Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1512378 Composed by Samantha Jellett. Children,Christian,Easter,Lent. 56 pages. Samantha Jellett #1087378. Published by Samantha Jellett (A0.1512378). A Time to Rejoice! is a dramatic and poignant cantata for schools/children's choirs and piano (organ accompaniment also available) in which performers and audience embark on an exciting journey through time to witness the events of the first Easter.  The time machine is somewhat unreliable, adding humour to the story, and stops are made in the Garden of Eden and Bethlehem before arriving in Jerusalem for Palm Sunday and the events of the crucifixion.  The optional second parts greatly enhance the cantata and can be sung by a group of children or even an adult choir.Whilst not a staged production, there is plenty of scope for acting in the roles of the Captains, and props such as tea lights for the opening procession, pilots' hats for the Captains and palm branches in the song The King is Coming.A Time to Rejoice!  was premiered by St. Joseph's in the Park school, Hertingfordbury, UK on 17 March 2023.  Here are some comments from staff/parents:'A Time to Rejoice! was amazing...the best production St. Joe's has ever put on' Deputy Head.'An absolutely amazing evening! Such beautiful music so beautifully performed.  What an absolute joy from start to finish' Parent.'It was a pleasure to be involved in what was a resounding success and moving account of the Easter story' Organist.'We enjoyed it so much and it was a real triumph.  The children were so good and buzzing!' Parent.'It was worthy of a West End production.  Absolutely amazing!' Parent'What a wonderful cantata!  I was so impressed, what a lovely evening' Staff member.'I thoroughly enjoyed the Easter cantata: your compositions were beautiful and dramatic in equal measure' Bursar.

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1092082 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 70 pages. Artaria Editions #696221. Published by Artaria Editions (A0.1092082). For string quartet Artaria Editions AE171 Edited by Dianne James 70 pages This is a scholarly edition of a public domain work. The three Op.14 Quartets were advertised in the Wiener Zeitung on 15 January, 1791 as the composer's newest works. They were dedicated to M. Joseph de Preuer Senior, a lawyer resident in Linz. Although modest in scope and emotional depth, all three works reveal Hoffmeister as a craftsman of refined musical sensibilities. They show a clear grasp of the conversational style of the genre, as cultivated especially by his great compatriot and true master of the genre, Joseph Haydn, and reveal a kinship with the Mozartian string quartet style in their translucent scoring, harmonic richness and melodic invention. Hoffmeister's liking for third-related juxtapositions is frequently apparent, as is his awareness of the varied textural opportunities - duets and trio scoring for example - offered by the four voices. Taken together, the freshness and vitality of all three Op.14 Quartets make them extremely worthwhile additions to the repertory of 18th-century Viennese string quartets..

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1092062 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 84 pages. Artaria Editions #696199. Published by Artaria Editions (A0.1092062). For string quartet Artaria Editions AE170 Edited by Dianne James 84 pages This is a scholarly edition of a public domain work. The three Op.14 Quartets were advertised in the Wiener Zeitung on 15 January, 1791 as the composer's newest works. They were dedicated to M. Joseph de Preuer Senior, a lawyer resident in Linz. Although modest in scope and emotional depth, all three works reveal Hoffmeister as a craftsman of refined musical sensibilities. They show a clear grasp of the conversational style of the genre, as cultivated especially by his great compatriot and true master of the genre, Joseph Haydn, and reveal a kinship with the Mozartian string quartet style in their translucent scoring, harmonic richness and melodic invention. Hoffmeister's liking for third-related juxtapositions is frequently apparent, as is his awareness of the varied textural opportunities - duets and trio scoring for example - offered by the four voices. Taken together, the freshness and vitality of all three Op.14 Quartets make them extremely worthwhile additions to the repertory of 18th-century Viennese string quartets..

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1092086 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 72 pages. Artaria Editions #696227. Published by Artaria Editions (A0.1092086). For string quartet Artaria Editions AE172 Edited by Dianne James 72 pages This is a scholarly edition of a public domain work. The three Op.14 Quartets were advertised in the Wiener Zeitung on 15 January, 1791 as the composer's newest works. They were dedicated to M. Joseph de Preuer Senior, a lawyer resident in Linz. Although modest in scope and emotional depth, all three works reveal Hoffmeister as a craftsman of refined musical sensibilities. They show a clear grasp of the conversational style of the genre, as cultivated especially by his great compatriot and true master of the genre, Joseph Haydn, and reveal a kinship with the Mozartian string quartet style in their translucent scoring, harmonic richness and melodic invention. Hoffmeister's liking for third-related juxtapositions is frequently apparent, as is his awareness of the varied textural opportunities - duets and trio scoring for example - offered by the four voices. Taken together, the freshness and vitality of all three Op.14 Quartets make them extremely worthwhile additions to the repertory of 18th-century Viennese string quartets..

String Quartet String Quartet - Digital Download SKU: A0.1092061 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 36 pages. Artaria Editions #696198. Published by Artaria Editions (A0.1092061). For string quartet Artaria Editions AE170 Edited by Dianne James 36 pages This is a scholarly edition of a public domain work. The three Op.14 Quartets were advertised in the Wiener Zeitung on 15 January, 1791 as the composer's newest works. They were dedicated to M. Joseph de Preuer Senior, a lawyer resident in Linz. Although modest in scope and emotional depth, all three works reveal Hoffmeister as a craftsman of refined musical sensibilities. They show a clear grasp of the conversational style of the genre, as cultivated especially by his great compatriot and true master of the genre, Joseph Haydn, and reveal a kinship with the Mozartian string quartet style in their translucent scoring, harmonic richness and melodic invention. Hoffmeister's liking for third-related juxtapositions is frequently apparent, as is his awareness of the varied textural opportunities - duets and trio scoring for example - offered by the four voices. Taken together, the freshness and vitality of all three Op.14 Quartets make them extremely worthwhile additions to the repertory of 18th-century Viennese string quartets..

String Quartet String Quartet - Digital Download SKU: A0.1092081 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 31 pages. Artaria Editions #696220. Published by Artaria Editions (A0.1092081). For string quartet Artaria Editions AE171 Edited by Dianne James 31 pages This is a scholarly edition of a public domain work. The three Op.14 Quartets were advertised in the Wiener Zeitung on 15 January, 1791 as the composer's newest works. They were dedicated to M. Joseph de Preuer Senior, a lawyer resident in Linz. Although modest in scope and emotional depth, all three works reveal Hoffmeister as a craftsman of refined musical sensibilities. They show a clear grasp of the conversational style of the genre, as cultivated especially by his great compatriot and true master of the genre, Joseph Haydn, and reveal a kinship with the Mozartian string quartet style in their translucent scoring, harmonic richness and melodic invention. Hoffmeister's liking for third-related juxtapositions is frequently apparent, as is his awareness of the varied textural opportunities - duets and trio scoring for example - offered by the four voices. Taken together, the freshness and vitality of all three Op.14 Quartets make them extremely worthwhile additions to the repertory of 18th-century Viennese string quartets..

String Quartet String Quartet - Digital Download SKU: A0.1092084 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 32 pages. Artaria Editions #696224. Published by Artaria Editions (A0.1092084). For string quartet Artaria Editions AE172 Edited by Dianne James 32 pages This is a scholarly edition of a public domain work. The three Op.14 Quartets were advertised in the Wiener Zeitung on 15 January, 1791 as the composer's newest works. They were dedicated to M. Joseph de Preuer Senior, a lawyer resident in Linz. Although modest in scope and emotional depth, all three works reveal Hoffmeister as a craftsman of refined musical sensibilities. They show a clear grasp of the conversational style of the genre, as cultivated especially by his great compatriot and true master of the genre, Joseph Haydn, and reveal a kinship with the Mozartian string quartet style in their translucent scoring, harmonic richness and melodic invention. Hoffmeister's liking for third-related juxtapositions is frequently apparent, as is his awareness of the varied textural opportunities - duets and trio scoring for example - offered by the four voices. Taken together, the freshness and vitality of all three Op.14 Quartets make them extremely worthwhile additions to the repertory of 18th-century Viennese string quartets..

Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).

Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).

Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #681932. Published by Daniel Carter (A0.1077736). Eliza R. Snow’s poetic insights from the mid-1800s regarding our relationship with the divine created a new awareness that was not commonly accepted among Christian religions of the day. “In the heav’ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I’ve a mother there.� Her words of reuniting with heavenly parents were set to James McGranahan’s hymn tune MY REDEEMER. This vocal solo for high-range voice arranged with an ethereal, other-worldly piano accompaniment allows the singer to reflect and vocally soar. Suitable for funerals, christenings, blessings, worship, devotionals, recitals, and concerts.

Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1077780 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. Praise & Worship,Sacred,Traditional. 8 pages. Daniel Carter #681964. Published by Daniel Carter (A0.1077780). Eliza R. Snow’s poetic insights from the mid-1800s regarding our relationship with the divine created a new awareness that was not commonly accepted among Christian religions of the day. “In the heav’ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I’ve a mother there.� Her words of reuniting with heavenly parents were set to James McGranahan’s hymn tune MY REDEEMER. This medium-range vocal solo is a much simpler, completely different setting than the high-range vocal solo arranged for advanced performers available at danielcartermusic.com. Both are suitable for funerals, christenings, blessings, worship, devotionals, recitals, and concerts.

Harp - Level 2 - Digital Download SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Published by Karen Peterson (A0.928333). WATCH THE D DORIAN VERSION: You are viewing the arrangement for lap harp, which is in the key of A dorian. To hear the D dorian version played on a larger harp, go to www.youtube.com/watch?v=l0-Kg0LifaUOverview: This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Key and range: A dorian (one sharp). 21x2 strings. G below middle C through F. (LARGER HARPS: For harps with C below middle C or lower, get the D dorian version here: www.sheetmusicplus.com/title/rorie-lament-for-double-strung-harp-digital-sheet-music/21815669)Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided. Treble clef is used for both staves, with 8va for very high notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.com

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984286 Composed by Karen McAulay, music and lyrics. Contemporary. Score. 8 pages. Dr Karen E McAulay #4623801. Published by Dr Karen E McAulay (A0.984286). You could say Shakespeare has come to the Scottish Borders, here. I've always liked the idea of spinsters spinning in the sun, as described by one of Shakespeare's characters in Twelfth Night, so I combined this with the old Borders folklore that every spinning wheel has its own resident fairy. These habetrots aren't the ethereal Tinkerbell kind of fairy! They'll do your work - but at a price.It's written for a mezzo soprano or baritone with piano accompaniment, with a vocal range from A below middle C, to F on the top line of the treble clef.

Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Published by Karen Peterson (A0.928320). This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Range and key: D dorian (all naturals). 24x2 strings. C below middle C through E.Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in Rorie Dall's Sister's Lament: www.EnjoyTheHarp.com/s/rorie-dalls-sisters-lament-notes-enjoy-the-harp.pdfNotation: Chord symbols are provided. Treble clef is used for both staves, with 8vb for the low notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.comPerformance notes and history at www.EnjoyTheHarp.com/rorie-dalls-sisters-lament

Unison/Two-part chorus - Digital Download SKU: C7.CGC53 A Children's Musical for Unison/Two-part Voices and Piano. Composed by Allen Pote and Tom S Long. General. With Piano. Cantata. Choral Score. 50 pages. Chorister's Guild - Digital #CGC53. Published by Chorister's Guild - Digital (C7.CGC53). UPC: 749193016183.Commissioned by Helen Kemp for the Kemp Endowment for Church Music Symposium at Westminster Choir College of Rider University, The Lost Boy tells the story of Luke 2:39-52. Mary and Joseph lose track of twelve-year-old Jesus for three days, and when they finally find him, he is sitting in his Father's house--demonstrating with his questions a great understanding of God. Within the musical is a reassuringly human message: even parents chosen by God can lose a child; even a perfect child can give his parents anxiety. The message is sure to comfort anyone who has ever been a parent, a child, or even those who have misplaced Jesus for a while. The musical can be produced with a minimum of costumes, props, and scenery. At under 25 minutes, it is short enough to fit into a worship service but is solid enough to stand alone. Stage directions, production notes, and simple prop, costume, and scenery ideas are included, but feel free to adapt any of the suggestions to your situation.