Piano,Tuba - Level 3 - Digital Download SKU: A0.1370888 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,20th Century,Classical,Lent,Romantic Period. Score and part. 16 pages. Sheet Music To Play Editions #955230. Published by Sheet Music To Play Editions (A0.1370888). Romantic Pieces, Op. 75 (1st movement). Arrangement for Tuba and Piano. With Full Score and Individual Parts. Enjoy it!Antonín Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Piano,Violin - Level 3 - Digital Download SKU: A0.1370848 Composed by Antonin Dvorak. Arranged by César Madeira. Children,Classical,Multicultural,Romantic Period,Wedding,World. 16 pages. Sheet Music To Play Editions #955190. Published by Sheet Music To Play Editions (A0.1370848). Romantic Pieces, Op. 75 (1st movement). Arrangement for Violin and Piano. With Full Score and Individual Parts. Enjoy it!Antonín Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1370895 Composed by Antonin Dvorak. Arranged by César Madeira. 20th Century,Classical,Lent,Romantic Period,Wedding. Score and part. 7 pages. Sheet Music To Play Editions #955237. Published by Sheet Music To Play Editions (A0.1370895). Romantic Pieces, Op. 75 (1st movement). Arrangement for Bb Clarinet and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Antonín Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1370861 Composed by Antonin Dvorak. Arranged by César Madeira. 20th Century,Children,Classical,Romantic Period,Wedding. Score and part. 7 pages. Sheet Music To Play Editions #955203. Published by Sheet Music To Play Editions (A0.1370861). Romantic Pieces, Op. 75 (1st movement). Arrangement for Flute and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Antonín Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1370862 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 7 pages. Sheet Music To Play Editions #955205. Published by Sheet Music To Play Editions (A0.1370862). Romantic Pieces, Op. 75 (1st movement). Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Antonín Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1370894 Composed by Antonin Dvorak. Arranged by César Madeira. Children,Classical,Lent,Romantic Period,Wedding. Score and part. 7 pages. Sheet Music To Play Editions #955236. Published by Sheet Music To Play Editions (A0.1370894). Romantic Pieces, Op. 75 (1st movement). Arrangement for Bb Clarinet and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Antonín Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Piano,Violin - Level 3 - Digital Download SKU: A0.1370853 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,20th Century,Classical,Multicultural,Romantic Period,World. 7 pages. Sheet Music To Play Editions #955195. Published by Sheet Music To Play Editions (A0.1370853). Romantic Pieces, Op. 75 (1st movement). Arrangement for Violin and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Antonín Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Piano,Violin - Level 3 - Digital Download SKU: A0.1370854 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. 7 pages. Sheet Music To Play Editions #955196. Published by Sheet Music To Play Editions (A0.1370854). Romantic Pieces, Op. 75 (1st movement). Arrangement for Violin and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Antonín Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Concert Band - Level 3 - Digital Download SKU: A0.1371307 Composed by Teresa Carreno. Arranged by John Ivor Holland. 19th Century,Classical,Multicultural,World. 50 pages. John Ivor Holland #955517. Published by John Ivor Holland (A0.1371307). María Teresa Gertrudis de Jesús Carreño García (December 22, 1853 – June 12, 1917) was a Venezuelan pianist, soprano, composer, and conductor. Over the course of her 54-year concert career, she became an internationally renowned virtuoso pianist and was often referred to as the Valkyrie of the Piano. Carreño was an early adopter of the works of one of her students, American composer and pianist Edward MacDowell (1860–1908) and premiered several of his compositions across the globe. She also frequently performed the works of Norwegian composer and pianist Edvard Grieg (1843–1907). Carreño composed approximately 75 works for solo piano, voice and piano, choir and orchestra, and instrumental ensemble. Several composers dedicated their compositions to Carreño, including Amy Beach (Piano Concerto in C-sharp minor) and Edward MacDowell (Piano Concerto No. 2). This lovely lullaby ('The Sleeping Child') dates from 1872 and was originally for solo piano but arranged for concert band as part of an ongoing project to bring more works into the repertoire by women composers. #arrangemegoals2023.

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 13 pages. Con Spirito Music #800831. Published by Con Spirito Music (A0.1202170). Ideal as a prelude or postlude to Easter Sunday and Eastertide services of worship, “Easter Anthem� originated as a choral work by William Billings (1746-1800) with text excerpted from Night Thoughts on Life, Death, and Immortality, an extensive blank-verse poem by the English poet Edward Young (1683-1765) published in nine parts (or “nights�) from 1742 to 1745.Born in Boston, Billings was self-taught in music — a tanner by trade — and he was renowned as a singing master and proponent of the singing-school tradition of American folk culture. Considered the �rst native-born American composer, his works include hymns, anthems, psalms, and fuging tunes.“Easter Anthem� is exemplary of his compositional style, which is noted for rhythmic vitality and straightforward harmonies. Exuberantly glorious, it celebrates the resurrection of Christ and the salvation of the world from its opening acclamation, “The Lord is risen indeed! Hallelujah!� to its closing declaration, Thine all the glory, man’s the endless bliss!The Lord is risen indeed! Hallelujah!Now is Christ risen from the dead,And become the �rst fruit of them that slept.Hallelujah!And did he rise?Hear, O ye nations! Hear it, O ye dead!He rose! He burst the bars of death,And triumph'd o'er the grave.Then I rose!Then �rst humanity triumphantPass'd the crystal ports of light,And seiz'd eternal youth.Man, all immortal, Hail!Heaven, all lavish of strange gifts to man,Thine all the glory! Man's the boundless bliss!This joyful work, which explores various combinations of choral voices, is well-suited to the sonorities of the brass quintet. In this arrangement, tempo indications, dynamic markings and articulations, as well as a newly composed timpani part, have been added by the arranger.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

Piano,Violin - Level 5 - Digital Download SKU: A0.818225 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Contemporary. 104 pages. Stephen R Dalrymple #3075423. Published by Stephen R Dalrymple (A0.818225). Elijah (Part 2) God’s Power♫ Tone Poem for Violin and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello ♫ music © 2015 Stephen R Dalrymple♫ recording ℗  2023 Stephen R Dalrymple♫ sequenced by the composer The clarinet is featured on recording of the second movement of the audio and YouTube presentations.♫ presentation © 2023 Stephen R Dalrymple♫ Mt. Carmel is the ultimate contest between Ba’al and Yahweh. From morning until nearly sunset the 450 prophets of Ba’al did everything humanly possible to get Baal to show himself as the god of thunderstorms and fertility as the people of Israel watched. They even cut themselves to add human blood to the animal sacrifice. At twilight, Elijah rebuilt the altar of God, prepared the sacrifice and prayed. Fire from heaven (lightning) not only struck the altar but consumed it completely and evaporated the water that had drenched it. The people fell on their faces and declared “Yahweh is God! ♫ This movement is based on four themes: 1. God of Abraham, Isaac, and Jacob (Lydian Mode) 2. Elijah (Dorian Mode) 3. Ahab (Mixolydian) 4. Prophets of Ba'al (atonal).♫ The score shows the parts for violin and piano, but individual parts are provided for the other solo instruments. The flute is featured on the audio and YouTube presentations here.♫ Includes 14 score choices: Full Score for violin and piano letter size; Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts; Full Score for violin and piano - small page format for performing from a 10 inch tablet; the same solo parts for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ This sheet music is available for purchase at SheetMusicPlus.com & SheetMusicDirect.com♫ English and Krèyol have separate versions of this video on YouTube.♫ A free copy of the music is available to the Haitian community. Contact Stephen Dalrymple.

Flute,Piano - Level 3 - Digital Download SKU: A0.1300103 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV. Score and part. 15 pages. Grant Horsley #889858. Published by Grant Horsley (A0.1300103). Juliet's Waltz (named after Juliet in Romeo and Juliet to depict innocence, grace and charm) It is romantic in nature- originally intended as a piece for classical ballet, however it was decided on a concert piece. It is written in the key of G minor for the first two sections. The first time through the flute has the melody and the second time the piano takes the melody whilst the flute embellishes the theme. After a short link it arrives in G major and the same format takes place with variations of the embellishments before a small coda section to finish.I wanted the piece to sound through-composed with just the two sections. It is also more of a duet between flute and piano with both sharing the material. Would make a lovely concert piece or addition to the repertoire. It is 4 minutes long -Intermediate level, but the whole score is o  the youtube link for you to assess suitability.Price is for score and parts.

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1300126 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV. Score and part. 15 pages. Grant Horsley #889868. Published by Grant Horsley (A0.1300126). Juliet's Waltz (named after Juliet in Romeo and Juliet to depict innocence, grace and charm) It is romantic in nature- originally intended as a piece for classical ballet, however it was decided on a concert piece. It is written in the key of D minor(concert) for the first two sections. The first time through the clarinet has the melody and the second time the piano takes the melody whilst the clarinet embellishes the theme. After a short link it arrives in D major and the same format takes place with variations of the embellishments before a small coda section to finish. I wanted the piece to sound through-composed with just the two sections. It is also more of a duet between clarinet and piano with both sharing the material. Would make a lovely concert piece or addition to the repertoire. It is 4 minutes long -Intermediate level, but the whole score is on here for you to assess suitability.Price is for score and parts.

Piano,Violin - Level 3 - Digital Download SKU: A0.1300123 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV. 15 pages. Grant Horsley #889864. Published by Grant Horsley (A0.1300123). Juliet's Waltz (named after Juliet in Romeo and Juliet to depict innocence, grace and charm)It is romantic in nature- originally intended as a piece for classical ballet, however it was decided on a concert piece. It is written in the key of G minor for the first two sections. The first time through the violin has the melody and the second time the piano takes the melody whilst the violin embellishes the theme. After a short link it arrives in G major and the same format takes place with variations of the embellishments before a small coda section to finish. I wanted the piece to sound through-composed with just the two sections. It is also more of a duet between violin and piano with both sharing the material. Would make a lovely concert piece or addition to the repertoire. It is 4 minutes long -Intermediate level, but the whole score is on here for you to assess suitability.Price is for score and parts.

Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).