Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1157801 By Glen Campbell. By Jimmy Webb. Arranged by Stewart J Wallace. Contemporary,Country,Pop,Singer/Songwriter. Octavo. 12 pages. Stewart J Wallace #758133. Published by Stewart J Wallace (A0.1157801). This ballad by Jimmy Webb (writer of MacArthur Park and Wichita Lineman amongst many others) was a hit for country singer Glen Campbell who recorded it in 1967, and it was also covered by Dionne Warwick, Ann Murray, and Isaac Hayes. This arrangement is a straight-forward version for SATB choir, with all parts singing with the same rhythm and phrasing - aim to sing smoothly, with the same rhythms, and blend the voices. The piano part can be played as written note-for-note or with some variation, and the chord symbols will allow other instruments such as guitar and bass to play along too. The printed score includes a reduced score with just the vocal parts.

Concert Band - Level 2 - Digital Download SKU: A0.1028570 Composed by Crawford, Robert MacArthur. Arranged by B.J. Hascall. 20th Century. Score and parts. 21 pages. B.J. Hascall #6433499. Published by B.J. Hascall (A0.1028570). Grade 1.5 work for concert band.

Concert Band - Level 2 - Digital Download SKU: A0.1142224 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Arthur C. Maurer. Disco,Film/TV,Pop,Rock,Singer/Songwriter. Score and Parts. 42 pages. Arthur Cristovão Maurer #742604. Published by Arthur Cristovão Maurer (A0.1142224). Olha, você já quis uma música que combina o rock e o disco em uma só, que não seja difícil de tocar e que transmite um sentimento muito gostosinho? Então, compre o I Will Survive! Essa música, de 1978, nos lembra dos tempos bons da época de 1970. Logo, se você tocar essa música em suas apresentações, tenha certeza, você será sempre convidado a participar de mais grande eventos. O arranjo conta com 9 instrumentos (Flauta transversal, Sax Alto, Sax Tenor, Trompete em Bb, Trombone em C, Bateria, Piano, Baixo elétrico e Guitarra elétrica), perfeito para seu concert band!

Brass Quintet - Level 2 - Digital Download SKU: A0.1492883 Composed by Arthur E. Behim, Frank J. Gillen, Walter Hirsch. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #1069609. Published by Alexander Wilson (A0.1492883). Sweet Molly Malone, written in 1921 by Arthur E. Behim and Frank J. Gillen, with words by Walter Hirsch, is not the traditional Irish song Molly Malone.  But it is a charming Irish-styled waltz that your audience will enjoy. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba).  Contact us at https://www.tootsuitebrasspublishing.com/about-us about the availability of additional transpositions.  Performance time is approximately 1:28.  Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Piano - Digital Download SKU: LV.11767 Composed by C. J. Arthur Marier. Steamboats, Ferries, Cityscapes, Harbors. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11767). Peerless. Rockaway. by C.J. Arthur Marier. Published [n.d.] by M.D. Swisher, 125 S. Tenth St. in Philadelphia. Composition of sectional with piano instrumentation. Subject headings for this piece include Steamboats, Ferries, Cityscapes, Harbors. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Concert Band - Level 2 - Digital Download SKU: A0.1144007 By White Stripes. By Jack White. Arranged by Arthur C. Maurer. Blues,Film/TV,Rock,Video Game. Score and parts. 51 pages. Arthur Cristovão Maurer #744317. Published by Arthur Cristovão Maurer (A0.1144007). Um dos maiores clássicos do Rock dos anos 2000, com uma linha de baixo surpreendentemente famosíssima! Já pensou tocar este hit dos White Stripes em sua Banda de Concerto? Então, aqui está! Para flautas, saxofones (alto e tenor), trompetes e trombones, piano, baixo, guitarra e bateria!

Small Ensemble Cello,Clarinet,Piano - Level 4 - Digital Download SKU: A0.1027151 Composed by Ludwig von Beethoven. Arranged by Arthur V J Nunez. Classical,Contemporary. Score and parts. 9 pages. Arthur Vincent John Nunez #16127. Published by Arthur Vincent John Nunez (A0.1027151). There are many beautiful melodies in Beethoven s Piano Sonatas. I have arranged his Andante from Piano Sonata Op49 No 1 as a Clarinet solo accompanied by Piano and Cello. Where possible this arrangement should be performed with a Cello.

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1302942 Composed by Rachel J. Peters. 21st Century,Classical,Opera. Score. 155 pages. Rachel J Peters #892551. Published by Rachel J Peters (A0.1302942). One-Act OperaMusic and Libretto by Rachel J. PetersAdapted from the short story by Arthur PhillipsCAST: 7 adult principals and children’s chorusDURATION: 1 hour 15 minutesWORLD PREMIERE: Fort Worth Opera, Spring 2019Recovering from a nervous breakdown, aspiring baker Leslie Sinclair finally reaches the end of her obsessive quest to bake the perfect baguette when the 207,345th one suddenly comes to life. Companionship mirrors our contemporary world, where what we consume becomes all-consuming. NOTE: All performances of this work require separate permission and licensing. To learn more about this opera and obtain performance rights, please visit www.racheljpeters.com.

Piano Solo - Level 5 - Digital Download SKU: A0.1465268 Composed by J.S. Bach and Arthur H. Mann. Arranged by Alex Mezeritski. Baroque,Christian,Praise & Worship,Religious,Sacred. Score. 4 pages. Alex Mezeritski #1043965. Published by Alex Mezeritski (A0.1465268). Another piece from the series of compositions called Classics and Hymns. In this piece I combined Prelude and Fugue in C Major and the famous hymn O Savior, Precious Savior by Arthur H. Mann.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1492711 By Alex Tinlin. By Arthur Poyser. Arranged by Alex Tinlin. 20th Century,Chamber,Classical,Folk,Traditional. 7 pages. Alex Tinlin #1069391. Published by Alex Tinlin (A0.1492711). My arrangement for String Quartet of Arthur Poyser's song 'The Galloping Squire', with words by G.J. Whyte Melville.

Marching Band - Level 2 - Digital Download SKU: A0.1306151 By Little Peggy March. By Arthur Altman, Del Roma, J.W. Stole, Jacques Plante, and Norman Gimbel. Arranged by José Daniel Pinzón Parra & José Enrique Pinzón Parra. Broadway,Film/TV,March,Musical/Show,Pop,Spiritual. Score and Parts. 10 pages. José Daniel Pinzón Parra #895417. Published by José Daniel Pinzón Parra (A0.1306151). I Will Follow Him ​​es una canción popular que fue grabada por primera vez en 1961 por Franck Pourcel, como instrumental titulada Chariot. La canción alcanzó su mayor éxito cuando fue grabada por la cantante estadounidense Little Peggy March con letra en inglés en 1963. La música fue escrita por Franck Pourcel (usando el seudónimo de JW Stole) y Paul Mauriat (usando el seudónimo de Del Roma). Fue adaptado por Arthur Altman. La letra en inglés completamente nueva fue escrita por Norman Gimbel.La canción aparece al final de la película Sister Act de 1992, donde fue interpretada por el coro de monjas para el Papa con el personaje de Whoopi Goldberg como cantante principal. La canción alcanzó el puesto 53 en la lista australiana de singles ARIA.Esta última gran versión para la película es ta que se presenta ahora adaptada para Banda Show, Marching y Concert Band, Donde los instrumentos buscan reflejar las voces de las cantantes del coro haciendo destacar sus distintos tonos, sus solos y acompañamientos, sin mencionar la adaptación del piano y violines para ser interpretado por instrumentos de viento-madera y metal.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.

Choral 3-Part Chorus,Choir,Choral - Level 4 - Digital Download SKU: A0.1448064 By M-A.G. de Saint Amant (Poet). By ?rthvr. 21st Century,A Cappella,Baroque,Chamber,Contemporary. 3 pages. Arthur #1028002. Published by Arthur (A0.1448064). A setting of the poem L´Hiver des Alpes by M-A.G. de Saint Amant, for 3 solo voices or women's choir.You are free to transpose the score.If you would like to perform the piece publicly (live concert or internet), please contact me.Here you can find the audio recording of this piece for download:https://arthvr000.bandcamp.com/album/vocal-music-poetry-settingsPoem Text:Ces atomes de feu qui sur la Neige brillent,Ces étincelles d’or, d’azur et de cristalDont l’Hiver, au Soleil, d’un lustre orientalPare ses cheveux blancs que les vents éparpillent ;Ce beau Coton du Ciel, de quoi les monts s’habillent,Ce Pavé transparent fait du second Métal,Et cet air net et sain, propre à l’esprit vital,Sont si doux à mes yeux que d’aise ils en pétillent.Cette saison me plaît : j’en aime la froideur ;Sa Robe d’Innocence et de pure candeurCouvre en quelque façon les crimes de la Terre.Aussi l’Olympien la voit d’un front humain ;Sa colère l’épargne et jamais le tonnerrePour désoler ses jours ne partit de sa main.

C Instrument - Level 4 - Digital Download SKU: A0.1365939 Composed by Jerry Goldsmith. Arranged by John Fries. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #950276. Published by John Fries (A0.1365939). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! The original 1960 production, directed by Moss Hart with orchestrations by Robert Russell Bennett and Philip J. Lang, ran on Broadway for 873 performances, winning four Tony Awards. It starred Richard Burton as Arthur, Julie Andrews as Guenevere, and Robert Goulet as Lancelot. It spawned several notable productions including four Broadway revivals and a 1967 film adaptation. The 2023 Broadway revival features a revised book by Aaron Sorkin. The musical has become associated with the Presidency of John F. Kennedy, which is sometimes called the Camelot Era, because of an interview with Jackie Kennedy in which she compared her husband's presidency to King Arthur's reign, specifically mentioning his fondness for the musical and particularly the title song's closing lyrics, which end Camelot.