for String Quartet is based on the tune HERZLICH TUT MICH VERLANGEN by Renaissance composer Hans Leo Hassler (1564-1612), which is often sung to the Lenten hymn O Sacred Head, Now Wounded. Chorale settings frame this six-movement work while the inner movements employ doleful ostinatos, a quasi-canon, and a bicinium that turns into a trio at the cadences. With anguished and unconventional harmonies, the work begins fortissimo on a second inversion of an F major seventh chord and ends pianissimo eight minutes later on an A major chord. Originally composed for organ, this partita works well for strings and in the context of worship is particularly suited for Lent, Holy Week, or communion services. A downloadable performance audio mp3 file is available as is a compatible edition for Woodwind Quintet. An edition for String Ensemble is also available which includes an additional part for Double Bass. For more music and information, visit www.jubalslyre.com/music.
Partita on "O Sacred Head, Now Wounded" (String Quartet)
Quatuor à cordes: 2 violons, alto, violoncelle
Jubal's Lyre Music
$11.99 10.34 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here
Zdes' khorosho - Serghei Rachmaninov
Violon et Piano

$9.99 8.62 € Violon et Piano PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Digital Download SKU: A0.802578 Composed by Ludwig van Beethoven. Arranged by Peet du Toit. Contemporary. Score and parts. 1 pages. Peet du Toit #5802933. Published by Peet du Toit (A0.802578). The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony, is a symphony composed by Ludwig vanBeethoven and completed in 1808. One of Beethoven's few works containing explicitly programmatic content (instrumental music that relates a story or portrays a scene), the symphony was first performed in the Theater an der Wien on22 December 1808 in a four-hour concert.The finale, which is in F major, is in 6/8 time. The movement is in sonata rondo form, meaning that the main themeappears in the tonic key at the beginning of the development as well as the exposition and the recapitulation. Like many classical finales, this movement emphasizes a symmetrical eight-bar theme, in this case representing the shepherds' song of thanksgiving.The coda starts quietly and gradually builds to an ecstatic culmination for the full orchestra (minus storm instruments)with the first violins playing very rapid triplet tremolo on a high F. There follows a fervent passage suggestive of prayer, marked by Beethoven pianissimo, sotto voce; most conductors slow the tempo for this passage. After a brief period of afterglow, the work ends with two emphatic F-major chords.Here is an excerpt of this magic music for Violin and Cello that can be used as a short closer or filler, under the appropriate circumstances.
Symphony no. 6 in F, Op. 68 'Pastorale' - Allegretto (V) - Beethoven (Violin & Cello)
Violon, Violoncelle (duo)

$13.00 11.21 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Large Ensemble - Level 5 - Digital Download SKU: A0.553579 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Holiday,Standards,Wedding. Score and parts. 22 pages. RayThompsonMusic #3112293. Published by RayThompsonMusic (A0.553579). The Suite Bergamasque  is a piano suite composed by Claude Debussy. It was first composed around 1890, at the age of 28, but was significantly revised just before its publication in 1905.This is an arrangement for wind dectet of the third and most famous movement called Clair de lune in Db major.Its name comes from Verlaine's poem Clair de lune, moonlight in French. It is written in 9/8  compound time, marked andante très expressif, and both the piano and orchestral scores are marked mostly pianissimo. Musically, Debussy's Clair de lune belongs to French Impressionism.It is arranged for a double wind quintet of 2 fl, 2 ob, 2 cl (in A) 2 hn & 2 bsn.I have included an optional bass line for either double bass, contra bassoon or tuba.Other movements are available, for both dectet, and other instrumental groups.It is based on the A Caplet orchestration, so I have retained as far as possible the solo instrumentation.The tricky arpeggios are carried by the clarinets and bassoons.
Debussy: Suite Bergamasque Mvt.3 Clair de Lune - wind dectet (& bass)

$19.95 17.2 € PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015134_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015134_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015134_WPTN1TC). UPC: 038081407852.This thoughtful composition offers elements of musical reflection and artistic expression inspired by the beautiful sunsets along the shores of Long Island. Soft hues of color to brilliant rays of light are interspersed with the calm, yet exhilarating feelings one experiences when witnessing the power, beauty, and peace of the sun disappearing over the horizon, signaling the end of the day. The sounds of this piece strongly evoke the feelings of watching the different colors of a sunset disappearing over the horizon . . . The ending softly dies away to a pianissimo. This slow, reflective number is an ideal change of pace in a program. --The InstrumentalistConcert/Contest.
Sag Harbor Sunset: (wp) 1st B-flat Trombone T.C.
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015134_WPAC1 (wp) E-flat Alto Clarinet. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015134_wpAC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015134_WPAC1). UPC: 038081407852.This thoughtful composition offers elements of musical reflection and artistic expression inspired by the beautiful sunsets along the shores of Long Island. Soft hues of color to brilliant rays of light are interspersed with the calm, yet exhilarating feelings one experiences when witnessing the power, beauty, and peace of the sun disappearing over the horizon, signaling the end of the day. The sounds of this piece strongly evoke the feelings of watching the different colors of a sunset disappearing over the horizon . . . The ending softly dies away to a pianissimo. This slow, reflective number is an ideal change of pace in a program. --The InstrumentalistConcert/Contest.
Sag Harbor Sunset: (wp) E-flat Alto Clarinet
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015134_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015134_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015134_WPECBC). UPC: 038081407852.This thoughtful composition offers elements of musical reflection and artistic expression inspired by the beautiful sunsets along the shores of Long Island. Soft hues of color to brilliant rays of light are interspersed with the calm, yet exhilarating feelings one experiences when witnessing the power, beauty, and peace of the sun disappearing over the horizon, signaling the end of the day. The sounds of this piece strongly evoke the feelings of watching the different colors of a sunset disappearing over the horizon . . . The ending softly dies away to a pianissimo. This slow, reflective number is an ideal change of pace in a program. --The InstrumentalistConcert/Contest.
Sag Harbor Sunset: (wp) E-flat Contrabass Clarinet
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.857514 Composed by Anthony Giamanco. Contemporary,Contest,Festival,New Age,Wedding. 11 pages. Whole Tone Press #464004. Published by Whole Tone Press (A0.857514). A wistful 'serenade' for violin and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces can also be purchased through ArrangeMe.com, Sheet Music Direct, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org. YouTube Link https://youtu.be/f3wTua50gV0.
SERENATA - violin and piano
Violon et Piano

$4.25 3.67 € Violon et Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1050665 Composed by Franz Schubert. Arranged by Ray Thompson. Romantic Period. 18 pages. RayThompsonMusic #655012. Published by RayThompsonMusic (A0.1050665). Arranged standard wind quintet. Horn part is for NATURAL HORN in D (Alt. F part also provided) The String Quartet No. 14 in D minor, D 810, known as Death and the Maiden, is a piece by Franz Schubert that has been called one of the pillars of the chamber music repertoire.[1] It was composed in 1824, after the composer suffered a serious illness and realized that he was dying. It is named for the theme of the second movement, which Schubert took from a song he wrote in 1817 of the same title. Cobbett describes the third movement as the dance of the demon fiddlerThere is indeed something demonic in this fast-paced scherzo, full of syncopations and, like the other movements, dramatic leaps from fortissimo to pianissimo.
Schubert: String Quartet No.14 in D minor, D.810 Mvt.III Scherzo/Trio - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$17.95 15.48 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Digital Download SKU: A0.1071346 By Jubal's Lyre Music. By Hans Leo Hassler. Arranged by Martin Dicke. Contemporary,Easter,Sacred,Standards. Full Performance. Duration 502. Jubal's Lyre Music Publishers #6826463. Published by Jubal's Lyre Music Publishers (A0.1071346). This is the downloadable audio file of the Partita on O Sacred Head, Now Wounded for String Ensemble by Martin Dicke. A full score and set of parts are also available (S0.1195135). Based on the tune HERZLICH TUT MICH VERLANGEN by Renaissance composer Hans Leo Hassler (1564-1612), this partita consists of six movements. Chorale settings frame inner movements that employ doleful ostinatos, a quasi-canon, and a bicinium that turns into a trio at the cadences. With anguished and unconventional harmonies, the work begins fortissimo on a second inversion of an F major seventh chord and ends pianissimo eight minutes later on an A major chord. Originally composed for organ, this partita works well for strings and is particularly suited for Lent, Holy Week, or communion services. A compatible edition is available for Woodwind Quintet. For more music and information, visit
Audio - Partita on "O Sacred Head, Now Wounded" (String Ensemble)
Jubal's Lyre Music
$1.99 1.72 € PDF SheetMusicPlus

Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations.  The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two.  Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc.   The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio.  The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation.  The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness.  This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes.  Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
Unaccompanied Tuba Suite #1 in B-flat Major
Tuba

$9.99 8.62 € Tuba PDF SheetMusicPlus






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