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Piano - Moderately Easy - Digital Download SKU: MQ.15-850-07E Composed by Anna Laura Page. Lent, Funeral. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-850-07E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-850-07E). This collection of ten beloved gospel hymns will be a welcome addition to the church pianist's library. Each tune is treated in a respectful and memorable way.Includes: What a Friend We Have in JesusCONVERSE I Love to Tell the StoryHANKEY Let Us Break Bread TogetherLET US BREAK BREAD We're Marching to ZionMARCHING TO ZION Alas! and Did My Savior BleedMARTYRDOM I Will Sing of My RedeemerMY REDEEMER Beneath the Cross of JesusST. CHRISTOPHER I Want Jesus to Walk with MeSOJOURNER The Solid RockSOLID ROCK Softly and Tenderly Jesus Is CallingTHOMPSON.
Beneath the Cross of Jesus (Downloadable)
Piano seul

$5.00 4.32 € Piano seul PDF SheetMusicPlus

Piano - Moderately Easy - Digital Download SKU: MQ.15-850-06E Composed by Anna Laura Page. Lent, Funeral. 3 pages. MorningStar Music Publishers - Digital Sheet Music #15-850-06E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-850-06E). This collection of ten beloved gospel hymns will be a welcome addition to the church pianist's library. Each tune is treated in a respectful and memorable way.Includes: What a Friend We Have in JesusCONVERSE I Love to Tell the StoryHANKEY Let Us Break Bread TogetherLET US BREAK BREAD We're Marching to ZionMARCHING TO ZION Alas! and Did My Savior BleedMARTYRDOM I Will Sing of My RedeemerMY REDEEMER Beneath the Cross of JesusST. CHRISTOPHER I Want Jesus to Walk with MeSOJOURNER The Solid RockSOLID ROCK Softly and Tenderly Jesus Is CallingTHOMPSON.
I Will Sing of My Redeemer (Downloadable)
Piano seul

$5.00 4.32 € Piano seul PDF SheetMusicPlus

Piano - Moderately Easy - Digital Download SKU: MQ.15-850-04E Composed by Anna Laura Page. Lent, Funeral. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-850-04E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-850-04E). This collection of ten beloved gospel hymns will be a welcome addition to the church pianist's library. Each tune is treated in a respectful and memorable way.Includes: What a Friend We Have in JesusCONVERSE I Love to Tell the StoryHANKEY Let Us Break Bread TogetherLET US BREAK BREAD We're Marching to ZionMARCHING TO ZION Alas! and Did My Savior BleedMARTYRDOM I Will Sing of My RedeemerMY REDEEMER Beneath the Cross of JesusST. CHRISTOPHER I Want Jesus to Walk with MeSOJOURNER The Solid RockSOLID ROCK Softly and Tenderly Jesus Is CallingTHOMPSON.
We're Marching to Zion (Downloadable)
Piano seul

$5.00 4.32 € Piano seul PDF SheetMusicPlus

Piano - Moderately Easy - Digital Download SKU: MQ.15-850-10E Composed by Anna Laura Page. Lent, Funeral. 3 pages. MorningStar Music Publishers - Digital Sheet Music #15-850-10E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-850-10E). This collection of ten beloved gospel hymns will be a welcome addition to the church pianist's library. Each tune is treated in a respectful and memorable way.Includes: What a Friend We Have in JesusCONVERSE I Love to Tell the StoryHANKEY Let Us Break Bread TogetherLET US BREAK BREAD We're Marching to ZionMARCHING TO ZION Alas! and Did My Savior BleedMARTYRDOM I Will Sing of My RedeemerMY REDEEMER Beneath the Cross of JesusST. CHRISTOPHER I Want Jesus to Walk with MeSOJOURNER The Solid RockSOLID ROCK Softly and Tenderly Jesus Is CallingTHOMPSON.
Softly and Tenderly Jesus Is Calling (Downloadable)
Piano seul

$5.00 4.32 € Piano seul PDF SheetMusicPlus

Piano - Moderately Easy - Digital Download SKU: MQ.15-850-01E Composed by Anna Laura Page. Lent, Funeral. 3 pages. MorningStar Music Publishers - Digital Sheet Music #15-850-01E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-850-01E). This collection of ten beloved gospel hymns will be a welcome addition to the church pianist's library. Each tune is treated in a respectful and memorable way.Includes: What a Friend We Have in JesusCONVERSE I Love to Tell the StoryHANKEY Let Us Break Bread TogetherLET US BREAK BREAD We're Marching to ZionMARCHING TO ZION Alas! and Did My Savior BleedMARTYRDOM I Will Sing of My RedeemerMY REDEEMER Beneath the Cross of JesusST. CHRISTOPHER I Want Jesus to Walk with MeSOJOURNER The Solid RockSOLID ROCK Softly and Tenderly Jesus Is CallingTHOMPSON.
What a Friend We Have in Jesus (Downloadable)
Piano seul

$5.00 4.32 € Piano seul PDF SheetMusicPlus

Piano - Moderately Easy - Digital Download SKU: MQ.15-850-02E Composed by Anna Laura Page. Lent, Funeral. 3 pages. MorningStar Music Publishers - Digital Sheet Music #15-850-02E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-850-02E). This collection of ten beloved gospel hymns will be a welcome addition to the church pianist's library. Each tune is treated in a respectful and memorable way.Includes: What a Friend We Have in JesusCONVERSE I Love to Tell the StoryHANKEY Let Us Break Bread TogetherLET US BREAK BREAD We're Marching to ZionMARCHING TO ZION Alas! and Did My Savior BleedMARTYRDOM I Will Sing of My RedeemerMY REDEEMER Beneath the Cross of JesusST. CHRISTOPHER I Want Jesus to Walk with MeSOJOURNER The Solid RockSOLID ROCK Softly and Tenderly Jesus Is CallingTHOMPSON.
I Love to Tell the Story (Downloadable)
Piano seul

$5.00 4.32 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.969659 Arranged by Christopher Gleeson. Jazz,Traditional. Score. 32 pages. Christopher gleeson #4763173. Published by christopher gleeson (A0.969659). Here is a written out alternative to fake books for 'Old Timer' singalong piano accompaniment. The arrangements are for Easy to Intermediate level piano. Song List - Anniversary Waltz,  Apple Blossom Time, Baby Face, Beer Barrel Polka, Carolina in the Morning, Deep in the Heart of Texas, Five Minutes More, Happy Days Are Here Again, Home on the Range, In the Good Old Summer Time, It Had to be You, KKKKatie, Lady of Spain, Ma He's Making Eyes at Me, Moonlight and Roses, My Wild Irish Rose, Ol' Man River and Rambling Rose.
Hits for 'Old Timers'
Piano seul

$12.00 10.37 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764725 Composed by Kenny Jacobson, Moe Koffman, and Rhoda Roberts. Arranged by James Pybus. Contemporary,Jazz,Standards. 9 pages. James Pybus #6091255. Published by James Pybus (A0.764725). Swinging Shepherd Blues is a well-known tune by Moe Koffman, originally titled Blues a la Canadiana and renamed Swinging (or 'Swingin') Shepherd Blues in l957 when it was recorded by the composer, playing the flute, for the LP Hot and Cool Sax. . Released as a single (Jubilee 5311), it was a hit internationally (Billboard magazine recorded it as peaking at 23rd position in 1958). Among more than 300 recordings of the tune are versions by Count Basie, Herbie Mann, Mantovani, and David Rose. A vocal rendition, with lyrics by Rhoda Roberts and Kenny Jacobson, has been recorded by Ella Fitzgerald, and more recently by Natalie Cole. The tune has been recorded by various Canadians, from Oscar Peterson to the Edmonton Youth Orchestra. Koffman used Swinging Shepherd Blues as his signature tune until 2000. This arrangement is playable by SSAB or SSSB Clarinet Quartet. Duration is 2:25. Contact me at james.pybus56@gmail.com.
The Swingin' Shepherd Blues

$17.99 15.55 € PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764726 Composed by Kenny Jacobson, Moe Koffman, and Rhoda Roberts. Arranged by James Pybus. Contemporary,Jazz,Standards. 10 pages. James Pybus #6092005. Published by James Pybus (A0.764726). Swinging Shepherd Blues is a well-known tune by Moe Koffman, originally titled Blues a la Canadiana and renamed Swinging (or 'Swingin') Shepherd Blues in l957 when it was recorded by the composer, playing the flute, for the LP Hot and Cool Sax. Released as a single (Jubilee 5311), it was a hit internationally (Billboard magazine recorded it as peaking at 23rd position in 1958).  Among more than 300 recordings of the tune are versions by Count Basie, Herbie Mann, Mantovani, and David Rose. A vocal rendition, with lyrics by Rhoda Roberts and Kenny Jacobson, has been recorded by Ella Fitzgerald, and more recently by Natalie Cole. The tune has also been recorded by various Canadians, from Oscar Peterson to the Edmonton Youth Orchestra. Koffman used Swinging Shepherd Blues as his signature tune until 2000. This arrangement is playable by SATB or AATB Saxophone Quartet. Duration is 2:25. Contact me at james.pybus56@gmail.com.
The Swingin' Shepherd Blues
Quatuor de Saxophones: 4 saxophones

$17.99 15.55 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.45 € Chorale TTBB PDF SheetMusicPlus

Piano - Digital Download SKU: AX.00-PS-0015602 By Arthur Lyman. By Nicolas Roubanis. Folk. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015602. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015602). ISBN 9780739094228. UPC: 038081455204. S. K. Russell; Fred Wise; Milton Leeds.Create a tropical soundscape by playing everybody's favorite Hawaiian traditional songs, island-themed standards, popular hits, and retro exotica novelties This practical songbook focuses on the songs and styles that today's audiences associate with Hawai'i, so they're guaranteed to entertain! The arrangements are for piano and voice, with basic chord fingering grids included for optional guitar accompaniment. Titles: 'Ama 'Ama (Israel Iz Kamakawiwo'ole) * 'Ulili E (Israel IZ Kamakawiwo'ole) * Aloha 'Oe (Farewell to Thee) (Elvis Presley) * Better Together (Jack Johnson) * Caravan (Arthur Lyman) * E Ku'u Morning Dew (Israel Iz Kamakawiwo'ole) * Hawai'i '78 (Israel Iz Kamakawiwo'ole) * A Hawaiian Like Me (Israel Iz Kamakawiwo'ole) * Hawaiian Roller Coaster Ride (Walt Disney's Lilo & Stitch) * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) (Bob Wills and His Texas Playboys) * The Hawaiian Wedding Song (Ke Kali Nei Au) (Elvis Presley, Andy Williams) * Henehene Kou 'Aka (Israel Iz Kamakawiwo'ole) * Ka Huila Wai (Israel Iz Kamakawiwo'ole) * Live a Little (Hawaiian Style) * Love Song of Kalua (The Brothers Cazimero) * Lovely Hula Hands (Don Ho) * Mele Kalikimaka (Bing Crosby) * Miserlou (Arthur Lyman) * My Little Grass Shack in Kealakekua, Hawai'i (Annette Funicello) * Over The Rainbow (Israel Iz Kamakawiwo'ole) * Panini Puakea (Israel Iz Kamakawiwo'ole) * Pearly Shells (Pupu A O 'Ewa) (Don Ho) * Pua Lane (Brother Noland) * Sweet Leilani (Bing Crosby) * Tiny Bubbles (Hua Li'i) (Don Ho) * What a Wonderful World (Israel Iz Kamakawiwo'ole) * White Sandy Beach (Israel Iz Kamakawiwo'ole).
Misirlou
Piano seul
Arthur Lyman
$3.99 3.45 € Piano seul PDF SheetMusicPlus






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