Composed by Antoine Konrad, Craig Smart, Fabio Antoniali, Matt James, and Mohombi Moupondo. Arranged by DK Music. Standards, Wedding. Score and parts. 3 pages. DK Music #696631. Published by DK Music

Clarinet Solo - Level 5 - Digital Download SKU: A0.534489 Composed by Jean-Thierry Boisseau. Concert,Contemporary,Spiritual,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3540649. Published by Musik Fabrik Music Publishing (A0.534489). An elegy written in memory of the late French composer Antoine Tisné.

Bass Guitar - Level 2 - Digital Download SKU: A0.1166009 By Maty Noyes. By Casey Smith, Madeline Noyes, Nick Seeley, Pierre Antoine Melki, and Raphael David Judrin. Arranged by Luke Moore. Contemporary,Pop. Score. 4 pages. Luke Moore #766387. Published by Luke Moore (A0.1166009). Standard notation with tablature. Standard Tuning, for 4 string bass guitar.

Composed by Marc-Antoine Charpentier (1645-1704). Arranged by David Burndrett. Baroque Period. Score, Set of Parts. 4 pages. Published by David Burndrett (S0.115671). - Score,Set of Parts - Baroque Period - David Burndrett

Composed by Marc-Antoine Charpentier (1645-1704). Arranged by David Burndrett. Baroque Period. Score, Set of Parts. 4 pages. Published by David Burndrett (S0.116455). - Score,Set of Parts - Baroque Period - David Burndrett

Small Ensemble Bassoon,Piano - Level 2 - Digital Download SKU: A0.777499 Composed by Marc-Antoine Charpentier. Arranged by Ahiva Editions. Baroque,Christmas,Sacred,Wedding. Score and part. 6 pages. Ahiva Editions #5713299. Published by Ahiva Editions (A0.777499). Full score and separated part included.This piece is also known as Eurovision's opening theme.

Solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org) mixed choir (SATB) with soloists (SSATB), 2 flutes, strings and basso continuo - intermediate - Digital Download SKU: S9.Q4694 Composed by Marc-Antoine Charpentier. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4694. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4694). Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.Von den 11 erhaltenen Sätzen der Messe von Charpentier ist die Messe de minuit zweifellos eine der populärsten. Die Messe gehört in die Tradition der Parodiemesse, für die Charpentier 10 noëls zum Text der normalen Weihnachtslieder eingerichtet hat. Das Ergebnis ist eine frische, bezaubernde und jubelnde Musik.

Op. 37 No. 10. Composed by Antoine-Henry Lemoine. Edited by Monika Twelsiek. Copyright 2011 Schott Music GmbH & Co. KG, Mainz. 1 pages. Published by Schott Music (S9.Q13305). - - - Schott Music

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda

Composed by Antoine Konrad, Craig Smart, Fabio Antoniali, Matt James, and Mohombi Moupondo. Arranged by Eve C. Mailly - Zene Strings. 20th Century, Film/TV, Jazz, Multicultural, Wedding, World. Score and parts. 15 pages. Zene Strings #714448. Published by Zene Strings

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1489096 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Holiday,Standards,Traditional. 22 pages. Jmsgu3 #1065943. Published by jmsgu3 (A0.1489096). Bring a Torch, Jeanette, Isabella (French: Un flambeau, Jeannette, Isabelle) is a traditional Christmas carol originating from the Provence region of France. The carol dates back to the 17th century. It is associated with the tradition of children in Provence dressing as shepherds and milkmaids, carrying torches and candles to Midnight Mass on Christmas Eve while singing the carol. The Carol tells the story of two milkmaids, Jeannette and Isabella, who discover the baby Jesus in a stable and run to inform the villagers, urging them to come quietly not to disturb the sleeping child. The song's melody is believed to have originated as a lively dance tune from as early as the 14th century, and French composer Marc-Antoine Charpentier later adapted it for a drinking song. The lyrics were first associated with this melody in a collection of French carols in 1901, transcribed by Julien Tiersot. Edward Cuthbert Nunn made the most popular English adaptation in the late 19th century. Despite its historical roots and charming melody, Bring a Torch, Jeanette, Isabella is considered one of the lesser-known carols outside of France. Still, it remains a beloved part of Christmas celebrations in the Provence region.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-42E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-42E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-42E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 39 pages. Musik Fabrik Music Publishing #2348229. Published by Musik Fabrik Music Publishing (A0.533350). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs de l'Inde (Souvenirs of India) starts with an expressive andante. A folksong from the region of Malabar is presented in an evocation of drums, bells and pipes and is then varied. The final polonaise is in rondo form and ends with a brilliant coda.

Composed by Marc-Antoine Charpentier (1645-1704). Baroque Period, Praise & Worship, Christmas, Wedding. Individual Part, Piano Reduction, Score, Set of Parts. 7 pages. Published by Ahiva Editions