Chorus - Digital Download SKU: AX.00-PO-0001870 Cantate, Exsultate - 2-Part. Composed by David Waggoner. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0001870. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001870). UPC: 038081467610.Two Latin words alternate with a predominantly English text and complement the flowing melody. Near the end, a small group descant adds a third line to the partner song format. Perfectly suited for treble choirs of any age!Concert/Contest.

By Antonio Carlos Jobim. By Antonio Carlos Jobim and Vinicius De Moraes. Arranged by Bisdré Santos. 20th Century,Contemporary,Jazz,Lati n,Multicultural,World. Score and parts. 11 pages. Violao Vadio Musical Creations #6346745. Published by Violao Vadio Musical Creations

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.670385 Composed by Bantock. Arranged by MSM. Classical,Romantic Period. Score. 5 pages. Open Cloud #4576297. Published by Open Cloud (A0.670385). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Bantock (Bantock Granville), 1868-1946, for Voice and Piano.

Piano - Digital Download SKU: A0.1069664 Composed by Gary Noland. 20th Century,Concert,Contemporary,Ragtime. Full Performance. Duration 892. Freeland Publications #3238281. Published by Freeland Publications (A0.1069664). Duration: 14'52 (1989). Computer-driven Yamaha Disklavier performance. One of my more famous pieces. Its historic premiere at Pacifica Radio (KPFA) in Berkeley on 4 October, 1991 to inaugurate their new facility is included in Nicolas Slonimsky's book Music Since 1900. It has been reviewed and written about extensively. Here is what some reviewers have said:4 OCTOBER 1991: KPFA radio in Berkeley, California, dedicates its newly constructed, two-story broadcast facility at 1929 Martin Luther King Jr. Way with a live satellite broadcast … works on the inaugual program, produced and narrated by KPFA Music director Charles Amirkhanian, included … Grande Rag Brilliant [sic] by Gary NOLAND, a 15-minute rag introducing KPFA’s new Yamaha Disklavier grand piano, featuring fugues, frozen grace-notes to produce tone clusters, and a lengthy passage in which the music modulates up and down a half-tone each measure (the turntable change of speed effect) …-Nicolas Slonimsky, Music Since 1900               ...remarkable stuff...-Max Morath, ragtime composer and pianist             … smashing and extremely difficult piano rag, … which is not distracted by the modulation-per-minute insanity of this beautiful and disorienting music … an exceedingly difficult composition by Berkeley composer Gary Noland, … the Grande Rag Brillante, Op. 15, was written in a modified turn-of-the-Century style and has never been performed successfully by a human pianist.  It features something Mr. Noland calls the 'record-player-turntable-change-of-speed-effect.'  In certain sections, each successive measure modulates up a half step into the next key signature, providing a mind-bending spiraling of focus which is truly breathtaking … spectacular… -Charles Amirkhanian, Folio (KPFA program guide)              ...The Impossible Rag...-Oakland Tribune             ...perfectly simulates a piano roll mistracking and continually changing keys...-Dick Zimmerman, Rag Times             ...masterpiece!...We recommend Mr. Noland's music for anybody who desires the witty and unexpected approach to the Ragtime idiom.-L. Douglas Henderson, ARTCRAFT Studio Newsletter, Wiscasset, Maine             ...Ihre Musik ist wunderschön, Grande Rag Brillante ist ein Meisterwerk;  als auch Komponist bin ich voll Neid, dass ich so etwas nicht schreiben kann. Ich wünsche Ihnen viel Erfolg!  Ich komponiere schon viele Jahre europäisch tonal und es itst nicht leicht, so zu komponieren in einer Welt, die noch in der atonalen Ideologie denkt. Ich hoffe, Ihr Weg wird leichter....-Ladislav Kupkovic, Czech-born composer residing in Germany                     Sort of like it ... electronicized ... ; then it becomes a real period piece, like Richard Taruskin’s theory about current HIP practitioners ...-William Bolcom, Pulitzer prize winning composer.             ...Gary Noland's music is complex, technically daunting stuff....'Grande Rag Brillante'... seems to be meant as an excercise in psychedelic ragtime piano, full of extremely fast passages, confusing modulations, and bizzare dissonance....-Butch Thompson, The Mississippi Rag              ...KPFA Music Director Charles Amirkhanian plans to use the new Disklavier.

Level 3-4 - Digital Download SKU: HX.96603 By Santana. Arranged by Larry Moore. Latin,Pop,Rock. 2 pages. Duration 255. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.96603).

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.

Ukulele - Level 3 - Digital Download SKU: A0.1149540 By Michael P Walker. By Various. Arranged by Michael P Walker. 19th Century,Romantic Period. Score. 168 pages. Michael P Walker #749686. Published by Michael P Walker (A0.1149540). These sixty-six compositions were arranged for the Low G ukulele and represent some of the greatest composers of the 19th Century – The Romantic Era as a movement does not refer to romantic love, though that theme was prevalent in many works composed during this time period. Romanticism describes the expansion of formal structures within a composition, making the pieces more passionate and expressive. The Romantic period contradicted the Classical period by introducing freedom, artistic creativity, and experimentation. Expressing an emotion or an idea was the most important, therefore the melody was the dominant feature Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Sixty-five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.

Composed by Normand Gouin. Chrism Mass, Entrance/Communion Antiphon Setting, Responsorial Psalm/Canticle Setting. Cathedral Series. Holy Week/Three Days. 12 pages. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-602-E). - - Holy Week/Three Days - MorningStar Music Publishers - Digital Sheet Music

Solo Guitar - Level 4 - Digital Download SKU: A0.533593 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fabrik Music Publishing #3029403. Published by Musik Fabrik Music Publishing (A0.533593). Giant Colored Bird (2004) for solo guitar was written for and is dedicated to guitarist KarinSchaupp. It is inspired by her brilliant and creative playing of a wide range of guitarliterature.The title refers to a vivid mental image of a large, brilliantly colored bird in the wild: bothflying and unfurling its wings, while looking out over a beautiful landscape. Giant ColoredBird is thus a joyous celebration of color and warmth.Using the open strings of the guitar as a starting points for harmonic excursions, the piece iscast in three sections -- two moderate tempo sections, surrounding a slower and grandersection.

Piano Solo - Level 3 - Digital Download SKU: A0.1474848 Composed by Traditional Sea Shanty. Arranged by Felix Sun. 19th Century,Folk,Traditional. Score. 3 pages. Felix Sun #1052466. Published by Felix Sun (A0.1474848). A beautiful solo piano arrangement of SantianaSantiana, also known as Santianna, Santy Anna, Santayana, Santiano, Santy Anno and other variations, is a sea shanty referring to the Mexican General Antonio López de Santa Anna. It dates back to at least the 1850s.

Handbell,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.800598 Composed by Michael W. Joy. Easter,Sacred. Score and individual part. 8 pages. Grassy Meadow Music #6668243. Published by Grassy Meadow Music (A0.800598). For those wanting a deeper tonal experience than just 12 bells can provide comes this piano accompaniment for the Triumphant! 12-bell composition!  Accessible for intermediate pianists, it adds a richer, fuller sound while still letting the handbells shine!Note this is the piano version ONLY; the reproducible 12-bell version is available separately.Purchase of this PDF grants permission to broadcast or live stream performances.  

Trombone Solo - Level 5 - Digital Download SKU: A0.1183925 Composed by Sigismund Stojowsky. Arranged by Jacob Elkin. 20th Century,Romantic Period. Individual part. 62 pages. Gordon Cherry #783617. Published by Gordon Cherry (A0.1183925). Fantaisie for Trombone solo and Wind Ensemble by Sigismund Stojowski was composed in 1912 originally for Trombone with Piano accompaniment. This work of about 6 1/2 minutes in length is very expressive, dramatic and poetic. It has become one of the staples of the Tenor Trombone repertoire and is now available in a fantastic new arrangement by Jacob Elkin for Trombone solo with Wind Ensemble (Band).The music combines elements of late Romantic and Impressionist styles, resulting in a rich, colorful pallet of sounds.The music is appropriate for advanced performers.

Cello Duet Cello - Level 3 - Digital Download SKU: A0.1374353 By Katherine L Fraser. By Katherine L Fraser. Arranged by Katherine L Fraser. Children,Christmas,Classical,Contest,Festival,Holiday. Score. 5 pages. Katherine L Fraser #958956. Published by Katherine L Fraser (A0.1374353). This is an instrumental version of an original Christmas/Children's song, Waiting for Santa. It may also be played as a cello solo - Part 1 has the melody throughout.  Use the dynamics to make it sing.  A ritardando may be added from Measures 47 to 51.  Feel free to adjust the tempo to suit the event or skill level.  The attached audio and video provide a better idea of tempo and dynamics.  Ideal for general performance, recitals, get-togethers, and holiday events.  I hope you enjoy!!!Following are the lyrics:Santa, I’ve heard the storiesOf a sleigh pulled by reindeerWho fly through the air.Santa, I’m waiting to tell youWhat I’ve been dreaming that only you’ll hear.Some kids may want a teddy bear.Some may ask you for the moon.  I’m afraid that you might laugh at me.And my turn is coming soon.  Santa, I’ve been so lonely.There’s nothing but grown-ups,And they’re not much fun.       Santa, can you send me a good friend,Someone who’ll like me just as I am?Some kids have asked for teddy bears.Some have asked you for the moon.  One kid wants a trip to Disneyland.Well, Disneyland sounds awfully good (Mickey Mouse, Donald Duck, Cinderella, Cruella…).Santa, I hope you heard me,And if you grant my wish,I’ll make you my King.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.719561 Composed by Multiple composers. Arranged by Curtis Hanson. Christian,Sacred. Octavo. 20 pages. Curtis Hanson #2036367. Published by Curtis Hanson (A0.719561). The pieces which comprise the Six Lenten Anthems are scored for SATB divisi chorus and organ and are both original and arrangements. They were conceived as a unit, i.e. some material is thematically related. The cycle is in arch form - pieces one (Out of the Depths) and six (Be Near Me, Precious Savior) are edited versions of German chorales, both of which have ties to Hassler and Protestant Germany and which have similar cadences. Pieces two (Lamb of God) and five (When Jesus Wept) are arrangements of works utilizing modal dissonance in juxtaposition, number two being another traditional German chorale, number five a familiar melody by Billings. Pieces three (Hosanna! and four (Jerusalem) are original works which require multiple divisi and also employ significant dissonance. Each of the pieces are available and may be performed separately.