By Arthur Somervell. Classical. 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.240689). - - Classical - Hal Leonard - Digital Sheet Music

Composed by Words: Arthur J. Lamb, Music: Harry Von Tilzer 1900. Arranged by Clay Boland Jr. Romantic Period, Old-time, Americana. Sheet Music Single. 5 pages. Published by BOLAND MUSIC CORPORATION, P.O. BOX 493, CARBONDALE, CO 81623 (S0.285239). - Sheet Music Single - Romantic Period,Old-time,Americana - BOLAND MUSIC CORPORATION, P.O. BOX 493, CARBONDALE, CO 81623

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.710427 By Mirla. By Emily Mirla Harrison. Arranged by Andrew Rostas. Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Little Symphony Records #318974. Published by Little Symphony Records (A0.710427). A cross-genre composition for piano, field recordings, and electronic soundscapes. A composition to resolve the story and dramatic tension. War is over, POW's have been rescued, peace has returned. The music offers an optimistic message. A new start for Mirla and Arthur; a new beginning for post-war Australia; and better relationships with Japan and the wider Pacific region in the hope of forming a lasting stability. The closing movement (a shift to Major G key) begins with two woozy piano refrains, which unify. Ambient textures include birdsong recorded at the graves of my grandparents and mother. There’s a slow unfurling of the majestic string arrangements that play above a gently rolling electronic rhythm. After the swelling strings and a burning crescendo the track ends with a poignant recording of Mirla in her old age, remembering the first moment she saw Arthur on his return from war. A solo violin plays-out a final farewell, a salute to multitudes affected by the violent acts of war. The violin fades and we are left with the timeless rhythm of ocean waves and eternal birdsong.

Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1420223 By The Virtues. By Arthur Smith. Arranged by Tommy Emmanuel & mockingbirdravelle. Blues,Country,Folk,Jazz,Rock. Score. 9 pages. Mockingbirdravelle #1001698. Published by mockingbirdravelle (A0.1420223). Half Step Down TuningPlease prepare a toaster.

Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World,  a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter.  The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances.  Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range.  Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable.  Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.   She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music.  The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock.  Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships.  Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.867 Composed by A.W. Havens. Children's furniture, Beds, Drapery, Pets, Cats. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.867). Take Me From My Little Bed. Song & Chorus. Companion to Put Me in My Little Bed. Words by Arthur Harrison. Music by A.W. Havens. Published 1870 by Root & Cady in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Children's furniture, Beds, Drapery, Pets, Cats. First line reads Come mamma the bright sun is rising, the birds are now singing so gay.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Composed by Sir Arthur Seymour Sullivan (1842-1900). Children, Country life, Birds, Dwellings, Courtship, Love, Deception, Happiness. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2530). - - - Johns Hopkins University Sheridan Libraries

Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes

Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions