Brass Ensemble - Level 4 - Digital Download

SKU: A0.945050

Composed by Albert E. Weir. Arranged by Kent S. Burchill. Contemporary,Folk,Standards. Score and parts. 20 pages. WINDCREST #5356017. Published by WINDCREST (A0.945050).

THEME, FUGUETTE and VARIATIONS on Lightly Row.  Rarely has a song for children been so widely utilized and for such a long period of time.  Written in the early 20th century, its wide-spread and successful use as a song for children can possibly be attributed to the construction of the melody itself.  The melody starts with two descending intervals, each a minor third. These same qualities also made Lightly Row an excellent choice as a song for use with beginning instrumentalists. One might find it difficult NOT to find this song included in most published beginning-level instrument method books since the mid-20th century.  This arrangement for brass quintet permits the performers to greatly expand upon the intervals and scale passage of the original song while exploring one of the more common composition forms, theme and variation with an excursion to a shortened version of another musical form, the fugue.  An attempt has been made to provide interesting and challenging material for all members of the quintet.  This selection could be performed at any point in a recital. It could be one of several featured selections performed in a concert with a programmatic theme of early 20th Century folk songs; or a portion of a concert where a theme and variation selection is desired. It might also serve as an encore to any recital or concert! 

Violin Duet Violin - Level 3 - Digital Download

SKU: A0.692785

Composed by Ludwig van Beethoven. Arranged by Mark Phillips. Romantic Period. 1 pages. A. J. Cornell Publications #6657065. Published by A. J. Cornell Publications (A0.692785).

Beethoven’s Variations on Nel cor piu non mi sento, Variation No. 4, arranged for violin duet

Cello,Piano - Level 3 - Digital Download

SKU: A0.1216978

Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813507. Published by ACORDO Sheet Music (A0.1216978).

The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.

In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.

The piece is written in D-flat major, which can be challenging for some string players. Therefore, there is a version in G major.

Piano,Violin - Level 3 - Digital Download

SKU: A0.1216987

Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. 9 pages. ACORDO Sheet Music #813515. Published by ACORDO Sheet Music (A0.1216987).

The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.

In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.

The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.

Piano,Viola - Level 3 - Digital Download

SKU: A0.1216985

Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813513. Published by ACORDO Sheet Music (A0.1216985).

The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.

In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.

The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.

Cello,Piano - Level 3 - Digital Download

SKU: A0.1216982

Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813511. Published by ACORDO Sheet Music (A0.1216982).

The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.

In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.

The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.869024

Composed by Antonio Maria ABBATINI (1595(?) – 1679). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 5 pages. Really Good Music, LLC. #6381781. Published by Really Good Music, LLC. (A0.869024).

Quanto e bello il mio diletto is an aria from the opera La comica del cielo (1668), composed by Antonio Maria ABBATINI (1595(?) – 1679) and arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of F major (F4 – F5) for high voice.

High Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.868698

Composed by Antonio Maria ABBATINI (1595(?) – 1679). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4403486. Published by Really Good Music, LLC. (A0.868698).

Quanto e bello il mio diletto is an aria from the opera La comica del cielo (1668), composed by Antonio Maria ABBATINI (1595(?) – 1679) and arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of G major (G4 - G5) for high voice.

Piano Solo (4-Part) - Level 3 - Digital Download

SKU: A0.516400

Arranged by Santino Cara. Baroque. Score. 14 pages. Santino Cara #2014119. Published by Santino Cara (A0.516400).

FIVE ARIAS CLASSICAL PASTORAL OF VARIOUS COMPOSERS TRANSCRIBED FOR PIANO BY SANTINO CARA - Pastorale in F major First movement – BWV 590 – Johann Sebastian Bach (1685 – 1750) - Canzonetta of Christmas in C major From piano notes of 1978 – FPN 04 – Santino Cara - Christmas Song in D major A.C.H.Adam (1803 – 1856) - Aria in G minor “ Ah, quegli è beato...� From the Oratorio The Messiah part III – G.F.Haendel (1685 – 1759) - Pastorale in G major Giuseppe Sammartini (1693 – 1740).

Piano Solo - Level 3 - Digital Download

SKU: A0.1511514

By Santino Cara. By Ottorino Respighi. Arranged by Santino Cara. 20th Century. Score. 78 pages. Santino Cara #1086671. Published by Santino Cara (A0.1511514).

Complete scores of Ancient Arias and Dances – 3 Piano Suites. Transcribed for Piano in Rome between 2019 and 2022 by Santino Cara from the three orchestral suites by Ottorino Respighi composed between 1917 and 1931 on old pieces by known and unknown composers of the 16th and 17th centuries.

Piano Suite No.1

1. Balletto detto Il Conte Orlando (Allegretto moderato)
2. Villanella (Andantino espressivo)
3. Gagliarda (Allegro moderato)
4. Italiana (Andantino)
5. Siciliana (Andantino)
6. Passacaglia (Maestoso)

Piano Suite No.2

1. Laura Soave (Balletto with Gagliarda, Saltarello and Canario)
2. Danza rustica (Allegretto)
3. Aria Campanae Parisienses (Andante mosso)
4. Bergamasca (Allegro

Piano Suite No.3

1. Italiana (Andantino)
2. Arie di Corte (Andante cantabile)
3. Siciliana (Andantino)
4. Passacaglia (Maestoso.

Instrumental Duet Instrumental Duet - Level 5 - Digital Download

SKU: A0.887982

Composed by English Christmas Carol & New Year Song. Arranged by Graham Yates. Christmas,Contemporary,Holiday. Score and parts. 13 pages. Graham Yates #6133301. Published by Graham Yates (A0.887982).

C. 3:30. Suitable for a teacher/advanced student(s) feature in a holiday recital, or a spotlight performance in a traditional church Christmas service. A short, wild introduction leads to a humoreske statement of the melody, unadorned. Variation 1 is a play on blocked triads and stilted rhythm. Variation 2 is a free, fantasy-like interpretation of the theme. Variation 3 is a slow ragtime that leads into Variation 4, a Charleston. The writing for each player is not particularly challenging, but putting it together will require some advanced skills, including the way primo and secondo share the keyboard. Performing Rights Organization: ASCAP.

Violin Solo - Digital Download

SKU: A0.922711

Composed by American Children Song. Arranged by YuSheng Orson Yang. Children,Instructional. 3 pages. Orson Yang Violin & Music #6080329. Published by Orson Yang Violin & Music (A0.922711).

Hello everyone, this familiar tune comes from the opera of Rousseau, and was later changed to an American nursery rhyme.

For teachers who teach violin beginners, in order to enhance their understanding of the diverse techniques of violin and increase their interest in learning, we can use difficult Paganini works to demonstrate, but if we can use familiar nursery rhymes for children, The display of difficult skills like Paganini-Style will definitely arouse students' interest and desire to learn violin well. This is why I arranged this song.

For students who have studied violin for some years and have a solid foundation, the difficulty of this piece is also suitable for you. It can be used as an etude to overcome and master related skills. I believe you can play more vividly and brilliantly than me.

       At the beginning of the song, the theme is in A major just like in Suzuki Violin Book I, and then:
Variation 1: Use ricochet and left-hand chord techniques
Variation 2: Left hand pizzicato and left finger tremolo
Variation 3. in minor key to show polyphonic violin playing and harmonics.
Variation 4: Bariolage technique and rapid notes.
In the Final (Coda) section uses chords and a little ricochet. The ending arpeggio directly quotes the end of Paganini's 24th, enjoy playing!

大家好，這個耳熟能詳的旋律來自�八世紀大音樂家兼教育家斜槓哲學家 - 盧梭的歌劇作�，後來改詞�為美國童謠。美國鋼�家Cramer也曾在��世紀為此曲寫�鋼�變�曲。 �教導����學者的�師來說，為了能增進學生�於��多樣性技術的了解以�增加學習興趣，我們雖然�以用艱難的帕格尼尼作�來示範，��若是能以兒童熟悉的童謠，變�具有Paganini-Style般艱難技巧的展�，一定能讓學生引起興趣和想�把���學好的慾望，這是我為何改編此曲的原因。 �於學�多年基礎紮實的學員來說，這首曲�的難易度也是��您的，�以當作一首練習曲來克�並掌�相關技巧，相信您能演�得比我更為生動精采。 本曲一開始以Suzuki Violin Book I的A大調演�一次主題，接著: 變�1: �用拋弓 (ricochet) 與左手和弦技巧 變�2: 左手撥弦與左手指顫音 變�3. 轉平行�調展�複音音樂和泛音 變�4: 快速�弦和超大跳�把�的技巧 最後的尾�用了和弦以�一點拋弓，��的�音直接引用Paganini第24首綺想曲的�尾，希望你會喜歡更�識���!

Instrumental Duet - Level 3 - Digital Download

SKU: A0.1277909

Composed by Traditional. Arranged by Thomas Groh. Advent,Christian,Christmas,Contemporary. 22 pages. Thomas Groh #869610. Published by Thomas Groh (A0.1277909).

„Maria durch ein Dornwald ging“ (Mary walks amid the thorns) is a wonderful German Advent hymn originating from the Eichsfeld region north of Eisenach in Thuringia. Its quite simple yet expressive melody thrills me already for a while. As my daughter learned to play the flute a few years ago, I decided to compose some variations for flute and piano on this hymn (with a quite easy part notably for the flute). The first sketch of the variations comprised the theme and simple versions of variations no. 1, 2, 5, 8 and 9. In summer 2016, I revised the initial variations and added the other ones; in summer 2023, I adapted them to the instrumentation of cello and piano.

Clarinet,Piano - Level 3 - Digital Download

SKU: A0.954370

Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 14 pages. Rachel Brown #4319261. Published by Rachel Brown (A0.954370).

This is the aria with variations from the 5th Harpsichord Suite by Handel. It is arranged for Clarinet in Bb with piano accompaniment.
There is a backing track available to match the arrangement.
Movements available from this suite are;
Prelude
Allemande
Courante
Aria (with variations).