Digital Download SKU: A0.569817 Composed by Austin Ralphson. Instructional. Educational Method. 109 pages. Austin Ralphson #3581909. Published by Austin Ralphson (A0.569817). ** SPECIAL OFFER ** You can purchase this book along with Arpeggios: A journey to success in every key for a heavily discounted price by clicking here.Scales: A 4-step process to success in every key outlines the key strategy which I have developed over years of teaching a wide variety of students. The process is designed to encourage useful, constructive practice which builds on previous learning, and to also develop motor skills on the instrument, helping scales to become 'automatic'. If you are a beginner on a treble clef instrument or if you think you need some additional support with learning scales for any purpose, this book is for you at any stage of your development. The level on this listing is set to Easy/Beginner, but it will take you right through to professional standard.A full outline of major and minor keys (both harmonic and melodic) from 0 to 7 sharps and flats is provided, along with strategies for learning key signatures. Some scales are provided in higher and lower octaves to cater for different instrumental ranges. The book is arranged by key signature as opposed to scale name; this was done intentionally to encourage further linking of key signatures to scales.

Digital Download SKU: A0.569820 Composed by Austin Ralphson. Instructional. Educational Method. 106 pages. Austin Ralphson #3675407. Published by Austin Ralphson (A0.569820). ** SPECIAL OFFER ** You can purchase this book along with Arpeggios: A journey to success in every key for a heavily discounted price by clicking here.Scales: A 4-step process to success in every key outlines the key strategy which I have developed over years of teaching a wide variety of students. The process is designed to encourage useful, constructive practice which builds on previous learning, and to also develop motor skills on the instrument, helping scales to become 'automatic'. If you are a beginner on a bass clef instrument or if you think you need some additional support with learning scales for any purpose, this book is for you at any stage of your development. The level on this listing is set to Easy/Beginner, but it will take you right through to professional standard.A full outline of major and minor keys (both harmonic and melodic) from 0 to 7 sharps and flats is provided, along with strategies for learning key signatures. Some scales are provided in higher and lower octaves to cater for different instrumental ranges. The book is arranged by key signature as opposed to scale name; this was done intentionally to encourage further linking of key signatures to scales.

Small Ensemble B-Flat instrument,C Instrument,E-Flat Instrument - Level 2 - Digital Download SKU: A0.1497588 Composed by Traditional. Arranged by Clive Lane. Christmas,Classical. 45 pages. Clive Lane #1074002. Published by Clive Lane (A0.1497588). Christmas Carols for mixed instrumental ensembles4-part arrangements with parts for C, Bb & Eb instruments. Treble, bass, and alto clef parts.20 well-known (and some less well-known) carols in two books.Flexible arrangements that will allow any instrument to join in the performance! Suitable for classrooms, community groups, etc.Book One1. Past Three O’ Clock2. See, amid the winter’s snow3. Lo, how a Rose e’er blooming4. O come all ye faithful5. Once, as I remember6. The Holly and the Ivy7. I saw a Maiden8. Deck the halls9. We three kings.10. The First Nowell.

Small Ensemble B-Flat instrument,C Instrument,E-Flat Instrument - Level 2 - Digital Download SKU: A0.1498261 Composed by Traditional. Arranged by Clive Lane. Christmas,Classical. 35 pages. Clive Lane #1074574. Published by Clive Lane (A0.1498261). Christmas Carols for mixed instrumental ensembles4-part arrangements with parts for C, Bb & Eb instruments. Treble, bass, and alto clef parts.20 well-known (and some less well-known) carols in two books.Flexible arrangements that will allow any instrument to join in the performance! Suitable for classrooms, community groups, etc.Book Two1. Silent Night2. Coventry Carol3. God rest you merry, gentlemen4. It came upon a midnight clear5. In the bleak midwinter6. A Virgin most pure7. Joy to the world8. Hark! The herald angels sing9. Ding dong! Merrily on high10. Angelus ad virginem.

Concert Band - Level 2 - Digital Download SKU: A0.1515530 Composed by Inon Zur. Arranged by David Boyd. 21st Century,Instructional,Video Game. 101 pages. David Boyd #1089883. Published by David Boyd (A0.1515530). The Fallout 4 Main Theme is an iconic piece of video game music, instantly recognizable for its blend of melancholy and grandeur. Originally composed by Inon Zur, the theme reflects the post-apocalyptic world of the Fallout series, evoking both the devastation of the landscape and the hope for rebuilding. This flex band arrangement strives to capture the emotional depth of the original while making the piece accessible to a wide range of ensemble configurations.Instrumentation and Flexibility:This arrangement is designed for a flexible band format, it can be performed by various combinations of instruments and group sizes. The scoring allows for a minimum of 5 parts, which can be covered by any instrumental family, including strings with optional percussion to add depth and texture. The arrangement works with a standard wind ensemble, but it can also be performed effectively by smaller groups, including mixed wind, brass, and string ensembles.Part 1: Flute, Oboe, Clarinet, Trumpet, ViolinPart 2: Flute, Clarinet, Alto Sax, Trumpet, ViolinPart 3: Clarinet, Alto Sax, Tenor Sax, Horn in F, ViolaPart 4: Tenor Sax, Horn in F, Trombone, Euphonium, CelloPart 5: Bass Clarinet, Baritone Sax, Bassoon, Trombone, Euphonium, Tuba, Double BassPercussion: Suspended Cymbal, Roto Toms/Snare/Tenor Drum x 2, Bass Drum A condensed, non-transposed score is also provided,Everything can change in an instant, whether or not you're ready. This wasn't the world I wanted, but it was the one I found myself in. This time I'm ready. Because I know... War. War never changes. - Sole Survivor of Vault 111, Fallout 4.

Unison voices, organ, optional handbells - Moderately Easy - Digital Download SKU: MQ.80-200-E Composed by David M. Cherwien. Baptism of Our Lord, Epiphany. Instrument part. 8 pages. MorningStar Music Publishers - Digital Sheet Music #80-200-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-200-E). Publication consists of two groupings. Epiphany, Baptism of Our Lord, Transfiguration Verses; remaining Sundays after Epiphany. Different Alleluia for each group. Opt. handbell part included (3 octaves--25 bells or 4 octaves--28 bells).

Instrumental Duet Flute,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.947499 Composed by George Arvola, Virginia Mathews. Blues,Instructional,Pop,Standards,Wedding. Score and parts. 8 pages. George Arvola and Virginia Mathews #504821. Published by George Arvola and Virginia Mathews (A0.947499). A 2015 new release, this song is 2:35 in length. Includes piano accompaniment and bass parts. arpeggioartistry.com contains more arpeggio studies from Delicious Licorice for many instruments, along with the full recordings. These fill the need for inspiring and fun arpeggio studies. It's About Time is a slow, sophisticated arpeggio study in the style of a pop blues ballad. This melody makes a beautiful duet with a wind instrument and piano. Rhythm section accompaniment is not a total necessity. A wedding prelude or a recital would be suitable venues for this study in disguise.

Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

2-part choir of mixed or equal voices and organ - Moderately Easy - Digital Download SKU: MQ.7998-E Composed by Frank Pesci. Easter, 21st Century. Instrument parts. 8 pages. Duration 2 minutes, 20 seconds. E. C. Schirmer Music Company - Digital #7998-E. Published by E. C. Schirmer Music Company - Digital (MQ.7998-E). English.Written between November 2007 and August 2009, this set of four motets was written for and dedicated to the Choir of Grace Episcopal Church in Newton, Massachusetts, and its director, Dr. Linda J. Clark. The choir sits facing four stained glass windows, each depicting a scene from Christ’s life: birth, baptism, death, and resurrection. Each motet is a choral meditation on one of these windows. The set is written for a choir of any size and composition that can be evenly divided into two voice parts.O Sons and Daughters (O filli et filliæ): The entire piece simulates the simultaneous ringing of bells to joyously declare the return of the King. Duration: 2:20.

Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-22E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Large Ensemble - Level 3 - Digital Download SKU: A0.1031117 Composed by Cameron Johnston. 20th Century,Contemporary. Score and parts. 4 pages. Cameron Johnston #2929189. Published by Cameron Johnston (A0.1031117). The first of my minimal series, 1 experiments with the evolution of one polyrhythm over an extended chord progression. Any number of instruments/voices can perform this piece and it is encouraged to create your own arrangements of 1. Perfect for small ensembles at the high school or the college level. Also a great piece to expose students to minimalism for the first time.For any additional questions, please contact me at cameronjohnstonmusic@gmail.com.

Choir and various instruments - Digital Download SKU: MQ.6976_VIOLA-E Composed by Gwyneth W. Walker. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #6976_Viola-E. Published by E. C. Schirmer Music Company - Digital (MQ.6976_VIOLA-E).

Choir and various instruments - Digital Download SKU: MQ.6976_CELLO-E Composed by Gwyneth W. Walker. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #6976_Cello-E. Published by E. C. Schirmer Music Company - Digital (MQ.6976_CELLO-E).

Choir and various instruments - Digital Download SKU: MQ.6976_VIOLINI-E Composed by Gwyneth W. Walker. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #6976_ViolinI-E. Published by E. C. Schirmer Music Company - Digital (MQ.6976_VIOLINI-E).