Piano,Violin - Level 3 - Digital Download SKU: A0.1146269 By Fritz Stanley. By GROSSER GOTT, Ignaz Franz, Clarence A. Walworth. Arranged by Fritz Stanley. Christian,Praise & Worship,Religious,Sacred. 16 pages. MicStanley #746488. Published by MicStanley (A0.1146269). Holy GOD, We Praise Thy Name is a classical hymn that talks about praise and worship to Jesus as The Almighty King and GOD, that came to the earth to save us from our sins. Composed in GROSSER GOTT tune from Allgemeines Katholisches Gesangbuch and the lyrics by Ignaz Franz and translated into English by Clarence A. Walworth. Arranged by Fritz Stanley for solo violin and piano as accompaniment.

By Dua Lipa. By Clarence Bernard Coffee, Clarence Coffee, Dua Lipa, Jonathan Lydale Kirk, Jonathan Lyndale Kirk, Koz, Sarah Hudson, and Stephen Kozmeniuk. Arranged by Gregory A. Richmond. Pop. Score and parts. 40 pages. Gregory A. Richmond #6704833. Published by Gregory A. Richmond

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1175080 Composed by Clarence Smith. Arranged by Joseph Judge. Chamber,Jazz. 18 pages. School Ensemble Music #775226. Published by School Ensemble Music (A0.1175080). Boogie Woogie, Clarence Smith, 2:34, for saxophone quartet. Alto, Alto, Tenor, Baritone, with alternate top part for Soprano Sax. This fun song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, String, Woodwind. Submit feedback at SchoolEnsemble.com.

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.837241 Composed by Clarence Williams. Arranged by Daniel S. Augustine. Jazz. Score and parts. 45 pages. Daniel S. Augustine #5802283. Published by Daniel S. Augustine (A0.837241). This is a classic jazz song recorded in 1924 by Clarence Williams and his Red Onion Jazz Babies, featuring Louis Armstrong and Sidney Bechet. It is scored for Dixieland band instrumentation in Turk Murphy Jazz Band style, with solos for tuba and cornet. The original Louis Armstrong solo has been transcribed as cues if desired. Playing time is about 3’45.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1084134 Composed by Charles Warfield and Clarence Williams. Arranged by David Lee Gingras and John E. Dosher. Blues,Broadway,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #688336. Published by DAVID LEE GINGRAS (A0.1084134). Baby, Won't You Please Come Home, a blues song written by Charles Warfield and Clarence Williams in 1919. The song has been covered by many musicians and has become a jazz standard. The first hit version was Bessie Smith's 1923 recording, which stayed on the charts for four weeks peaking at No. 6. This version features a root-based chord blocking that John and I have used in many of our arrangements and we added a few left-hand fills to keep that smooth rhythm flowing!

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453561 By Hank Williams. By Clarence Williams. Arranged by John Hoesly. Blues,Jazz,Pop. 62 pages. PRS&B #1032785. Published by PRS&B (A0.1453561). MY BUCKET’S GOT A HOLE IN IT- Great old blues tune presented in the style of Count Basie. Rich, thick harmonies. Arrangement for Little Big Band/ Jazz Ensemble. My Bucket's Got a Hole in It has been recorded by various artists, but it's perhaps most famously associated with Country & Western legend, Hank Williams. The song was written by Clarence Williams, and it was recorded by Williams in 1949. Difficulty: Intermediate. Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.

Bells,Instrumental Solo - Level 4 - Digital Download SKU: A0.910639 Composed by Alejandro Borrero, Benito Antonio Martinez Ocasio, Benito Martinez, Clarence Bernard Coffee, Clarence Coffee, Daystar Peterson, Dua Lipa, Ivanni Rodriguez, Jose Alvaro Osorio Balvin, Jose Osorio Balvin, Marco Efrain Masis, and Marcos Masis. Arranged by Paul Stelben. Contemporary. Individual part. 4 pages. Paul Stelben #6619591. Published by Paul Stelben (A0.910639). For Four-Octave Carillon

Piano and voice - Digital Download SKU: LV.5102 Composed by Clarence R. Sidney. Mothers & children, Marriage, Wealth, Occupations. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5102). When I Mean to Marry! A Humorous Song of the Period. Words by John G. Saxe. Music by Clarence R. Sidney. Published 1883 by Milwaukee Music Co. in Milwaukee, Wis. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Marriage, Wealth, Occupations. First line reads When do I mean to marry? Well, 'tis idle to dispute with fate.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1009067 By Dua Lipa. By Clarence Bernard Coffee, Clarence Coffee, Dua Lipa, Jonathan Lydale Kirk, Jonathan Lyndale Kirk, Koz, Sarah Hudson, and Stephen Kozmeniuk. Arranged by Tehillah Alphonso. Pop. Octavo. 17 pages. Tehillah Alphonso #6510497. Published by Tehillah Alphonso (A0.1009067). As sung by powerhouse Ohio-based high school group, Forte, directed by Ben Spalding. Arranged for 16+ voices and vocal percussion.

Violin Solo - Level 4 - Digital Download SKU: A0.1290937 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. 5 pages. Rocco Di Pietro #881623. Published by Rocco Di Pietro (A0.1290937). The Genealogy of the “Being� PiecesBeingOn a poem by Georges Bataille called “God� in which Bataille states that “if God knewhe was God he would cease to be God. Therefore God is a-theist, profoundly so.� ForSATB mixed chorus, a capella. (Los Angeles, CA. 2004).Being MirrorThe Bataille text is hidden with only a few fragments left due to the generalimpossibleness of choral ensembles worldwide. For men’s chorus and chamberensemble. (Palo Alto, CA. 2014).PrayerAs the third movement of the cello symphony The Art of Imaginal Listening. Bataille’stext is renounced, the chorus reduced to syllables. For women’s chorus and orchestra.(Clarence Center, N.Y. 2014).Lost PrayerSince the text cannot be revealed, the Prayer is lost. The choral element is renouncedcompletely. For string orchestra or string quintet. (Clarence Center, N.Y. 2016).Lost Prayer2Expanding on all the possible choral and instrumental timbres, the cycle continues forwind instruments. For concert wind band. (Columbus, OH. 2019).Being3The last work in the cycle for a solo player, completes the project ending in agnosis. Forsolo violin. (Columbus, OH. 2021).

Brass Quintet - Level 2 - Digital Download SKU: A0.775174 Composed by Spencer Williams, Clarence Williams. Arranged by Bill Wilson. Jazz. 17 pages. Alexander Wilson #3637823. Published by Alexander Wilson (A0.775174). Vaudeville pianist/singer/songwriters Spencer Williams and Clarence Williams wrote the heavily syncopated I Ain't Gonna Give Nobody None O' This Jellyroll. Our arrangement splits melodic responsibilities primarily between first trumpet and French horn, with the trombone taking on a countermelodic role. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:05. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Flute Solo - Digital Download SKU: A0.925667 By Dua Lipa. By Clarence Bernard Coffee, Clarence Coffee, Jr., Dua Lipa, and Jeffrey Bhasker. Arranged by Dennis Benning. Pop. Individual part. 4 pages. Dennis Benning #6010387. Published by Dennis Benning (A0.925667). Future Nostalgia for solo flute is a transcription of the title track from Dua Lipa's album, Future Nostalgia. This download includes only the flute part, and is meant to be played with karaoke backing tracks. Dennis Benning, the arranger, currently lives in Denver. He teaches flute and clarinet, records music for his YouTube channel (Flute Dude Music), and has recently engaged in flute repair. Check out his YouTube and Facebook (Flute Dude Music) pages to follow what he is doing, and to see exclusive videos!

Small Ensemble Alto Saxophone,Clarinet,Flute,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.892364 By Dua Lipa. By Clarence Bernard Coffee, Clarence Coffee, Dua Lipa, Jonathan Lydale Kirk, Jonathan Lyndale Kirk, Koz, Sarah Hudson, and Stephen Kozmeniuk. Arranged by Rafael Brito. Pop. Score and parts. 48 pages. RAFAEL NASCIMENTO DE MACEDO BRITO #6340345. Published by RAFAEL NASCIMENTO DE MACEDO BRITO (A0.892364). Great success Levitating Dua Lipa in arrangement for Music Band.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1184729 By Frank Sinatra. By Clarence Williams, Charles Warfield. Arranged by Dave Gingras and John E. Dosher. Blues,Broadway,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #784412. Published by DAVID LEE GINGRAS (A0.1184729). Baby, Won't You Please Come Home, a blues song written by Charles Warfield and Clarence Williams in 1919. The song has been covered by many musicians and has become a jazz standard. The first hit version was Bessie Smith's 1923 recording, which stayed on the charts for four weeks peaking at No. 6. This version features a root-based chord blocking that John and I have used in many of our arrangements and we added a few left-hand fills to keep that smooth rhythm flowing!