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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900405 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637525. Published by Gustavo Fuentes (A0.900405). Diamond in the Rough. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The most important symbol of Celtic art is the triskelion. It is made up of three curved legs representing the past, the present and the future. It can also symbolize the balance between mind, body and spirit; the beginning and the end; or constant learning versus eternal evolution.Life is a timeline. Memories from the past can sometimes evoke pleasant images and beautiful experiences in our minds, but they can also fill us with sadness and nostalgia. Thinking of the future can give us hope, but it can also awaken anxiety. The only time when we can truly be, make decisions, and effect change is the present. Today is a gift, a diamond in the rough that we can cut and polish to our liking. Quoting the wise words of Irish author Oscar Wilde in The Picture of Dorian Grey: Life is a moment. There is no hereafter. So make it burn always with the hardest flame. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violín, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El símbolo más importante del arte celta es el trisquel. Formado por tres brazos en espiral representan el pasado, el presente y el futuro, y simboliza el equilibrio entre cuerpo, mente y espíritu, el principio y el fin, el aprendizaje perpetuo y la eterna evolución.Nuestra vida está construida en el tiempo. A veces el pasado nos trae recuerdos gratos y experiencias hermosas; en otros momentos, nos llena de melancolía y añoranza. El futuro puede generarnos esperanza, pero también ansiedad. El único momento donde podemos ser, donde podemos elegir, donde podemos cambiar, es el presente. Deberíamos considerar el ahora como una verdadera joya, como un diamante que podemos tallar y lustrar para que tenga la forma y el brillo que merecemos. Y estaría bien recordar las palabras que el escritor irlandés Oscar Wilde nos dejó en El retrato de Dorian Grey: La vida es el presente, el futuro no existe. Haz que la vida arda siempre con la llama más intensa.
Diamante del tiempo (Diamond in the Rough), Celtic Song by Gustavo Fuentes

$4.99 4.3 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.533316 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 37 pages. Musik Fabrik Music Publishing #2343073. Published by Musik Fabrik Music Publishing (A0.533316). Fantaisie en sol mineur pour pianoI. GraveII. ScherzandoIII. Bien allantDate de composition : 17 septembre 1945In 1945 Leguerney finished composition of the Fantaisie en sol mineur pour piano, written in three movements. He felt an â??extraordinary enthusiasmâ? for this piece, which he felt represented a departure from the current writing style for piano. He said in an interview with Patrick Choukroun in 1994 that â??I wanted to show that one could write lyrically for the piano. The piano music of Francis Poulenc lacked strength.â? The work was immediately performed in a private concert at the home of the Countess Jean de Polignac by the French pianist Monique Haas (1909-1987) in December 1945. The fact that she waschosen to perform Leguerneyâ??s Fantaisie is a key to the style of this work which Leguerney felt emulated the expressive force of Cesar Franckâ??s works. Haas was a distinguished concert artist, especially known for her performances of 20th century music, with which she toured worldwide. French pianists of her generation tried to avoid the excess of the â??romanticâ? school and strove for cleanness and precision with a warm tone color reflecting the influence of Alfred Cortot.Leguerney remembers that both Poulenc and Henri Sauguet were present at this private concert, but he noted that they did not comment about his piece. He felt it was obvious that his Fantaisie was â??far from the habitual level of piano musicâ? being composed at that time. These post-war years were Leguerneyâ??s most productive period. In addition to the Fantaisie, hecomposed the Sonatine pour violin et piano, the Quatuor à cordes, and many fine songs including the cycle Sept Poèmes de François Maynard. The 1940s finished with the composition of his first ballet, Endymion. The first public performance of the Fantaisie was given by Stéphane Petit-Jean in the Cloître Saint-Sauveur at the Festival of Aix-en-Provence on July 28, 1988 during a recital for Radio France that included songs of Leguerney interpreted by Nathalie Stutzmann. The concert was laterbroadcast as Une heure avec . . . Jacques Leguerney and also included the song cycles Sept Poèmes de François Maynard, La Nuit and Le Carnaval.The work is dedicated to Jean Fonda, the stage name of Jean-Pierre Fournier. He was the son of the famed French cellist Pierre Fournier. Before the performance at Aix-en-Provence, Leguerney showed the score of the Fantaisie to Fonda, who encouraged him to have it performed. It is possible that the dedication was made at this time.
Jacques Leguerney: Fantaisie in g minor for piano
Piano seul

$23.95 20.62 € Piano seul PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1117439 Composed by Rodrigo de Jesus. Classical,Contemporary,Instructional,March,Traditional. Score and Parts. 31 pages. Rodrigo de Jesus #718986. Published by Rodrigo de Jesus (A0.1117439). Obra para formação de banda sinfônica, composta pelo maestro Rodrigo de Jesus em homenagem ao amigo Professor Antônio Wilsom Gomes. Obra em estilo de marcha sinfônica brasileira, com cores vibrantes e passagens de fanfarra impactantes realizado pelos trompetes e trompas. Obra de nível 2, ideal para abertura de concertos e paradas musicais. Work for the formation of a symphonic band, composed by conductor Rodrigo de Jesus in honor of his friend Professor Antônio Wilsom Gomes. Work in the style of a Brazilian symphonic march, with vibrant colors and striking fanfare passages performed by the trumpets and horns. Level 2 work, ideal for opening concerts and music stops. Score and parts.
Professor Antônio Wilson Gomes
Orchestre d'harmonie

$20.00 17.22 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
No More Pain by Anton
Piano seul

$10.99 9.46 € Piano seul PDF SheetMusicPlus

Guitar - Level 3 - Digital Download SKU: A0.1364009 Composed by Stephen Heller. Arranged by Keith W. Gehle. 19th Century,Classical,Romantic Period. Guitar Tab. 9 pages. Keith Gehle #948330. Published by Keith Gehle (A0.1364009). Hungarian pianist Stephen Heller (1813 - 1888) was a highly regarded performer, composer, and teacher during the height of the Romantic Era and closely acquainted with many of the greats of that time including Berlioz, Chopin and Lizst. He was a prolific composer for the piano writing many hundreds of pieces which remain popular to this day with teachers and students alike. The two pieces presented here were arranged for guitar and recorded in 2004 as part of Keith’s album entitled Nocturne, Music of the Romantics. And while Heller didn’t write these pieces to necessarily be played together, the common key of E minor and contrasting tempi make for a nice recital pairing. This PDF includes standard notation with tablature for ease of learning.
"Prelude and Petite Tarantelle" for solo classical fingerstyle guitar (+TAB)
Guitare notes et tablatures

$4.99 4.3 € Guitare notes et tablatures PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1364016 Composed by Stephen Heller. Arranged by Keith W. Gehle. 19th Century,Classical,Romantic Period. Individual part. 5 pages. Keith Gehle #948337. Published by Keith Gehle (A0.1364016). Hungarian pianist Stephen Heller (1813 - 1888) was a highly regarded performer, composer, and teacher during the height of the Romantic Era and closely acquainted with many of the greats of that time including Berlioz, Chopin and Lizst. He was a prolific composer for the piano writing many hundreds of pieces which remain popular to this day with teachers and students alike. The two pieces presented here were arranged for guitar and recorded in 2004 as part of Keith’s album entitled Nocturne, Music of the Romantics. And while Heller didn’t write these pieces to necessarily be played together, the common key of E minor and contrasting tempi make for a nice recital pairing. There’s also a version available with TAB on this site.
"Prelude and Petite Tarantelle" for solo classical fingerstyle guitar
Guitare notes et tablatures

$3.99 3.43 € Guitare notes et tablatures PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-47E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-47E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-47E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 48, No. 7: Corydon! Marche devant! from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.58 € Piano, Voix PDF SheetMusicPlus

Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1141805 Composed by William J. Kirkpatrick. Arranged by Diana Meux. Children,Christian,Christmas,Holiday,Sacred. Individual part. 2 pages. Download Church Music #742192. Published by Download Church Music (A0.1141805). Melody and descant for recorder or flute for the Christmas hymn Away in a Manger - CRADLE SONG tune by William J. Kirkpatrick. For flute, play up an octave. Descant is based on the other familiar tune AWAY IN A MANGER by James R. Murray. Use hymnal or other source for accompaniment; descant fits Lutheran Worship setting, may fit others. 1 page (file includes 2 pages; first is sample page).
Away in a Manger - Recorder or Flute melody & descant
Flûte à bec Soprano

$1.99 1.71 € Flûte à bec Soprano PDF SheetMusicPlus

Giovanni Paisiello : Nel cor più non mi sento - Arie Antiche - BASSE
Voix seule
Téléchargez la partition Chant Nel cor più non mi sento - Arie Antich…
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Giovanni Paisiello : Nel cor più non mi sento - Arie Antiche - MEZZO-SOPRANO
Voix seule
Téléchargez la partition Chant Nel cor più non mi sento - Arie Antich…
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Giovanni Paisiello : Nel cor più non mi sento - Arie Antiche - SOPRANO
Voix seule
Téléchargez la partition Chant Nel cor più non mi sento - Arie Antich…
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