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Song List (18) Vincenzo Capirola (1474–1548) Tres Piezas Del Libro De Capirola: Ricercare X, La Villanela, Balletto Daniel Bacheler (1572–1619) Fantasy Cesare Negri (C.1535–A.1604) Le Gratie D’Amore John Dowland (1563–1626) Semper Dowland, Semper Dolens John Dowland A Fancy John Dowland Lord D’Lisle’S Galliard Alfonso Ferrabosco (1543–1588) Pavana / Pavane Louis Couperin (1626–1661) Chacona / Chaconne Henry Purcell (1659–1695) Suite Iv Johann Sebastian Bach (1685–1750) Suite Para Laúd No. 1 / Lute Suite No. 1 Bwv 996 Joseph Haydn (1732–1809) Sonatina Pastorale Pjotr Tchaikowsky (1840–1893) Canción Triste / Chanson Triste Op. 40, No. 2 Alexander Borodin (1833–1887) Serenata Isaac Albéniz (1860–1909) Zambra Granadina Enrique Granados (1867–1916) Danza Española No. 5 Maurice Ravel (1875–1937) Pavane Pour Une Infante Défunte Isaac Albéniz (1860–1909) Torre Bermeja Frederic Mompou (1893–1987) Canción Y Danza No. 10 Reviews Don't miss out! Access exclusive content and coupons, and be the first to know about new releases
The José Tomás Guitar Anthology

$24.50 21.04 € PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: Fantasia CXIII for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 21.43 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: Fantasia upon a Plainsong for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 21.43 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1383663 Composed by Francois Borne and Georges Bizet. Arranged by Harry Walker. 19th Century,Classical,Contest,Festival,Opera,Romantic Period. 205 pages. SCORE EDITIONS #968118. Published by SCORE EDITIONS (A0.1383663). Borne was a flutist with the principal opera company in Bordeaux as well as a composer and professor at the conservatory in Toulouse. Expert in both instrumental technique and in the development of the flute as an instrument, he is still recognized for his technical contributions to the Böhm flute. His Fantasie Brillante on Themes from Bizet’s Carmen is by far his most famous composition. Borne’s setting of Carmen’s luscious melodies – like those by Sarasate for the violin, and by Busoni and Horowitz for the piano – combine the virtuoso’s understanding of the solo instrument with a flair for the dance rhythms and passionate colors of the opera. Borne fills his setting with spectacular arpeggios that require fleet fingering and consummate breath control. Carmen’s brilliant Habanera, a traditional dance that she performs with castanets (and with abundant flirting), anchors the work. But the mood of Borne’s Carmen is far brighter than that of the fatalistic Gypsy girl of Bizet’s opera. In Borne’s showpiece, a set of brilliant variations on her showy Habanera leads to a triumphant close – in marked contrast with the opera’s violent, tragic ending. In this version, the composition was arranged for Solo Flute and Concert Band by Harry Walker.
Carmen Fantaisie Brillante for Solo Flute and Concert Band
Orchestre d'harmonie

$79.99 68.71 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1120021 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés Aguirre. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #721355. Published by Juan Carlos Cortés Aguirre (A0.1120021). Curranda a Sant Joan Despí - Serenata Catalana para Piano. Composición para piano solo por: JUAN CARLOS CORTÉS A. Corranda: Una corranda (Cataluña) o correnta (Andorra y Pirineos Orientales) es una danza cantada que se baila en parejas, popular en Cataluña (España), Andorra y Pirineos Orientales (Francia) y que se solía bailar como final de una serie de bailes o después de otras danzas, como ser un ballet o un contrapàs. Por extensión también es la canción que se canta durante esta danza. En tiempos moderno el canto ha sido sustituido por acompañamiento instrumental. Es una danza popular en las comarcas del interior de la antigua Gotia y, especialmente en los Pirineos, desde Pallars hasta Vallespir. Se conservan algunas canciones del siglo XV y del siglo XVI, en especial de Cataluña y Mallorca. En Mallorca, se las denominan glosas, que se convierten en canciones populares y habituales, de las que se conservan actualmente, por tradición oral y difíciles de fechar, unas veinte mil. Corranda: [C. 1800; del fr. Courante , nombre de una danza del s. XVI, participe tomado. de Courant 'correr', con cambio de -t- en -d- por influjo de otras palabras, por ejemplo, el de otra danza como zarabanda ] f 1 MUS Danza antigua, difundida en Francia y en Italia durante los siglos XVI y XVII, que se convirtió en uno de los movimientos de la suite instrumental. 2 DANZA Danza cantada, de parejas, muy popular en Cataluña, de movimiento más bien vivo y de tonada alegre, llamada corrientes en el Rosellón y en Andorra. 3 FOLK Canción popular corta, a menudo improvisada, a veces utilizada como canción de baile. 4 p ext Canción corta. La más popular o famosa Curranda es la compuesta por Isaac Albéniz en su Suite Española Opus 47 N º 2 Cataluña: Curranda en sol menor.
Curranda Catalana (Catalan Currant - Corranda Catalane - Katalanisch Corranda)
Piano seul
Juan Carlos Cortés Aguirre
$7.99 6.86 € Piano seul PDF SheetMusicPlus

Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370910 Composed by David Warin Solomons. 21st Century,Contemporary. 17 pages. David Warin Solomons #955254. Published by David Warin Solomons (A0.1370910). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in English), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with French narrator is also available on this site.)The Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.SolomonsOriginal French version:La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€.
The Grasshopper and the ant (La cigale et la fourmi) English narrator, clarinet, bassoon and piano
August, word of animal,
Both interest and principal
â€

The Ants are not a lending lot
Indeed that is their slightest fault

$13.00 11.17 € PDF SheetMusicPlus

Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370906 Composed by David Warin Solomons. 21st Century,Contemporary. 18 pages. David Warin Solomons #955248. Published by David Warin Solomons (A0.1370906). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in French), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with English narrator is also available on this site)La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€English translation by S N SolomonsThe Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.Solomons.
La cigale et la fourmi (The Grasshopper and the ant) French narrator, Clarinet, Bassoon and Piano
August, word of animal,
Both interest and principal
â€

The Ants are not a lending lot
Indeed that is their slightest fault

$13.00 11.17 € PDF SheetMusicPlus

Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370914 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 189. David Warin Solomons #955258. Published by David Warin Solomons (A0.1370914). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in French), clarinet, bassoon and piano(A version with English narrator is also available on this site)La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€English translation by S N SolomonsThe Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.Solomons.
La Cigale et la Fourmi The Grasshopper and the Ant French narrator Clarinet Bassoon Piano (mp3)
August, word of animal,
Both interest and principal
â€

The Ants are not a lending lot
Indeed that is their slightest fault

$5.50 4.72 € PDF SheetMusicPlus






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