Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805209 By Joanna C Mills. By Joanna C Mills. Arranged by Joanna C Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 102 pages. Joanna Mills Music #412246. Published by Joanna Mills Music (A0.805209). This fun musical retells the Christmas Story through the adventures of some time-travelling teens! In Just in Time for Christmas, a group of senior Sunday School students decide that they’re too old to take part in the Christmas pageant. While hiding from their Musical Director, they discover a mysterious machine that takes them on an epic adventure through space and time! Along the way, they encounter a number of biblical characters (including Isaiah, Mary, Elizabeth, Joseph, the Innkeeper, and the Shepherds) and learn that the Christmas Story is important and real. The musical features a flexible script with parts for every age group, allowing for maximum flexibility with age-range, cast size, and rehearsal time. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Just in Time for Christmas features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (some with an optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Full script • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1309361 Composed by Traditional. Arranged by André Nusa. Christmas,Traditional. 4 pages. Andre_Nusa #898535. Published by Andre_Nusa (A0.1309361). Elevate your holiday festivities with this engaging intermediate arrangement of 'Deck the Halls,' meticulously crafted for two bassoons and piano. This dynamic trio rendition brings an extra layer of cheer to your seasonal celebrations, combining the resonant harmonies of the bassoons with the vibrant piano accompaniment. Perfect for musicians seeking a spirited and lively musical experience, this arrangement infuses the beloved classic with renewed energy and charm. Dive into the joy of the holiday season with the exuberant melodies of 'Deck the Halls' in this delightful ensemble arrangement.

Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105). THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then. Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.The whole work consists of three pieces. They were written based on my impression of each place when I visited them. 1. Kamakura: In the Hydrangea Temple I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea. 2. Nara: Consecration of the Great Buddda Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.I imagined the solemn scene of the Consecration Mass of Great Buddha. 3. Kyoto: The Golden Pavilion in the Sunset It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting. Performance Time: 12’00” PROFILE: Keiko Takashima Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.*The YouTube sample is a performance of oboe d'amore for reference of the music.

Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale.   The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...

Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale.   The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..

Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.725294 Composed by Traditional. Arranged by Paul Barker. Christmas,Holiday,Standards,Traditional. 8 pages. Paul Barker Music #6477327. Published by Paul Barker Music (A0.725294). An easily accessible early level arrangement of this triumphant and festive standard scored for three Flutes. Accompaniment & part-dominant rehearsal tracks are also available for your entire ensemble to rehearse and perform with from www.paulbarkermusic.com

Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - Digital Download SKU: A0.533250 Composed by Solo de Concours (examination piece at the Paris Conservatory/. Arranged by Paul Wehaeg. Concert,Romantic Period,Standards. 22 pages. Musik Fabrik Music Publishing #2151115. Published by Musik Fabrik Music Publishing (A0.533250). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was used as an examination piece at the Paris Conservatory in the class of Adolphe Sax, to whom it is dedicated. After a lyrical introduction which makes use of echo effects, a pastorale theme is presented and then treated in variations. The final variation is a virtuosic valse brillante.

Piano,Trumpet in D - Level 2 - Digital Download SKU: A0.1267276 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #859916. Published by Woods Only, Arrangements (A0.1267276). This D Trumpet and Piano arrangement was created to preserve the characteristics of the original work, inspiring and significant to Beethoven’s well-known choral symphony. It is suitable for young music students and professional musicians, for recitals, repertoire, academic presentations, and didactic material. The transcription is faithful to the structure, with only one key change, maintaining the essence of the striking melody. Beethoven’s Ninth Symphony Op. 125 incorporates part of the poem An die Freude (“To Joy�), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as instruments in a symphony, creating a far-reaching work that set the tone for the symphonic form adopted by Romantic composers. This is Ludwig van Beethoven’s last complete symphony. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best-known works in the Western repertoire, considered an icon and predecessor of Romantic music and one of Beethoven’s great masterpieces. It was first performed on May 7, 1824 at the Kärntnertortheater in Vienna, Austria.

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1267260 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #859900. Published by Woods Only, Arrangements (A0.1267260). This Trumpet and Piano arrangement was created to preserve the characteristics of the original work, inspiring and significant to Beethoven’s well-known choral symphony. It is suitable for young music students and professional musicians, for recitals, repertoire, academic presentations, and didactic material. The transcription is faithful to the structure, with only one key change, maintaining the essence of the striking melody. Beethoven’s Ninth Symphony Op. 125 incorporates part of the poem An die Freude (“To Joy�), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as instruments in a symphony, creating a far-reaching work that set the tone for the symphonic form adopted by Romantic composers. This is Ludwig van Beethoven’s last complete symphony. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best-known works in the Western repertoire, considered an icon and predecessor of Romantic music and one of Beethoven’s great masterpieces. It was first performed on May 7, 1824 at the Kärntnertortheater in Vienna, Austria.

B-Flat Trumpet,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1266565 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #859228. Published by Woods Only, Arrangements (A0.1266565). This Trumpet and Horn in F Duet arrangement was created to preserve the characteristics of the original work, inspiring and significant to Beethoven’s well-known choral symphony. It is suitable for young music students and professional musicians, for recitals, repertoire, academic presentations, and didactic material. The transcription is faithful to the structure, with only one key change, maintaining the essence of the striking melody. Beethoven’s Ninth Symphony Op. 125 incorporates part of the poem An die Freude (“To Joy�), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as instruments in a symphony, creating a far-reaching work that set the tone for the symphonic form adopted by Romantic composers. This is Ludwig van Beethoven’s last complete symphony. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best-known works in the Western repertoire, considered an icon and predecessor of Romantic music and one of Beethoven’s great masterpieces. It was first performed on May 7, 1824 at the Kärntnertortheater in Vienna, Austria.

Horn,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1266574 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #859249. Published by Woods Only, Arrangements (A0.1266574). This Horn in F and Trombone Duet arrangement was created to preserve the characteristics of the original work, inspiring and significant to Beethoven’s well-known choral symphony. It is suitable for young music students and professional musicians, for recitals, repertoire, academic presentations, and didactic material. The transcription is faithful to the structure, with only one key change, maintaining the essence of the striking melody. Beethoven’s Ninth Symphony Op. 125 incorporates part of the poem An die Freude (“To Joy�), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as instruments in a symphony, creating a far-reaching work that set the tone for the symphonic form adopted by Romantic composers. This is Ludwig van Beethoven’s last complete symphony. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best-known works in the Western repertoire, considered an icon and predecessor of Romantic music and one of Beethoven’s great masterpieces. It was first performed on May 7, 1824 at the Kärntnertortheater in Vienna, Austria.

B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1266572 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #859242. Published by Woods Only, Arrangements (A0.1266572). This Trumpet and Trombone Duet arrangement was created to preserve the characteristics of the original work, inspiring and significant to Beethoven’s well-known choral symphony. It is suitable for young music students and professional musicians, for recitals, repertoire, academic presentations, and didactic material. The transcription is faithful to the structure, with only one key change, maintaining the essence of the striking melody. Beethoven’s Ninth Symphony Op. 125 incorporates part of the poem An die Freude (“To Joy�), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as instruments in a symphony, creating a far-reaching work that set the tone for the symphonic form adopted by Romantic composers. This is Ludwig van Beethoven’s last complete symphony. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best-known works in the Western repertoire, considered an icon and predecessor of Romantic music and one of Beethoven’s great masterpieces. It was first performed on May 7, 1824 at the Kärntnertortheater in Vienna, Austria.

Piano Solo - Level 5 - Digital Download SKU: A0.533316 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 37 pages. Musik Fabrik Music Publishing #2343073. Published by Musik Fabrik Music Publishing (A0.533316). Fantaisie en sol mineur pour pianoI. GraveII. ScherzandoIII. Bien allantDate de composition : 17 septembre 1945In 1945 Leguerney finished composition of the Fantaisie en sol mineur pour piano, written in three movements. He felt an â??extraordinary enthusiasmâ?� for this piece, which he felt represented a departure from the current writing style for piano. He said in an interview with Patrick Choukroun in 1994 that â??I wanted to show that one could write lyrically for the piano. The piano music of Francis Poulenc lacked strength.â?� The work was immediately performed in a private concert at the home of the Countess Jean de Polignac by the French pianist Monique Haas (1909-1987) in December 1945. The fact that she waschosen to perform Leguerneyâ??s Fantaisie is a key to the style of this work which Leguerney felt emulated the expressive force of Cesar Franckâ??s works. Haas was a distinguished concert artist, especially known for her performances of 20th century music, with which she toured worldwide. French pianists of her generation tried to avoid the excess of the â??romanticâ?� school and strove for cleanness and precision with a warm tone color reflecting the influence of Alfred Cortot.Leguerney remembers that both Poulenc and Henri Sauguet were present at this private concert, but he noted that they did not comment about his piece. He felt it was obvious that his Fantaisie was â??far from the habitual level of piano musicâ?� being composed at that time. These post-war years were Leguerneyâ??s most productive period. In addition to the Fantaisie, hecomposed the Sonatine pour violin et piano, the Quatuor à cordes, and many fine songs including the cycle Sept Poèmes de François Maynard. The 1940s finished with the composition of his first ballet, Endymion. The first public performance of the Fantaisie was given by Stéphane Petit-Jean in the Cloître Saint-Sauveur at the Festival of Aix-en-Provence on July 28, 1988 during a recital for Radio France that included songs of Leguerney interpreted by Nathalie Stutzmann. The concert was laterbroadcast as Une heure avec . . . Jacques Leguerney and also included the song cycles Sept Poèmes de François Maynard, La Nuit and Le Carnaval.The work is dedicated to Jean Fonda, the stage name of Jean-Pierre Fournier. He was the son of the famed French cellist Pierre Fournier. Before the performance at Aix-en-Provence, Leguerney showed the score of the Fantaisie to Fonda, who encouraged him to have it performed. It is possible that the dedication was made at this time.

Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.624788 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Stephen DeCesare. Dance,Pop. Score and parts. 13 pages. Exultet Music #4806531. Published by Exultet Music (A0.624788). The popular song by the American boy band the Backstreet Boys, has been freshly arranged as a duet for Soprano and Tenor Saxophone with Piano accompaniment. Accessible and appropriate for any school or concert setting.

Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.624775 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Stephen DeCesare. Dance,Pop. Score and parts. 13 pages. Exultet Music #4806387. Published by Exultet Music (A0.624775). The popular song by the American boy band the Backstreet Boys, has been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any school or concert setting.