Choral Choir,Choral (SATB) - Digital Download SKU: A0.955828 Composed by Arthur Schwartz. Arranged by Scott S. Stewart. Contemporary. 7 pages. Scott S. Stewart #6236335. Published by Scott S. Stewart (A0.955828). You and the Night and the Music, composed by Arthur Schwartz and Howard Dietz, debuted in the Broadway show Revenge with Music (1934) It has earned its place as a standard in the Great American Songbook. This sensuous waltz is arranged for 4-part SATB ensemble with piano accompaniment. Performance time: 2:38+. It programs well on choral concerts, outdoor events, and on American-themed concerts.

Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015590 Hawaiian War Chant - (Ta-Hu-Wa-Hu-Wai). By Bob Wills and His Texas Playboys. By Johnny Noble and Leleiohaku. Pop/Rock. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015590. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015590). ISBN 9780739094228. UPC: 038081455204. Ralph Freed.Create a tropical soundscape by playing everybody's favorite Hawaiian traditional songs, island-themed standards, popular hits, and retro exotica novelties This practical songbook focuses on the songs and styles that today's audiences associate with Hawai'i, so they're guaranteed to entertain! The arrangements are for piano and voice, with basic chord fingering grids included for optional guitar accompaniment. Titles: 'Ama 'Ama (Israel Iz Kamakawiwo'ole) * 'Ulili E (Israel IZ Kamakawiwo'ole) * Aloha 'Oe (Farewell to Thee) (Elvis Presley) * Better Together (Jack Johnson) * Caravan (Arthur Lyman) * E Ku'u Morning Dew (Israel Iz Kamakawiwo'ole) * Hawai'i '78 (Israel Iz Kamakawiwo'ole) * A Hawaiian Like Me (Israel Iz Kamakawiwo'ole) * Hawaiian Roller Coaster Ride (Walt Disney's Lilo & Stitch) * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) (Bob Wills and His Texas Playboys) * The Hawaiian Wedding Song (Ke Kali Nei Au) (Elvis Presley, Andy Williams) * Henehene Kou 'Aka (Israel Iz Kamakawiwo'ole) * Ka Huila Wai (Israel Iz Kamakawiwo'ole) * Live a Little (Hawaiian Style) * Love Song of Kalua (The Brothers Cazimero) * Lovely Hula Hands (Don Ho) * Mele Kalikimaka (Bing Crosby) * Miserlou (Arthur Lyman) * My Little Grass Shack in Kealakekua, Hawai'i (Annette Funicello) * Over The Rainbow (Israel Iz Kamakawiwo'ole) * Panini Puakea (Israel Iz Kamakawiwo'ole) * Pearly Shells (Pupu A O 'Ewa) (Don Ho) * Pua Lane (Brother Noland) * Sweet Leilani (Bing Crosby) * Tiny Bubbles (Hua Li'i) (Don Ho) * What a Wonderful World (Israel Iz Kamakawiwo'ole) * White Sandy Beach (Israel Iz Kamakawiwo'ole).

B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1215879 Composed by Arthur Ager. Arranged by Robert Luke Thompson. 20th Century,A Cappella,Christian,Easter,Praise & Worship. Octavo. 6 pages. Monkspath Music #812573. Published by Monkspath Music (A0.1215879). James Arthur Ager (1867-1947) was a British composer, organist, and music educator. He studied composition at the Royal College of Music in London under Hubert Parry and Frederick Bridge. Ager served as the organist and choirmaster at St. Andrew's Church in Birmingham for over 50 years. Ager also became Professor of Organ & Harmony at the Birmingham and Midland Institute School of Music (the predecessor of the Royal Birmingham Conservatoire) for nearly four decades. Although not as well-known as some of his contemporaries, Ager's music, including a variety of songs, choral, piano, and organ works, is worth exploring for those interested in late 19th and early 20th-century music. Perhaps his most famous composition is The Legend of St. Christopher, a cantata based on the medieval legend. Rejoicing is a beautiful hymn for SATB choir, which would be perfect for any number of concerts, festal days and services, such as Easter, Harvest, Earth Day, or for any suitable occasion. The register for all voices is suitable and accessible, making it an ideal addition to any choir’s repertoire. This version (in the original key of A major) has been re-engraved for both SATB short score, and long score – giving your choir the flexibility you may need. The short score has been kept as close to the original as possible, whilst the long score features some suggested extra dynamic markings. A PDF scan of the original publication is available via email request.For further pieces, view the Monkspath Music catalogue and click here!

Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Instrumental Duet Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.549452 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 15 pages. Jmsgu3 #3497185. Published by jmsgu3 (A0.549452). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.    

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015592 By Israel IZ Kamakawiwo'ole. By Mickey Ioane. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015592. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015592). ISBN 9780739094228. UPC: 038081455204.Create a tropical soundscape by playing everybody's favorite Hawaiian traditional songs, island-themed standards, popular hits, and retro exotica novelties This practical songbook focuses on the songs and styles that today's audiences associate with Hawai'i, so they're guaranteed to entertain! The arrangements are for piano and voice, with basic chord fingering grids included for optional guitar accompaniment. Titles: 'Ama 'Ama (Israel Iz Kamakawiwo'ole) * 'Ulili E (Israel IZ Kamakawiwo'ole) * Aloha 'Oe (Farewell to Thee) (Elvis Presley) * Better Together (Jack Johnson) * Caravan (Arthur Lyman) * E Ku'u Morning Dew (Israel Iz Kamakawiwo'ole) * Hawai'i '78 (Israel Iz Kamakawiwo'ole) * A Hawaiian Like Me (Israel Iz Kamakawiwo'ole) * Hawaiian Roller Coaster Ride (Walt Disney's Lilo & Stitch) * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) (Bob Wills and His Texas Playboys) * The Hawaiian Wedding Song (Ke Kali Nei Au) (Elvis Presley, Andy Williams) * Henehene Kou 'Aka (Israel Iz Kamakawiwo'ole) * Ka Huila Wai (Israel Iz Kamakawiwo'ole) * Live a Little (Hawaiian Style) * Love Song of Kalua (The Brothers Cazimero) * Lovely Hula Hands (Don Ho) * Mele Kalikimaka (Bing Crosby) * Miserlou (Arthur Lyman) * My Little Grass Shack in Kealakekua, Hawai'i (Annette Funicello) * Over The Rainbow (Israel Iz Kamakawiwo'ole) * Panini Puakea (Israel Iz Kamakawiwo'ole) * Pearly Shells (Pupu A O 'Ewa) (Don Ho) * Pua Lane (Brother Noland) * Sweet Leilani (Bing Crosby) * Tiny Bubbles (Hua Li'i) (Don Ho) * What a Wonderful World (Israel Iz Kamakawiwo'ole) * White Sandy Beach (Israel Iz Kamakawiwo'ole).

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015596 By Israel IZ Kamakawiwo'ole. By Sam Alama. Folk. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015596. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015596). ISBN 9780739094228. UPC: 038081455204.Create a tropical soundscape by playing everybody's favorite Hawaiian traditional songs, island-themed standards, popular hits, and retro exotica novelties This practical songbook focuses on the songs and styles that today's audiences associate with Hawai'i, so they're guaranteed to entertain! The arrangements are for piano and voice, with basic chord fingering grids included for optional guitar accompaniment. Titles: 'Ama 'Ama (Israel Iz Kamakawiwo'ole) * 'Ulili E (Israel IZ Kamakawiwo'ole) * Aloha 'Oe (Farewell to Thee) (Elvis Presley) * Better Together (Jack Johnson) * Caravan (Arthur Lyman) * E Ku'u Morning Dew (Israel Iz Kamakawiwo'ole) * Hawai'i '78 (Israel Iz Kamakawiwo'ole) * A Hawaiian Like Me (Israel Iz Kamakawiwo'ole) * Hawaiian Roller Coaster Ride (Walt Disney's Lilo & Stitch) * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) (Bob Wills and His Texas Playboys) * The Hawaiian Wedding Song (Ke Kali Nei Au) (Elvis Presley, Andy Williams) * Henehene Kou 'Aka (Israel Iz Kamakawiwo'ole) * Ka Huila Wai (Israel Iz Kamakawiwo'ole) * Live a Little (Hawaiian Style) * Love Song of Kalua (The Brothers Cazimero) * Lovely Hula Hands (Don Ho) * Mele Kalikimaka (Bing Crosby) * Miserlou (Arthur Lyman) * My Little Grass Shack in Kealakekua, Hawai'i (Annette Funicello) * Over The Rainbow (Israel Iz Kamakawiwo'ole) * Panini Puakea (Israel Iz Kamakawiwo'ole) * Pearly Shells (Pupu A O 'Ewa) (Don Ho) * Pua Lane (Brother Noland) * Sweet Leilani (Bing Crosby) * Tiny Bubbles (Hua Li'i) (Don Ho) * What a Wonderful World (Israel Iz Kamakawiwo'ole) * White Sandy Beach (Israel Iz Kamakawiwo'ole).

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015594 By Israel IZ Kamakawiwo'ole. Traditional. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0015594. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015594). ISBN 9780739094228. UPC: 038081455204.Create a tropical soundscape by playing everybody's favorite Hawaiian traditional songs, island-themed standards, popular hits, and retro exotica novelties This practical songbook focuses on the songs and styles that today's audiences associate with Hawai'i, so they're guaranteed to entertain! The arrangements are for piano and voice, with basic chord fingering grids included for optional guitar accompaniment. Titles: 'Ama 'Ama (Israel Iz Kamakawiwo'ole) * 'Ulili E (Israel IZ Kamakawiwo'ole) * Aloha 'Oe (Farewell to Thee) (Elvis Presley) * Better Together (Jack Johnson) * Caravan (Arthur Lyman) * E Ku'u Morning Dew (Israel Iz Kamakawiwo'ole) * Hawai'i '78 (Israel Iz Kamakawiwo'ole) * A Hawaiian Like Me (Israel Iz Kamakawiwo'ole) * Hawaiian Roller Coaster Ride (Walt Disney's Lilo & Stitch) * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) (Bob Wills and His Texas Playboys) * The Hawaiian Wedding Song (Ke Kali Nei Au) (Elvis Presley, Andy Williams) * Henehene Kou 'Aka (Israel Iz Kamakawiwo'ole) * Ka Huila Wai (Israel Iz Kamakawiwo'ole) * Live a Little (Hawaiian Style) * Love Song of Kalua (The Brothers Cazimero) * Lovely Hula Hands (Don Ho) * Mele Kalikimaka (Bing Crosby) * Miserlou (Arthur Lyman) * My Little Grass Shack in Kealakekua, Hawai'i (Annette Funicello) * Over The Rainbow (Israel Iz Kamakawiwo'ole) * Panini Puakea (Israel Iz Kamakawiwo'ole) * Pearly Shells (Pupu A O 'Ewa) (Don Ho) * Pua Lane (Brother Noland) * Sweet Leilani (Bing Crosby) * Tiny Bubbles (Hua Li'i) (Don Ho) * What a Wonderful World (Israel Iz Kamakawiwo'ole) * White Sandy Beach (Israel Iz Kamakawiwo'ole).

Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015599 By Israel IZ Kamakawiwo'ole. By Israel IZ Kamakawiwo'ole. Folk. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015599. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015599). ISBN 9780739094228. UPC: 038081455204.Create a tropical soundscape by playing everybody's favorite Hawaiian traditional songs, island-themed standards, popular hits, and retro exotica novelties This practical songbook focuses on the songs and styles that today's audiences associate with Hawai'i, so they're guaranteed to entertain! The arrangements are for piano and voice, with basic chord fingering grids included for optional guitar accompaniment. Titles: 'Ama 'Ama (Israel Iz Kamakawiwo'ole) * 'Ulili E (Israel IZ Kamakawiwo'ole) * Aloha 'Oe (Farewell to Thee) (Elvis Presley) * Better Together (Jack Johnson) * Caravan (Arthur Lyman) * E Ku'u Morning Dew (Israel Iz Kamakawiwo'ole) * Hawai'i '78 (Israel Iz Kamakawiwo'ole) * A Hawaiian Like Me (Israel Iz Kamakawiwo'ole) * Hawaiian Roller Coaster Ride (Walt Disney's Lilo & Stitch) * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) (Bob Wills and His Texas Playboys) * The Hawaiian Wedding Song (Ke Kali Nei Au) (Elvis Presley, Andy Williams) * Henehene Kou 'Aka (Israel Iz Kamakawiwo'ole) * Ka Huila Wai (Israel Iz Kamakawiwo'ole) * Live a Little (Hawaiian Style) * Love Song of Kalua (The Brothers Cazimero) * Lovely Hula Hands (Don Ho) * Mele Kalikimaka (Bing Crosby) * Miserlou (Arthur Lyman) * My Little Grass Shack in Kealakekua, Hawai'i (Annette Funicello) * Over The Rainbow (Israel Iz Kamakawiwo'ole) * Panini Puakea (Israel Iz Kamakawiwo'ole) * Pearly Shells (Pupu A O 'Ewa) (Don Ho) * Pua Lane (Brother Noland) * Sweet Leilani (Bing Crosby) * Tiny Bubbles (Hua Li'i) (Don Ho) * What a Wonderful World (Israel Iz Kamakawiwo'ole) * White Sandy Beach (Israel Iz Kamakawiwo'ole).

Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.