Flute Quartet,Woodwind Ensemble Alto Flute - Digital Download SKU: A0.1324882 By Sir Arthur Seymour Sullivan. By Sir Arthur Seymour Sullivan. Arranged by Andrew Lamb. 19th Century,Chamber. 21 pages. Andrew Lamb #913099. Published by Andrew Lamb (A0.1324882). 🌸 Immerse your audience in the enchanting melodies of Sir Arthur Sullivan with our Flute Quartet arrangement of The Long Day Closes. 🎶 Scored for 3 Flutes and 1 Alto Flute, this adaptation adds a unique, ethereal quality to Sullivan's timeless composition.Level of Difficulty: Medium - HardPotential Uses: Perfect for concerts or recitals, this arrangement offers a captivating experience for flute enthusiasts, exploring the depth of Sullivan's musical legacy. 🌅🎵Like and subscribe for more musical magic! 🌟.

Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World,  a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter.  The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances.  Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range.  Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable.  Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.   She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music.  The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock.  Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships.  Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1126715 Composed by Sir Arthur Seymour Sullivan and Sir William S. Gilbert. Arranged by Scott S. Stewart. 19th Century,Children,Opera,Pop,Standards. 18 pages. Scott S. Stewart #727363. Published by Scott S. Stewart (A0.1126715). W. S. Gilbert’s poem “I have a song to sing, O� set to music by Arthur Sullivan in ‘The Yeoman of the Guard’ or, The Merryman and His Maid’ (1888) is an example of a ‘cumulative’ song – where each verse gets progressively longer. It originally appears as a duet in the G&S opera, and gained popularity outside that world with Peter, Paul and Mary’s rendition, as recorded on their 1969 album “Peter, Paul and Mommy.� – introducing the world of G&S to a completely new audience. This arrangement is for 4-part SATB ensemble with piano accompaniment. It is an excellent introduction to the music of Gilbert & Sullivan, a teachable moment about form, and a perfect sing-a-long tune to include on any family oriented, community outreach program. Performance time: 3:35+-.

Piano - Digital Download SKU: LV.371 Composed by Arthur O'Leary. Postage stamps. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.371). A. & S. Nordheimer's Collection of Favorite Dances. Stamp Galop. Arthur O'Leary. Published [n.d.] by A. & S. Nordheimer in Montrel. Composition of da capo with piano instrumentation. Subject headings for this piece include Postage stamps. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.13300 Composed by Arthur Percy. Portraits--Ulysses S. Grant, Presidential elections, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13300). We'll Vote For Grant Again. Song and Chorus. Words by Capt. James F. Keegan. Music by Arthur Percy. Published 1872 by C.H. Ditson & Co., 711 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits--Ulysses S. Grant, Presidential elections, Patriotism. First line reads Come gather round the fire my boys, Lay on another rail.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.23640 Composed by Arthur West. Leisure, Entertainment, Eating & drinking, Alcoholic beverages, Bachelors, Symbols. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23640). Night Owls. Convivial March Song and Chorus. Written and Composed by Arthur West. Published 1894 by M. Witmark & Sons, 51 West 28th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Leisure, Entertainment, Eating & drinking, Alcoholic beverages, Bachelors, Symbols. First line reads The owl can only see by night, that's all it's got to do.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano - Digital Download SKU: LV.11767 Composed by C. J. Arthur Marier. Steamboats, Ferries, Cityscapes, Harbors. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11767). Peerless. Rockaway. by C.J. Arthur Marier. Published [n.d.] by M.D. Swisher, 125 S. Tenth St. in Philadelphia. Composition of sectional with piano instrumentation. Subject headings for this piece include Steamboats, Ferries, Cityscapes, Harbors. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (TTBB quartet or chorus) - Digital Download SKU: LV.11589 Composed by Arthur D. Walbridge. Emblems, Fraternities & sororities, Organizations, Friendship, Toasting, Eating & drinking, Absences. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11589). Delta Kappa Epsilon. Solo or Quartette. Words by C.C. Puffer. Music by Arthur D. Walbridge. Published [n.d.] by Wm. S. Mackie & Son, 82 State Street in Rochester, N.Y. Composition of strophic with piano and voice (ttbb quartet or chorus) instrumentation. Subject headings for this piece include Emblems, Fraternities & sororities, Organizations, Friendship, Toasting, Eating & drinking, Absences. First line reads Brothers fill your glasses high, brimming lip and brimming eye.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano - Digital Download SKU: LV.13607 Composed by Arthur W. Pryor. History--American, Ships, Costumes, Drums, Daggers & swords, Taxes, Tariffs. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13607). Ye Boston Tea-Party. March and Two-Step. America's Patriotic Two-Step Hit. By Arthur W. Pryor. Published 1897 by Brokaw Music Pub. Co. in St. Joseph, Mo. Composition of sectional with piano instrumentation. Subject headings for this piece include History--American, Ships, Costumes, Drums, Daggers & swords, Taxes, Tariffs. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.5278 Composed by Arthur Trevelyan. Courtship, Love, Marriage proposals, Families, Social classes, Wealth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5278). The London Rage. The Girl Who Made Her Fortune in the Ballet. Comic Song and Chorus. Words by F. Hawley Franks. Music by Arthur Trevelyan. Published 1894 by Spaulding & Gray, 16 West 27th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Marriage proposals, Families, Social classes, Wealth. First line reads Now we've heard a lot about the men, who cut a mighty dash.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4524 Composed by Arthur Baker. Time, Love, Human life cycle, Marriage. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4524). Silver Threads Were Golden Then. Song and Chorus. Words by Edward Earnest. Music by Arthur Baker. Published 1875 by John Church & Co. in Cincinnati. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Time, Love, Human life cycle, Marriage. First line reads Lay your gentle hand in mine, loving eyes with beauty shine.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano - Digital Download SKU: LV.23470 Composed by Arthur M. Kraus. Soldiers, Shadows, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23470). Smiling Sammy. Fox Trot. By Arthur M. Kraus. Published 1917 by Jerome H. Remick & Co. in New York. Composition of da capo with trio with piano instrumentation. Subject headings for this piece include Soldiers, Shadows, World War I. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.19440 Composed by Arthur M. Fournier. Airplanes, Portraits, Cartoons, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19440). Dana Hayes & Ben M. Giroux Present Up in the Air. An Up-to-the-Minute Musical Farce in Two Hilarious Flights. Yokohama. Book and Lyrics by Michael Corper & Waldo C. Twitchell. Music by Arthur M. Fournier. Published 1918 by Sherman, Clay & Co. in San Francisco. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Airplanes, Portraits, Cartoons, Courtship & love. First line reads Oh twinkling lights from far Japan, That sparkle in the trees.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.9609 Composed by Stephen Jones & Arthur Samuels. Celebrities, Portraits, Absences, Courtship, Love, Distress. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9609). What Do You Do Sundays, Mary. Words by Irving Caesar. Music by Stephen Jones and Arthur Samuels. Published 1923 by Harms, Inc. in New York. Composition of strophic with refrain with piano and voice instrumentation. Subject headings for this piece include Celebrities, Portraits, Absences, Courtship, Love, Distress. First line reads You have not been so kind, Mary.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.