Choral Choir (TB) - Level 1 - Digital Download SKU: A0.518239 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Stephen DeCesare. Easter,Praise & Worship,Sacred,Standards,Traditional. Octavo. 9 pages. Exultet Music #128958. Published by Exultet Music (A0.518239). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. This choir version is where only the chorus of the song is in harmony and a portion of the second half of the second verse. One of the most favorite and requested hymns of all time has now been freshly arranged for a 2-part choir (TB), with a Bb-Trumpet obbligato and Organ accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.

Choral Choir (TB) - Level 2 - Digital Download SKU: A0.622046 By Martina McBride. By Adam Palmer, Matthew Hein, Stephanie Kulla, Stuart Hine, and Traditional Swedish Folk Tune. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred. Octavo. 10 pages. Exultet Music #3579269. Published by Exultet Music (A0.622046). One of the most favorite and requested hymns of all time has now been freshly arranged for a 2-part choir (TB), with a Bb-Trumpet obbligato and Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.

Oboe Solo - Level 3 - Digital Download SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (A0.784326). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

By Vera Lynn, Peggy Lee, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, Katherine Jenkins, Alfie Boe. Arranged by Rob Bushnell. Score, Set of Parts. 11 pages. Published by RBMusic

Chorus - Digital Download SKU: AX.00-PO-0003156 A Mozart Canon - 2-Part. Composed by Donald Moore and Wolfgang Amadeus Mozart. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0003156. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003156). UPC: 038081221526.Donald Moore has skillfully crafted a canonic piece based on one of Mozart's most memorable melodies. Alleluia from the famed motet, Exsultate Jubilate, is placed in an easy range for young singers, supported by a simple piano accompaniment, enhanced with a light optional flute (or C-instrument) part, and combined with lovely original material. Young voices will shine as they sing this classical sounding piece, written expressly for 2-part choirs. The optional SoundTrax CD boasts a chamber music-like quality. This title is available in SmartMusic.List/syllabus: TX UIL PML: Vocal, ChoralPartner Song; Recorded Acc. Available.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.622060 By Martina McBride. By Adam Palmer, Matthew Hein, Stephanie Kulla, Stuart Hine, and Traditional Swedish Folk Tune. Arranged by Stephen DeCesare. Contemporary. Octavo. 15 pages. Exultet Music #3581837. Published by Exultet Music (A0.622060). One of the most favorite and requested hymns of all time has now been freshly arranged for SAB, with a Bb-Trumpet obbligato with Organ accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.622048 By Martina McBride. By Adam Palmer, Matthew Hein, Stephanie Kulla, Stuart Hine, and Traditional Swedish Folk Tune. Arranged by Stephen DeCesare. Contemporary. Octavo. 14 pages. Exultet Music #3580335. Published by Exultet Music (A0.622048). One of the most favorite and requested hymns of all time has now been freshly arranged for SAB, with a Bb-Trumpet obbligato and Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1158824 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by K.L. Phillips. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 16 pages. K L Phillips #759071. Published by K L Phillips (A0.1158824). Arranged for SAB choir with piano accompaniment, this piece is a lovely addition to any Christian worship service but is especially appropriate for the Lenten and Easter season.Soprano vocal range: C#4-F#5 (optional A5) Alto vocal range: A3-D5 Baritone vocal range: A2-D4; Performance time - 4:20.

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1261656 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Andrew Emmet. A Cappella,Christian,Folk,Religious,Sacred. 2 pages. Andrew J Emmet #854735. Published by Andrew J Emmet (A0.1261656). SAB A Cappella arrangement.

Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1261658 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Andrew Emmet. A Cappella,Christian,Folk,Praise & Worship,Religious. 2 pages. Andrew J Emmet #854737. Published by Andrew J Emmet (A0.1261658). SSA A Cappella arrangement.

Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1439145 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 70 pages. Jmsgu3 #1019169. Published by jmsgu3 (A0.1439145). BACH: Partita No. 3 BWV 827 Contents: Fantasia, Allemande, Courante, Sarabande, Burlesca, Scherzo, Gigue. Bach's Partita No. 3 in A minor, BWV 827, is an essential work in the composer's output for keyboard instruments. Here are some key points about this piece: It is one of the six partitas that Bach composed for harpsichord or clavichord, regarded as pinnacles of Baroque keyboard music. The Partita No. 3 consists of seven movements following the traditional partita structure: Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue. The Burlesca movement is particularly notable, featuring rapid hand-crossing and a lively, humorous character unusual for Bach's works. The Sarabande movement is considered one of Bach's most profound and expressive, with its rich harmonies and emotional depth. The final Gigue is a tour de force of contrapuntal writing, with multiple melodic lines interwoven in a lively dance rhythm. With the other partitas, BWV 827 demonstrates Bach's mastery of various dance forms and his ability to elevate them into profound artistic statements. So, in summary, Bach's Partita No. 3 stands out for its structural complexity, emotional range, and virtuosic demands, cementing its place among the composer's most outstanding keyboard achievements.

Small Ensemble - Level 3 - Digital Download SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.

Small Ensemble Cello,Percussion - Digital Download SKU: A0.962299 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 37 pages. Sergio Roberto de Oliveira #2831841. Published by Sergio Roberto de Oliveira (A0.962299). Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.  Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1249707 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Rodrigo Nascimento. Classical,Film/TV,Opera,Wedding. 15 pages. Rodrigo Nascimento #844097. Published by Rodrigo Nascimento (A0.1249707). Con Te Partiró String Quartet string quartet sheet music, Original Key, arranged for String Quartet (violin I, violin II, violo, cello), score and all parts. (extra piano sheet accompaniment). Con Te Partiró Andrea Bocelli. Arranged @rodrigonnsscon te partiro string quartet, con te partiro string quartet sheet music, con te partiro andrea bocelli string quartet sheet music, con te partiro string quartet arrangements, con te partiro instrumental sheet music, con te partiro wedding sheet music, con te partiro music.