Bassoon,Piano - Level 5 - Digital Download SKU: A0.739951 Composed by Edward Elgar. Arranged by Len Rhodes. Concert,Contemporary,Graduation,Romantic Period,Wedding. Score and part. 4 pages. Len Rhodes Music #3494677. Published by Len Rhodes Music (A0.739951). Nimrod for Bassoon and Piano. In recognition of the 150th anniversary of the birth of Sir Edward Elgar in 2007, I was able to celebrate one of my favorite composers with transcriptions of the ninth (and probably the most famous and best-loved) variation, Nimrod, from his orchestral work, ENIGMA VARIATIONS - My Friends Pictured Within. Here is a new transcription for Bassoon and Piano.Elgar had written a special program note, and I quote a part. ...the Variation bearing this name (Nimrod) is a record of a long summer evening talk, when my friend - A.J. Jaeger - grew nobly eloquent on the grandeur of Beethoven and especially of his slow movements. A reference to the Adagio of the Pathétique Sonata is therefore seen in the opening bars of the Nimrod Variation.This download includes part and score.

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.752968 Composed by Kevin Love. Classical,Contemporary. Score and parts. 3 pages. Kevin Edward Love #40895. Published by Kevin Edward Love (A0.752968). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the violin and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.

Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.739998 Composed by Edward Elgar. Arranged by Len Rhodes. Concert,Contemporary,Holiday,Romantic Period,Wedding. Score and parts. 5 pages. Len Rhodes Music #4980411. Published by Len Rhodes Music (A0.739998). Nimrod - transcribed for Violin, Flute and Piano. In recognition of the 150th anniversary of the birth of Sir Edward Elgar in 2007, I celebrated one of my favorite composers with a series of transcriptions - particularly this chamber transcription for violin, flute and piano of the ninth (and probably the most famous and best-loved) variation, Nimrod, opus 36, from his orchestral work, ENIGMA VARIATIONS - My Friends Pictured Within. Elgar had written a special program note ...the Variation bearing this name (Nimrod) is a record of a long summer evening talk, when my friend - A.J. Jaeger - grew nobly eloquent on the grandeur of Beethoven and especially of his slow movements. A reference to the Adagio of the Pathétique Sonata is therefore seen in the opening bars of the Nimrod Variation. Your download includes separate violin and flute parts, and piano score.

Easy Piano - Level 3 - Digital Download SKU: A0.596718 Composed by James Marler. Arranged by James Marler. Children. Score. 4 pages. Alicorn Music (ASCAP) #3688881. Published by Alicorn Music (ASCAP) (A0.596718). Set to the tune of the French melody Ah! vous dirai-je, maman, this is also The Alphabet Song. The traditional English lyric was written and published by Jane Taylor in 1806. This arrangement is set with the theme and 3 variations.Theme (Level 1)Variation 1 (Level 2)Variation 2 (Level 2)Variation 3 (Level 3)This arrangement is also available in the Childhood: Volume 1 collection at http://ow.ly/iIy830m9iyY.

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.752965 Composed by Kevin Love. Classical,Contemporary. Score and parts. 25 pages. Kevin Edward Love #40889. Published by Kevin Edward Love (A0.752965). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the violin and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.752940 Composed by Kevin Love. Classical,Contemporary. Score and parts. 2 pages. Kevin Edward Love #37787. Published by Kevin Edward Love (A0.752940). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the cello and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.752937 Composed by Kevin Love. Classical,Contemporary. Score and parts. 25 pages. Kevin Edward Love #37779. Published by Kevin Edward Love (A0.752937). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the cello and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.

Piano Solo - Level 4 - Digital Download SKU: A0.848457 Composed by Francis Scott Key. Arranged by Gene Roberson. Classical,Holiday,Jazz,Patriotic. Score. 7 pages. Gene Roberson #2062109. Published by Gene Roberson (A0.848457). A One of a Kind set of variations of our countries beloved National Anthem The Star-Spangled Banner Arranged for three levels of piano students to professional and concert pianists. The set begins with a simplified Melody- only in the key of C for young beginner piano students divided between the treble and bass clefs. The First Variation is designed for intermediate level pianists. Second Variation is a Classic pianist version suitable for solo or even accompaniment for group singing of the National Anthem. The final Variation # 3 is a special version for solo piano arranged is a light jazz harmony style. Can also be played as an accompaniment for singers who like to sing a contemporary version similar to the famous rendition of Whitney Houston.

Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling.  It is named in honor of Franzl Lang, the Yodelking.

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.752967 Composed by Kevin Love. Classical,Contemporary. Score and parts. 4 pages. Kevin Edward Love #40893. Published by Kevin Edward Love (A0.752967). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the violin and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.752941 Composed by Kevin Love. Contemporary. Score and parts. 3 pages. Kevin Edward Love #37785. Published by Kevin Edward Love (A0.752941). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the cello and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.752969 Composed by Kevin Love. Classical,Contemporary. Score and parts. 2 pages. Kevin Edward Love #40899. Published by Kevin Edward Love (A0.752969). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the violin and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1220084 By Chain Quartet: Riccardo Selva, David Pituch, Jan Berry-Baker, Masahito Sugihara. By Julian Harvey. 20th Century,Chamber,Classical,Contemporary. 33 pages. Julian Harvey #815953. Published by Julian Harvey (A0.1220084). This work is a theme and twelve variations for an advanced saxophone quartet. It would be useful and effective for a college level group. The piece begins with Variation 1 which is followed by the theme itself. Variation 6 is a literal repeat of Variation 1.

French Horn,Piano - Level 5 - Digital Download SKU: A0.739952 Composed by Edward Elgar. Arranged by Len Rhodes. Concert,Contemporary,Holiday,Romantic Period,Wedding. Score and part. 4 pages. Len Rhodes Music #3494669. Published by Len Rhodes Music (A0.739952). Nimrod for Horn in F, and Piano. In recognition of the 150th anniversary of the birth of Sir Edward Elgar in 2007, I was able to celebrate one of my favorite composers with transcriptions of the ninth (and probably the most famous and best-loved) variation, Nimrod, from his orchestral work, ENIGMA VARIATIONS - My Friends Pictured Within. Here is a new transcription for French Horn and Piano.Elgar had written a special program note, and I quote a part. ...the Variation bearing this name (Nimrod) is a record of a long summer evening talk, when my friend - A.J. Jaeger - grew nobly eloquent on the grandeur of Beethoven and especially of his slow movements. A reference to the Adagio of the Pathétique Sonata is therefore seen in the opening bars of the Nimrod Variation.This download includes part and score.

Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop