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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.780114 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. 20th Century. Score and parts. 30 pages. Graham Boag #6474497. Published by Graham Boag (A0.780114). The Lost Chord is a song composed by Arthur Sullivan in 1877at the bedside of his brother Fred during Fred's last illness.The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord,published in 1858 in The English Woman's Journal.The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds,and with British contralto Clara Butt.Sullivan was proud of the song and later noted:I have composed much music since then,but have never written a second Lost Chord.Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victimsof the Titanic disaster.The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today.Alternative Treble Clef parts included
The Lost Chord for Tuba Choir

$22.99 19.61 € PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.768508 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas,Sacred. Octavo. 38 pages. KVAMusic Edition #4717677. Published by KVAMusic Edition (A0.768508). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so Charpen­tier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent.  While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Choir
Chorale 3 parties

$7.00 5.97 € Chorale 3 parties PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780036 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. Concert,Standards. Individual part. 15 pages. Graham Boag #5023179. Published by Graham Boag (A0.780036). The Lost Chord is a song composed by Arthur Sullivan in 1877  at the bedside of his brother Fred during Fred's last illness.  The manuscript is dated 13 January 1877; Fred Sullivan died five days later.  The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord,  published in 1858 in The English Woman's Journal.   The song was immediately successful and became particularly associated with  American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds,  and with British contralto Clara Butt.   Sullivan was proud of the song and later noted:  I have composed much music since then,  but have never written a second Lost Chord.  Many singers have recorded the song, including Enrico Caruso, who sang it at the  Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims  of the Titanic disaster.   The piece has endured as one of Sullivan's best-known songs,  and the setting is still performed today.  .
The Lost Chord for Double Bass Choir
Contre Basse

$15.99 13.64 € Contre Basse PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.768507 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas. Octavo. 112 pages. KVAMusic Edition #4717675. Published by KVAMusic Edition (A0.768507). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so Charpen­tier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent.  While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Orche
Chorale 3 parties

$50.00 42.65 € Chorale 3 parties PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre

$20.00 17.06 € Orchestre de chambre PDF SheetMusicPlus

Alto Saxophone,Double Bass,Drum Set,E-Flat Baritone Saxophone,Electric Guitar,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.734377 Composed by Antoine Fats Domino, Dave Bartholomew, and Robert Guidry. Arranged by Dennis Ruello. Blues,Hip-Hop,Pop,R & B,Rock,Singer/Songwriter. 51 pages. Chicory Music #3511691. Published by Chicory Music (A0.734377). Antoine Dominique Fats Domino Jr.(February 26, 1928 – October 24, 2017) was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Between 1955 and 1960, he had eleven Top 10 hits. His humility and shyness may be one reason his contribution to the genre has been overlooked. Walking to New Orleans by Fats Domino is a tune from the early days of rock and roll in the Big Easy. This arrangement includes: Full Score, Voice (Trombone or Tenor Sax Sub. Part), 1st and 2nd Alto Sax, 1st and 2nd Tenor Sax (2nd Tenor Optional), Baritone Sax, Trumpets 1,2,3,4 (4th Trumpet Optional), Trombone 1,2,3,4 (3rd and 4th Trombone Optional), Guitar (Optional), Piano, Bass and Drum Set. 
Walking To New Orleans

$24.99 21.32 € PDF SheetMusicPlus


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