Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.912276 Composed by Anthony Whittaker. Contemporary,Instructional,Standards. Score and individual part. 8 pages. Anthony Whittaker #36019. Published by Anthony Whittaker (A0.912276). A characterful, descriptive piece for flute and piano of intermediate difficulty, ideal for recitals or festivals at c. 1' 47 The download contains the score and flute part. This piece draws its inspiration from a trip to Rome in 2014 where the composer was invited to enjoy, but did not always accept, large plates of pasta and regional wines every evening by a persuasive hotel waiter. The fictional character 'Florian' in this piece is the composer's idea of the waiter himself going out to dine full of ebullience and eagerness. Choosing his items whimsically from the menu, he decides, eats with gusto, then after paying a large bill, he disappears into the night with a carefree nod and farewell. www.anthonywhittaker.co.uk Twitter: @tonywhittaker.

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No End�. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be together�. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no end�.

Brass Quintet Euphonium,Flugelhorn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.817139 Composed by George Frideric Handel. Arranged by Charles Decker. Baroque,Christmas,Easter,Holiday,Praise & Worship. 48 pages. Charles Decker Music Press #3898203. Published by Charles Decker Music Press (A0.817139). This spectacular tour de force for brass quintet and organ of Handel's famous chorus from his beloved Messiah oratorio is guaranteed to excite audiences and the performers. Set in the original key, it features the first trumpet on piccolo B-flat trumpet with alternative piccolo trumpet parts in A and C, the second trumpet on D trumpet with an alternate part in C., a flugelhorn/trumpet substitute part is included for horn, trombone in bass clef, tuba, and organ. The audio file is an actual brass quintet and organ performance of the entire arrangement and not a computer playback of the score. Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.  Use this link to Kendor Music for my original composition for brass quintet with narrator of the holiday classic story ’Twas the Night Before Christmas.See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

Violin, Cello, String Duet - Intermediate - Digital Download By Ben E. King, Mickey Gilley. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 8 pages. Published by Sarah Chaffee

Recorder Quartet Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.1083527 Composed by Alfonse X of Castille, el Sabio. Arranged by Cody Sibley. Classical,Renaissance. Recorder Ensemble. 11 pages. Drachen Music #687370. Published by Drachen Music (A0.1083527). The Cantigas de Santa Maria, or “Canticles of Holy Mary�, is a collection of over 400 poems set to music. The text of the Cantigas is written in the medieval Galician-Portuguese language. The poems were collected during the reign of Alfonso X of Castile El Sabio (1221–1284) and are characterized by the fact that every one of them mentions the Virgin Mary (with over 300 being about miracles) and that every tenth poem in the collection is an actual hymn. Alfonso sent scribes throughout the region to collect these poems and thus it is not only one of the largest collections of monophonic songs from the Middle Ages it is also one of the first mass collections of living culture in history. Though all are attributed to Alfonso, it has been determined that much of the musical notation, scribing, and illumination was completed by artisans of his court.  This arrangement FEATURES Full Score and Individual Parts for one cantiga as Interpreted by the Arranger from the Original Mensural Notation into a performance quality arrangement for SATB recorders. The title in this arrangement is: 019. Fran Sandece Faz Quen Se This Cantiga de Santa Maria song is also included in the collection titled: Cantigas de Santa Maria for Recorder Quartet Volume 02 which includes a total of 10 individual arrangements from the source material. Note: Song titles are medieval Galician-Portuguese language and are derived by the arranger from the first line of each cantiga lyric. This is another great sheet music arrangement from Drachen Music.